Library of Modern Jewish Literature – serie

Sholem Aleichem romanticized shtetl life. Isaac Bashevis Singer eroticized it. ln the novel Bociany and its sequel, Of Lodz and Love, Chava Rosenfarb brings a vanished world to vibrant, compelling life. Rosenfarb follows the destinies of characters from the Polish town of Bociany as they grow up, grow old, and leave the shtetl for the city.In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetL Her primary characters are the scribe's widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns' behavior implacably alien.Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents' ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas―socialism, Zionism, Polish nationalism, secularism―begin to challenge the shtetl's traditional agrarian and mercantile economy.

In Of Lodz and Love, Chava Rosenfarb revisits her themes of the the shtetl and pre-Holocaust Poland, of economic and political oppression, and of the upheavals that would herald a new Jewish national and political awakening. The story takes Yacov, son of Hindele, and Binele, the daughter of the chalk vendor Yossele Abedale, to the industrial town of Lodz during the first years of Poland's independence, both before and after the country entered the war with the Bolsheviks.The would-be young lovers evolve separately against the backdrop of the city's own struggle for economic survival. In sometimes tragic turns, they make their way in the strange urban culture, rapidly acquiring the skills to survive. Translated from the original Yiddish, this book serves as prologue and as counterpoint to the urbanization of Jewish life in Poland. In its elegance and subtle wit, and overwhelming human dignity, it is not only the testimony of a vanished world, but a powerful love story.

This novel traces the rigid circumscribed lives of three generations of women in an extended Jewish family in the walled Indian city of Ahmedabad.

The powerful voice of David Shrayer-Petrov's immigrant fiction blends Russian, Jewish, and American traditions. Collecting an autobiographical novel and three short stories, ""Autumn in Yalta"" brings together the achievements of the great Russian masters Chekhov and Nabokov and the magisterial Jewish and American storytellers Bashevis Singer and Malamud. Shrayer-Petrov's fiction examines the forces and contradictions of love through different ethnic, religious, and social lenses. Set in Stalinist Russia, the novel ""Strange Danya Rayev"" revolves around the wartime experiences of a Jewish Russian boy evacuated from his besieged native Leningrad to a remote village in the Ural Mountains. In the title story ""Autumn in Yalta"", the idealistic protagonist, Dr. Samoylovich, is sent to a Siberian prison camp because of his ill-fated love for Polechka, a tuberculosis patient. In ""The Love of Akira Watanabe"" once again unrequited love is the focus of the central character, a displaced Japanese professor at a New England university. A fishing expedition and an old Jewish recipe make for a surprise ending in Carp for the Gefilte Fish, a tale of a childless couple from Belarus and their American employers. In the tradition of other physician-writers, such as Anton Chekhov and William Carlos Williams, Shrayer-Petrov's prose is marked by analytical exactitude and passionate humanism. Love and memory, dual identity, and the experience of exile are the chief components.

In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetl. Her primary characters are the scribe’s widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns’ behavior implacably alien.Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents’ ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas—socialism, Zionism, Polish nationalism, secularism—begin to challenge the shtetl’s traditional agrarian and mercantile economy.