Daoism and the Human Experience – serie

East Asian imagery resonates throughout Martin Heidegger’s writings. In this exploration of the connections between Daoism and his thought, an international team of scholars consider why the Daodejing and Zhuangzi were texts he returned to repeatedly and the extent Heidegger adhered to Daoism’s core doctrines.They discuss how Daoist thought provided him with a new perspective, equipping him with images, concepts, and meanings that enabled him to continue his questioning of the nature of being. Exploring the environment, language, death, temporality, aesthetics, and race from the groundlessness of non-being, oneness, and the Way, they illustrate how these themes reverberate with ontological, spiritual, and epistemological potential.A lesson in the art of Daoist and cross-cultural ways of thinking, this collection marks the first sustained analysis of the influence of classical Daoism on a major 20th-century German philosopher.

East Asian imagery resonates throughout Martin Heidegger''s writings. In this exploration of the connections between Daoism and his thought, an international team of scholars consider why the Daodejing and Zhuangzi were texts he returned to repeatedly and the extent Heidegger adhered to Daoism''s core doctrines. They discuss how Daoist thought provided him with a new perspective, equipping him with images, concepts, and meanings that enabled him to continue his questioning of the nature of being. Exploring the environment, language, death, temporality, aesthetics, and race from the groundlessness of non-being, oneness, and the Way, they illustrate how these themes reverberate with ontological, spiritual, and epistemological potential. A lesson in the art of Daoist and cross-cultural ways of thinking, this collection marks the first sustained analysis of the influence of classical Daoism on a major 20th-century German philosopher.

East Asian imagery resonates throughout Martin Heidegger''s writings. In this exploration of the connections between Daoism and his thought, an international team of scholars consider why the Daodejing and Zhuangzi were texts he returned to repeatedly and the extent Heidegger adhered to Daoism''s core doctrines. They discuss how Daoist thought provided him with a new perspective, equipping him with images, concepts, and meanings that enabled him to continue his questioning of the nature of being. Exploring the environment, language, death, temporality, aesthetics, and race from the groundlessness of non-being, oneness, and the Way, they illustrate how these themes reverberate with ontological, spiritual, and epistemological potential. A lesson in the art of Daoist and cross-cultural ways of thinking, this collection marks the first sustained analysis of the influence of classical Daoism on a major 20th-century German philosopher.

East Asian imagery resonates throughout Martin Heidegger’s writings. In this exploration of the connections between Daoism and his thought, an international team of scholars consider why the Daodejing and Zhuangzi were texts he returned to repeatedly and the extent Heidegger adhered to Daoism’s core doctrines.They discuss how Daoist thought provided him with a new perspective, equipping him with images, concepts, and meanings that enabled him to continue his questioning of the nature of being. Exploring the environment, language, death, temporality, aesthetics, and race from the groundlessness of non-being, oneness, and the Way, they illustrate how these themes reverberate with ontological, spiritual, and epistemological potential.A lesson in the art of Daoist and cross-cultural ways of thinking, this collection marks the first sustained analysis of the influence of classical Daoism on a major 20th-century German philosopher.

In this innovative contribution, Eric S. Nelson offers a contextualized and systematic exploration of the Chinese sources and German language interpretations that shaped Heidegger's engagement with Daoism and his thinking of the thing, nothingness, and the freedom of releasement (Gelassenheit). Encompassing forgotten and recently published historical sources, including Heidegger's Daoist and Buddhist-related reflections in his lectures and notebooks, Nelson presents a critical intercultural reinterpretation of Heidegger's philosophical journey.Nelson analyzes the intersections and differences between the Daodejing, the Zhuangzi, and Heidegger's philosophy and the linguistic and conceptual shifts in Heidegger's thinking that correlate with his encounters and interactions with Daoist, Buddhist, and East Asian texts and interlocutors. He thereby traces hints for encountering things and environments anew, models for intercultural hermeneutics, and ways of reimagining the thing, nothingness, and freedom with and beyond Heidegger's thought.This work elucidates the thing, the mystery, and freedom in Heidegger and Daoism in Part I and Heidegger's thinking of nothingness, emptiness, and the clearing in relation to Daoist and Buddhist philosophy in Part II. In each part, Nelson unfolds a fresh perspective for thinking further with Heidegger and East Asian philosophies in relation to the contemporary existential and environmental situation for the sake of nourishing life amidst damaged life.

