Mary McCarthy Prize in Short Fiction – serie

Set in the author's homeland of West Virginia, this panoramic collection of stories traces the people and animals who live in precarious balance in the mountains of Appalachia over a span of two hundred years, in a disappearing rural world. With omniscient narration, rich detail, and lyrical prose, Matthew Neill Null brings his landscape and characters vividly to life."Allegheny Front has few sentimental trappings. . . . Men's stubbornness is a rock face, in these intelligent and unpretentious stories, their anger a crown fire, their occasional tenderness a rill. . . . It remains at a distance from judgment, at a remove from easy definitions, unspooling a lucid and often painful history of appetite, exploitation, and bereavement."—Lydia Millet, from the introduction"Rich in history, speech, incident, flora, fauna, vernacular, geology, politics—Matthew Neill Null's work is dazzling. . . . If anything ever happened in the state of West Virginia, Null knows the long and short of it, and will make its story sing."—Salvatore ScibonaMatthew Neill Null is the author of the novel Honey from the Lion (Lookout Books). A graduate of the Iowa Writers' Workshop, winner of the PEN/O. Henry Award and the Joseph Brodsky Rome Prize from the American Academy of Arts and Letters, his short fiction has appeared in the Oxford American, Ploughshares, the Mississippi Review, American Short Fiction, Ecotone, and elsewhere. He divides his time between West Virginia and Provincetown, Massachusetts, where he coordinates the writing fellowship at the Fine Arts Work Center.

In these inventive short stories, characters must navigate an impossible world: America as we know it. Two estranged brothers on a road trip attempt to reconcile but end up at a Revolutionary War reenactment camp; a young woman moves in with her boyfriend and discovers an eerily personalized seduction manual on his bookshelf; a middle-aged Korean-American father attends college courses and is either blessed or haunted by the presence of Edward Moon, an eccentric billionaire who also happens to be “the most successful Korean in America.” Playfully engaging with genres like science fiction, the fairy tale, and the Gothic tale, the interconnected short stories of Impossible Children pit tiny heroes against tiny villains; the result is a stunning mapping of geography, heritage, immigration, freedom, and the mysterious forces behind epic ruins and epic successes.

Buzzfeed News,"15 Small Press Books To Kick Off Your 2020 Reading Season" The Millions, “February Preview: The Millions Most Anticipated” "Death looms in these four sparkling novellas—thus the book’s sly title—but until then there’s the wonder of life. Frank’s subjects include fascinating friendships and complicated marriages, awful parties and odd enthusiasm. Bonus: song mentions that add up to a terrifically eclectic playlist.” —Kim Hubbard, People MagazineIn her quartet of novellas, Joan Frank invites readers into the inner lives of characters bewildered by love, grief, and inexplicable affinities.A young couple navigates a strange friendship and unexpected pregnancy; a woman recalls the bizarre fallout of her former lover's fame; a lonely widow is drawn to an arrogant young man; a wealthy spiritual seeker grapples with what wealth cannot affect. Witty and humane, Frank taps the riches of the novella form as she writes of loneliness, friendship, loss, and the filaments of intimacy that connect us through time.

Within the thirteen stories of Whitney Collins’s Big Bad dwells a hunger that’s dark, deep, and hilarious. Part domestic horror, part flyover gothic, Big Bad serves up real-world predicaments in unremarkable places (motels, dormitories, tiki bars), all with Collins’s heart-wrenching flavor of magical realism. A young woman must give birth to future iterations of herself; a widower kills a horse en route to his grandson’s circumcision; a conflicted summer camper is haunted by a glass eye and motorcycle crash. Collins’s cast of characters must repeatedly choose to fight or flee the “big bad” that dwells within us all. Winner of the Mary McCarthy Prize in Short Fiction, and boasting a 2020 Pushcart-winning story, Big Bad simultaneously entertains and disconcerts.

A Man with Eight Pairs of Legs is about the ways our bodies are marked by memory, often literally, and the risky decisions we make when pushed to the extreme. Winner of the Mary McCarthy Prize in Short Fiction, this collection of short stories is a study in compassion and in passion, a must-read for our times.

