Library of Modern Jewish Literature – serie

Sholem Aleichem romanticized shtetl life. Isaac Bashevis Singer eroticized it. ln the novel Bociany and its sequel, Of Lodz and Love, Chava Rosenfarb brings a vanished world to vibrant, compelling life. Rosenfarb follows the destinies of characters from the Polish town of Bociany as they grow up, grow old, and leave the shtetl for the city.In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetL Her primary characters are the scribe's widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns' behavior implacably alien.Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents' ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas―socialism, Zionism, Polish nationalism, secularism―begin to challenge the shtetl's traditional agrarian and mercantile economy.

In Of Lodz and Love, Chava Rosenfarb revisits her themes of the the shtetl and pre-Holocaust Poland, of economic and political oppression, and of the upheavals that would herald a new Jewish national and political awakening. The story takes Yacov, son of Hindele, and Binele, the daughter of the chalk vendor Yossele Abedale, to the industrial town of Lodz during the first years of Poland's independence, both before and after the country entered the war with the Bolsheviks.The would-be young lovers evolve separately against the backdrop of the city's own struggle for economic survival. In sometimes tragic turns, they make their way in the strange urban culture, rapidly acquiring the skills to survive. Translated from the original Yiddish, this book serves as prologue and as counterpoint to the urbanization of Jewish life in Poland. In its elegance and subtle wit, and overwhelming human dignity, it is not only the testimony of a vanished world, but a powerful love story.

This novel traces the rigid circumscribed lives of three generations of women in an extended Jewish family in the walled Indian city of Ahmedabad.

In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetl. Her primary characters are the scribe’s widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns’ behavior implacably alien.Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents’ ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas—socialism, Zionism, Polish nationalism, secularism—begin to challenge the shtetl’s traditional agrarian and mercantile economy.