In this innovative contribution, Eric S. Nelson offers a contextualized and systematic exploration of the Chinese sources and German language interpretations that shaped Heidegger''s engagement with Daoism and his thinking of the thing, nothingness, and the freedom of releasement (Gelassenheit). Encompassing forgotten and recently published historical sources, including Heidegger''s Daoist and Buddhist-related reflections in his lectures and notebooks, Nelson presents a critical intercultural reinterpretation of Heidegger''s philosophical journey. Nelson analyzes the intersections and differences between the Daodejing, the Zhuangzi, and Heidegger''s philosophy and the linguistic and conceptual shifts in Heidegger''s thinking that correlate with his encounters and interactions with Daoist, Buddhist, and East Asian texts and interlocutors. He thereby traces hints for encountering things and environments anew, models for intercultural hermeneutics, and ways of reimagining the thing, nothingness, and freedom with and beyond Heidegger''s thought. This work elucidates the thing, the mystery, and freedom in Heidegger and Daoism in Part I and Heidegger''s thinking of nothingness, emptiness, and the clearing in relation to Daoist and Buddhist philosophy in Part II. In each part, Nelson unfolds a fresh perspective for thinking further with Heidegger and East Asian philosophies in relation to the contemporary existential and environmental situation for the sake of nourishing life amidst damaged life.

In this innovative contribution, Eric S. Nelson offers a contextualized and systematic exploration of the Chinese sources and German language interpretations that shaped Heidegger''s engagement with Daoism and his thinking of the thing, nothingness, and the freedom of releasement (Gelassenheit). Encompassing forgotten and recently published historical sources, including Heidegger''s Daoist and Buddhist-related reflections in his lectures and notebooks, Nelson presents a critical intercultural reinterpretation of Heidegger''s philosophical journey. Nelson analyzes the intersections and differences between the Daodejing, the Zhuangzi, and Heidegger''s philosophy and the linguistic and conceptual shifts in Heidegger''s thinking that correlate with his encounters and interactions with Daoist, Buddhist, and East Asian texts and interlocutors. He thereby traces hints for encountering things and environments anew, models for intercultural hermeneutics, and ways of reimagining the thing, nothingness, and freedom with and beyond Heidegger''s thought. This work elucidates the thing, the mystery, and freedom in Heidegger and Daoism in Part I and Heidegger''s thinking of nothingness, emptiness, and the clearing in relation to Daoist and Buddhist philosophy in Part II. In each part, Nelson unfolds a fresh perspective for thinking further with Heidegger and East Asian philosophies in relation to the contemporary existential and environmental situation for the sake of nourishing life amidst damaged life.

In this innovative contribution, Eric S. Nelson offers a contextualized and systematic exploration of the Chinese sources and German language interpretations that shaped Heidegger's engagement with Daoism and his thinking of the thing, nothingness, and the freedom of releasement (Gelassenheit). Encompassing forgotten and recently published historical sources, including Heidegger's Daoist and Buddhist-related reflections in his lectures and notebooks, Nelson presents a critical intercultural reinterpretation of Heidegger's philosophical journey.Nelson analyzes the intersections and differences between the Daodejing, the Zhuangzi, and Heidegger's philosophy and the linguistic and conceptual shifts in Heidegger's thinking that correlate with his encounters and interactions with Daoist, Buddhist, and East Asian texts and interlocutors. He thereby traces hints for encountering things and environments anew, models for intercultural hermeneutics, and ways of reimagining the thing, nothingness, and freedom with and beyond Heidegger's thought.This work elucidates the thing, the mystery, and freedom in Heidegger and Daoism in Part I and Heidegger's thinking of nothingness, emptiness, and the clearing in relation to Daoist and Buddhist philosophy in Part II. In each part, Nelson unfolds a fresh perspective for thinking further with Heidegger and East Asian philosophies in relation to the contemporary existential and environmental situation for the sake of nourishing life amidst damaged life.

Jay Goulding’s Daoist Phenomenology represents a lifelong project of interpolating the works of Martin Heidegger with the interweavings of Daoism and Zen.Illustrating styles of reading complex texts from Europe and East Asia, Goulding moves away from horizontal reading of simple comparisons on a single plain to vertical reading as a deep dive of ideas into ancient worlds.Vertical Reading is hermeneutic strategy that captures the depth of connection between phenomenology and Daoism, especially Heidegger and classical Daoists Laozi and Zhuangzi. His method reveals Daoist implications of Dogen’s Zen and draws on writing and ideas from popular culture including Jules Verne, H. P. Lovecraft, Philip K. Dick, George Lucas’ Star Wars universe and martial artist Bruce Lee.Original and wide-ranging, Goulding’s interconnected approach to phenomenology and Daoism enhances and promotes further intercultural dialogues between two great traditions in world philosophies.

