Edinburgh Edition of the Collected Works of Katherine Mansfield – serie

‘“We owe to her the prosperity of the ‘free’ story,” Elizabeth Bowen said of Katherine Mansfield: “she untrammelled it from conventions.” Here, at last, is the evidence in full: the edition Mansfield deserves.’Professor David Trotter, University of Cambridge'This much needed and very welcome work does two important things: It gives us all of Mansfield’s fiction, with useful notes; and it removes many of John Middleton Murry’s intrusions into the stories he edited after Mansfield’s death. We all owe the editors, Gerri Kimber and Vincent O’Sullivan, a debt of gratitude for this excellent edition of the work of a major modernist writer.'Professor Robert Scholes, Brown UniversityThe Edinburgh Edition of the Collected Fiction of Katherine Mansfield: Volume 1 Fiction 1898–1915Edited by Gerri Kimber and Vincent O’SullivanThe first complete edition of Katherine Mansfield’s fictionThese two volumes collect together 219 of Mansfield’s stories, including 4 newly discovered, previously unpublished stories. Together the volumes expand considerably upon the largest previous single collected edition of 85 stories. Gathered here are Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.The Edinburgh Edition of the Collected Works of Katherine Mansfield in 4 volumes

These two volumes collect together 215 of Mansfield’s stories and expand considerably upon the largest previous single collected edition of 85 stories. They include Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.Key Features:Brings together for the first time all of Mansfield's extant fictionRefocuses critical attention on one of the most influential exponents of modernist fictionThe essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writerRedefines Mansfield as a writer for the next generationThe Edinburgh Edition of the Collected Works of Katherine Mansfield, Volumes 1-4

Katherine Mansfield’s non-fiction collected in one volume for the first timeThis volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield’s poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of the novels of the day, and her essays, including those for the little magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced, some of it unpublished until this edition.For the first time, Mansfield scholars and devotees can read all of Mansfield’s non-fiction work, which expands considerably on previous partial editions of her poems or critical writings. Arranged chronologically, and with perceptive notes and a General Introduction by two leading Mansfield scholars, this is, at last, the Edition that Mansfield deserves.This volume of Mansfield’s poetry and critical writing comprises:Book reviews (not collected since 1987 and incomplete)Poetry (not collected since 1988 and incomplete)Translations (not previously collected)Essays (not collected since 1987 and incomplete)Parodies (not previously collected)Pastiches (not previously collected)Key FeaturesMaterial has been out of print for decadesFully annotatedSome material has never been collected or seen before

Katherine Mansfield’s non-fiction collected in one volume for the first timeThis volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield’s poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of the novels of the day, and her essays, including those for the little magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced, some of it unpublished until this edition.For the first time, Mansfield scholars and devotees can read all of Mansfield’s non-fiction work, which expands considerably on previous partial editions of her poems or critical writings. Arranged chronologically, and with perceptive notes and a General Introduction by two leading Mansfield scholars, this is, at last, the Edition that Mansfield deserves.This volume of Mansfield’s poetry and critical writing comprises:Book reviews (not collected since 1987 and incomplete)Poetry (not collected since 1988 and incomplete)Translations (not previously collected)Essays (not collected since 1987 and incomplete)Parodies (not previously collected)Pastiches (not previously collected)Key FeaturesMaterial has been out of print for decadesFully annotatedSome material has never been collected or seen before

The complete works of Katherine Mansfield in 4 volumesThis four-volume edition of Katherine Mansfield’s works, assembled by Series Editor Gerri Kimber and her co-editors, brings together, for the first time, everything Mansfield wrote aside from her letters (which have their own edition).Volumes 1 and 2 – the fiction – bring together 220 stories and story fragments, expanding considerably on a previous ‘definitive' edition of 85 stories. Arranged chronologically, the reader can trace Mansfield’s progress, month by month from her first schoolgirl story in 1898 to her last complete story in July 1922. Volume 3 redefines Mansfield as a critic, translator and poet, by bringing together all of her poetry (almost 200 poems), her literary translations, her witty, sometimes scorching parodies, pastiches and essays, as well as her many incisive reviews of the novels of the day. The collection attests to the enormous variety of her non-fiction output, some of it published here for the first time. Volume 4 – the diaries – resituates Mansfield not just as a short story writer, but also as an observant diarist, chronicler of her times and an erudite reader of English and European literatures. The size of the volume attests to the variety of personal writings, accounts, and reading notes she produced during her lifetime, some of it unpublished until this edition.The material presented here has been minutely edited for the first time, with precise historical, cultural and biographical contextualisations. Essential contextual perspectives reveal Mansfield’s evolution as a writer, and the impact of her era on early drafts of her mature writings. A detailed index facilitates cross-reading and referencing for scholars and general readers alike.Together, all four volumes offer readers the scholarly edition Mansfield’s writing so richly deserves.Key FeaturesFully annotated throughout by leading Mansfield scholarsIncludes material published here for the first timeMansfield’s diaries unexpurgated and chronologically ordered for the first timeComplete collection of her poems brought together for the first time, including many never published beforeTranslations published in one volume for the first time

Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literaturesPreviously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield’s diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield’s evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new material never previously published – poem-cycles, letters, Mansfield’s own illustrations, and the last materials she was working on in the final weeks of her life.  A detailed index facilitates cross-reading and referencing for scholars and general readers alike.

These two volumes collect together 215 of Mansfield’s stories and expand considerably upon the largest previous single collected edition of 85 stories. They include Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.Key Features:Brings together for the first time all of Mansfield's extant fictionRefocuses critical attention on one of the most influential exponents of modernist fictionThe essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writerRedefines Mansfield as a writer for the next generationThe Edinburgh Edition of the Collected Works of Katherine Mansfield, Volumes 1-4

‘“We owe to her the prosperity of the ‘free’ story,” Elizabeth Bowen said of Katherine Mansfield: “she untrammelled it from conventions.” Here, at last, is the evidence in full: the edition Mansfield deserves.’Professor David Trotter, University of Cambridge'This much needed and very welcome work does two important things: It gives us all of Mansfield’s fiction, with useful notes; and it removes many of John Middleton Murry’s intrusions into the stories he edited after Mansfield’s death. We all owe the editors, Gerri Kimber and Vincent O’Sullivan, a debt of gratitude for this excellent edition of the work of a major modernist writer.'Professor Robert Scholes, Brown UniversityThe Edinburgh Edition of the Collected Fiction of Katherine Mansfield: Volume 1 Fiction 1898–1915Edited by Gerri Kimber and Vincent O’SullivanThe first complete edition of Katherine Mansfield’s fictionThese two volumes collect together 219 of Mansfield’s stories, including 4 newly discovered, previously unpublished stories. Together the volumes expand considerably upon the largest previous single collected edition of 85 stories. Gathered here are Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.The Edinburgh Edition of the Collected Works of Katherine Mansfield in 4 volumes

Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literaturesPreviously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield’s diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield’s evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new material never previously published – poem-cycles, letters, Mansfield’s own illustrations, and the last materials she was working on in the final weeks of her life.  A detailed index facilitates cross-reading and referencing for scholars and general readers alike.