Katherine Mansfield – författare

WITH AN INTRODUCTION BY ALI SMITHKatherine Mansfield's clear, sparkling and perceptive short stories revolutionized the genre, and this collection represents the whole range of her writing. Moving, resonant, full of light and colour, they range from short sharp studies to longer, richer tales, encompassing her three major volumes Bliss, The Garden Party and In a German Pension, and fifteen tantalizing fragments of unfinished stories published after her tragic death, including 'Honesty', an intriguing tale of two bachelors, and 'The Doves' Nest', an exquisite story of a widowed mother and her daughter in the Riviera who receive a mysterious gentleman caller. Graceful, delicate and quietly devastating, they observe apparently trivial incidents to create sensitive, often painful revelations of her characters' inner lives.

HarperCollins is proud to present our range of timeless literary classics.‘The red and yellow tulips, heavy with flowers, seemed to lean upon the dusk. A grey cat, dragging its belly, crept across the lawn, and a black one, its shadow, trailed after.’Powerful and evocative, each of Katherine Mansfield’s short stories is a masterclass in the form that made her name. Cut tragically short at the age of 34, hers was a life of passion that took her from New Zealand to Bohemian London and Paris. These various landscapes are reflected with verve in her writing, and are peopled with astutely and intimately drawn characters: lonely Miss Brill in her ermine, Colonel Pinner’s adrift daughters, mysterious Pearl Fulton.Praised by Virginia Woolf and D. H. Lawrence, Mansfield’s inimitable stories are essential reading.

Fifteen exquisite tales from one of the world'd greatest writers of the short storyInnovative, startlingly perceptive and aglow with colour, these stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel', and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'. 'All that I write,' Mansfield said, 'all that I am - is on the borders of the sea. It is a kind of playing.'

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR.Listen along with downloadable MP3 audio.Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of eighteen! But life can also be hard and cruel, if you are young and inexperienced and travelling alone across Europe... or if you are a child from the wrong social class... or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR.Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of eighteen! But life can also be hard and cruel, if you are young and inexperienced and travelling alone across Europe... or if you are a child from the wrong social class... or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

The Collected Letters of Katherine Mansfield Volume I: 1903-1917

This volume, the second of four, includes her correspondence from early 1918 to the autumn of 1919. Her love for Middleton Murry, her response to the First World War, and her acceptance of the inevitable advance of tuberculosis, are handled with wit and warmth, in a text which has been transcribed afresh from the original letters.

The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'.For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.

The letters is this volume cover the eighteen months katherine Mansfield spent in England, France, and Switzerland from May 1920 to the end of 1921. It is the period of her finest stories, and when her life took its most decisive turn. There is a subtle but unmistakable change in her expectations, a new 'spiritual' insistence that is both elusive and resolute. From her Chekovian acceptance that 'they are cutting down the cherry trees' she derives a tough existential directness: 'the little boat enters the dark, fearful gulf...Nobody listens. The shadowy figure rows on. One ought to sit still and uncover one's eyes.' There is a determined push - not always successful - towards a necessary honesty, as much as to artistic achievement; while those qualities of her earlier correspondence remain undiminished - the precision and directness, the intelligence and wit, the dark incisiveness as much as sheer fun. Above all, perhaps, these letters comprise a record of very considerable courage, against increasingly adverse odds, as they approach the final years of her life.

'I was jealous of her writing. The only writing I have ever been jealous of.' Virginia WoolfVirginia Woolf was not the only writer to admire Mansfield's work: Thomas Hardy, D. H. Lawrence, and Elizabeth Bowen all praised her stories, and her early death at the age of thirty-four cut short one of the finest short-story writers in the English language.This selection covers the full range of Mansfield's fiction, from her early satirical stories to the subtly nuanced comedy of 'The Daughters of the Late Colonel' and the macabre and ominous 'A Married Man's Story'. The stories that pay what Mansfield calls 'a debt of love' to New Zealand are as sharply etched as the European stories, and she recreates her childhood world with mordant insight. Disruption is a constant theme, whether the tone is comic, tragic, nostalgic, or domestic, echoing Mansfield's disrupted life and the fractured expressions of Modernism.This new edition increases the selection from 27 to 33 stories and prints them in the order in which they first appeared, in the definitive texts established by Anthony Alpers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'They could not have had a more perfect day for a garden party if they had ordered it'A windless, warm day greets the Sheridan family on the day of their garden party. As daughter Laura takes the reins on party preparations the news of a neighbour's demise casts a cloud over the host and threatens the entire celebration.The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.Katherine Mansfield's perceptive and resonant writing helped to define the modern short story, observing apparently trivial incidents to create quietly devastating revelations of inner lives. Graceful, delicate and burning with emotion, Mansfield's stories were integral in shaping the Modernist movement and redefined a genre. This collection contains some of Mansfield's most celebrated stories, including 'Bliss', 'The Garden Party' and 'The Daughters of the Late Colonel'.'The only writing I have ever been jealous of.' - Virginia Woolf

90 classic titles celebrating 90 years of Penguin BooksShe drew a long, soft breath, as though the paper daffodils between them were almost too sweet to bearKatherine Mansfield was a magician of the short story, whose work was described by Virginia Woolf as ‘the only writing I have ever been jealous of’. These eight tales show her gift for transforming fleeting moments – a chance meeting, a letter received, a careless remark – into small miracles of language and feeling.