Jay Goulding''s Daoist Phenomenology represents a lifelong project of interpolating the works of Martin Heidegger with the interweavings of Daoism and Zen. Illustrating styles of reading complex texts from Europe and East Asia, Goulding moves away from horizontal reading of simple comparisons on a single plain to vertical reading as a deep dive of ideas into ancient worlds.Vertical Reading is hermeneutic strategy that captures the depth of connection between phenomenology and Daoism, especially Heidegger and classical Daoists Laozi and Zhuangzi. His method reveals Daoist implications of Dogen''s Zen and draws on writing and ideas from popular culture including Jules Verne, H. P. Lovecraft, Philip K. Dick, George Lucas'' Star Wars universe and martial artist Bruce Lee.Original and wide-ranging, Goulding''s interconnected approach to phenomenology and Daoism enhances and promotes further intercultural dialogues between two great traditions in world philosophies.

Jay Goulding''s Daoist Phenomenology represents a lifelong project of interpolating the works of Martin Heidegger with the interweavings of Daoism and Zen. Illustrating styles of reading complex texts from Europe and East Asia, Goulding moves away from horizontal reading of simple comparisons on a single plain to vertical reading as a deep dive of ideas into ancient worlds.Vertical Reading is hermeneutic strategy that captures the depth of connection between phenomenology and Daoism, especially Heidegger and classical Daoists Laozi and Zhuangzi. His method reveals Daoist implications of Dogen''s Zen and draws on writing and ideas from popular culture including Jules Verne, H. P. Lovecraft, Philip K. Dick, George Lucas'' Star Wars universe and martial artist Bruce Lee.Original and wide-ranging, Goulding''s interconnected approach to phenomenology and Daoism enhances and promotes further intercultural dialogues between two great traditions in world philosophies.

Jay Goulding’s Daoist Phenomenology represents a lifelong project of interpolating the works of Martin Heidegger with the interweavings of Daoism and Zen.Illustrating styles of reading complex texts from Europe and East Asia, Goulding moves away from horizontal reading of simple comparisons on a single plane to vertical reading as a deep dive of ideas into ancient worlds.Vertical Reading is hermeneutic strategy that captures the depth of connection between phenomenology and Daoism, especially Heidegger and classical Daoists Laozi and Zhuangzi. His method reveals Daoist implications of Dogen’s Zen and draws on writing and ideas from popular culture including Jules Verne, H. P. Lovecraft, Philip K. Dick, George Lucas’ Star Wars universe and martial artist Bruce Lee.Original and wide-ranging, Goulding’s interconnected approach to phenomenology and Daoism enhances and promotes further intercultural dialogues between two great traditions in world philosophies.

In this exploration of the central Chinese concept of qi, a team of authors trace its role in early texts and contemporary neuroscience to show how it continues to be relevant beyond China.As life-long scholars of qi related practices, Adam Frank, Nancy Chen, and Stephen Field offer new insights into the significance of qi in the current Anthropocene. They connect Daoist studies, Chinese medicine, martial arts, popular culture, and historical phenomenology to examine the experience of qi as part of the natural world, as breathwork, as mind-body connections, and as an increasingly frequent referent in film, comic books, and medicinal products.This interdisciplinary conversation includes explorations of qi in the context of ancient texts, performing arts, medical anthropology, and consciousness studies. Their approach allows them to reveal the fundamental role qi plays in our shared experience of being human–in the air we breathe, the food we eat, and the fractured identities with which many of us contend.Covering its earliest inception in the minds of Chinese proto-scientists to its function in our transglobal world, this co-authored work opens up novel ways of studying brains, minds and the spaces we now inhabit.

In this exploration of the central Chinese concept of qi, a team of authors trace its role in early texts and contemporary neuroscience to show how it continues to be relevant beyond China.As life-long scholars of qi related practices, Adam Frank, Nancy Chen, and Stephen Field offer new insights into the significance of qi in the current Anthropocene. They connect Daoist studies, Chinese medicine, martial arts, popular culture, and historical phenomenology to examine the experience of qi as part of the natural world, as breathwork, as mind-body connections, and as an increasingly frequent referent in film, comic books, and medicinal products.This interdisciplinary conversation includes explorations of qi in the context of ancient texts, performing arts, medical anthropology, and consciousness studies. Their approach allows them to reveal the fundamental role qi plays in our shared experience of being human in the air we breathe, the food we eat, and the fractured identities with which many of us contend.Covering its earliest inception in the minds of Chinese proto-scientists to its function in our transglobal world, this co-authored work opens up novel ways of studying brains, minds and the spaces we now inhabit.