Katherine Mansfield was a formidable critic: astute, witty and something more - she had, as Middleton Murry put it, an extraordinary style and critical verve, mastery and 'sureness of touch'. Careful annotation supplies essential information for following the evolution of her ideas - and her art - from 1907 until her death in 1923.

With the exception of the first four stories, all were written within a period of ten years. These stories, and the letters following, reflect the urgency of a writer who knew her time was limited. All but four of the texts of the stories reprinted here are versions that Mansfield herself revised or selected.Twenty excerpts from Mansfield’s correspondence address the craft of writing and her own views on her work, subjects rarely broached in her many letters."Criticism" includes eighteen essays that collectively suggest the changing emphases in how Mansfield has been read by critics. Contributors include fellow writers Rebecca West, T. S. Eliot, Katherine Anne Porter, V. S. Pritchett, Elizabeth Bowen, and Frank O’ Connor, as well as biographers Claire Tomalin and Vincent O’Sullivan, among others.A Selected Bibliography is also included.

Cambridge Experience Readers is a graded readers series of original fiction, adapted fiction and non-fiction especially written for teenagers. Three vibrant stories by author Katherine Mansfield, selected and retold by Margaret Johnson. In one story, Laura and her family are preparing for a party when she makes a shocking discovery. In another, the magic and excitement of Leila's first dance is challenged by the words of an old man. Finally, Isabel, Kezia and Lottie receive an amazing present but there is trouble when they choose who to show it to. This paperback is in American English. Audio recordings of the text are available at: www.cambridge.org/elt/discoveryreaders/ame Cambridge Experience Readers, previously called Cambridge Discovery Readers, get your students hooked on reading.

‘“We owe to her the prosperity of the ‘free’ story,” Elizabeth Bowen said of Katherine Mansfield: “she untrammelled it from conventions.” Here, at last, is the evidence in full: the edition Mansfield deserves.’Professor David Trotter, University of Cambridge'This much needed and very welcome work does two important things: It gives us all of Mansfield’s fiction, with useful notes; and it removes many of John Middleton Murry’s intrusions into the stories he edited after Mansfield’s death. We all owe the editors, Gerri Kimber and Vincent O’Sullivan, a debt of gratitude for this excellent edition of the work of a major modernist writer.'Professor Robert Scholes, Brown UniversityThe Edinburgh Edition of the Collected Fiction of Katherine Mansfield: Volume 1 Fiction 1898–1915Edited by Gerri Kimber and Vincent O’SullivanThe first complete edition of Katherine Mansfield’s fictionThese two volumes collect together 219 of Mansfield’s stories, including 4 newly discovered, previously unpublished stories. Together the volumes expand considerably upon the largest previous single collected edition of 85 stories. Gathered here are Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.The Edinburgh Edition of the Collected Works of Katherine Mansfield in 4 volumes

These two volumes collect together 215 of Mansfield’s stories and expand considerably upon the largest previous single collected edition of 85 stories. They include Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922.Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form.Key Features:Brings together for the first time all of Mansfield's extant fictionRefocuses critical attention on one of the most influential exponents of modernist fictionThe essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writerRedefines Mansfield as a writer for the next generationThe Edinburgh Edition of the Collected Works of Katherine Mansfield, Volumes 1-4

The only unexpurgated collection of Katherine Mansfield’s private writings-now available for the first time!Edited by Margaret ScottKatherine Mansfield (1888-1923) published three collections of short stories-In a German Pension, Bliss, and The Garden Party-during her tragically short life, and was acclaimed as one of modernism’s most daring and original writers. After her death from tuberculosis in France, Mansfield’s private writings and letters were edited by her husband, John Middleton Murry, and published in four volumes between 1927 and 1954. Murry, however, took liberties in recasting his wife’s journals and notes. He excluded most of the vast mass of material and revised much of what he included, resulting in a distorted image of Mansfield as a passive, ethereal spirit.More than four decades later, the real Mansfield finally emerges in The Katherine Mansfield Notebooks, the first unexpurgated edition of her private writings. Fully and accurately transcribed by editor Margaret Scott, these infrequent diary entries, drafts of letters, introspective notes jotted on scraps of paper, unfinished stories, half-plotted novels, poems, recipes, and shopping lists offer a complete and compelling portrait of a complex woman who was ambitious and at times ruthless, neurotic and sexually voracious, witty and acerbic, fascinated with the minutiae of daily life and obsessed with death."It is only now, with the publication of Margaret Scott’s complete and unselective transcription of the material bequeathed to Murry, that we can really see Mansfield, off her guard and unexpurgated, for the first time. . . . Mansfield's notebooks are remarkable, touched by a sense of the underlying pathos of things, two parts tragedy and two parts comedy." Times Literary Supplement (London)"Mansfield’s work speaks about what is irretrievably lost, material, mortal, unless it is turned to artifice-and nowhere more than in these notebooks, where she is so reluctantly introspective." London Review of Books

A collection of the correspondence between Katherine Mansfield and John Middleton Murry. Their lives were inextricably, and often painfully, intertwined until her tragically early death from tuberculosis in 1923.