Kirkus Reviews, "Best Fiction Books of the Year"Kirkus Reviews, "20 Best Books to Read in January"Kirkus Reviews, "Yes, You Can Read Short Stories in Shuffle Mode"Book Riot, "15 Excellent 2023 Short Story Collections by Asian Authors"Liberty Hardy, "Favorite Books of 2023"Electric Literature, "Recommended Reading”Storizen, "9 Short Story Collections by Asian Authors in 2023" by Saurabh ChawlaTexas Monthly, "The Best Books, Film, TV, Art & More Coming to Texas This Winter"Winner of the 2021 Mary McCarthy Prize in Short Fiction“The stories in A New Race of Men from Heaven move elegantly between the ache of loneliness and the grace of connection, however fleeting.” —Danielle Evans, author of The Office of Historical CorrectionsA New Race of Men from Heaven is a collection of stories about characters who wander but are never truly lost. A lonely man on a business trip finds himself in the middle of a search party for a missing boy; a grieving widow leaves India to join family in the United States; a writer finds renewed success when an unknown imposter begins publishing under his identity. In these quiet yet deeply knowing stories of migration, power, and longing, A New Race of Men from Heaven offers us, above all else, stories of enduring love and hope.

"These [stories] are rust-belt blues, then, a vision of and lament for a past time and a swiftly changing place. They're not showy—the language is plain, the tragedy muted, the comedy low-key and wry—but they stick in the mind. Ray Carver would recognize these characters and situations, as would poet Philip Levine. I like to think that they would share my appreciation for this fine first book, built slowly and carefully over some years, and worth the wait."—Andrea BarrettJerry Gabriel delivers an unsentimental portrait of rural America in Drowned Boy, a collection of linked stories that reveals a world of brutality, beauty, and danger in the forgotten landscape of small-town basketball tournaments and family reunions. In "Boys Industrial School," two brothers track an escaped juvenile convict, while in the titular novella, a young man and woman embark on a haphazard journey to find meaning in the death of a high-school classmate. These stories probe the fraught cusp of adulthood, the frustrations of escape and difference, and the emotional territory of disappointment––set in the hardscrabble borderlands where Appalachia meets the Midwest.Jerry Gabriel studied at Ohio State University, Northern Arizona University, and the University of Iowa Writers' Workshop. He has worked as a science writer and taught writing at a number of colleges and universities, including, from 2001 to 2008, Cornell University's Engineering Communications Program. Currently, he is a visiting assistant professor of English at St. Mary's College of Maryland.

"I was drawn to Michael Jeffrey Lee's line-up of loners and drifters, imperiled children, and haunted psychos neither because I want to hang out with these bad boys, nor because I plan to cross the street when I see them coming, but because the invitation to inhabit their minds, to see the world through their eyes, and to watch their often unsettling stories play out in space and time enables Lee to do all sorts of extremely interesting things with consciousness and language."—Francine Prose, judge for the Mary McCarthy Prize in Short FictionMichael Jeffrey Lee's stories are bizarre and smart and stilted, like dystopic fables told by a redneck Samuel Beckett. Outcasts hunker under bridges, or hole up in bars, waiting for the hurricane to hit. Lee's forests are full of menace too-unseen crowds gather at the tree-line, and bands of petty crooks and marauders bluster their way into suicidal games of one-upmanship. In Something In My Eye, violence and idleness are always in tension, ratcheting up and down with an eerie and effortless force. Diction leaps between registers with the same vertiginous swoops, moving from courtly formality to the funk and texture of a slang that is all the characters' own. It's a masterful performance, and Lee's inventiveness accomplishes that very rare feat-hyper-stylized structure and language that achieve clarity out of turbulence, never allowing technique to obscure what's most important: a direct address that makes visible all those we'd rather not see.Michael Jeffrey Lee lives in New Orleans, Louisiana, where he earns his living as a typist, waiter, and nightclub singer. A frequent contributor to Conjunctions, he is also an associate fiction editor at the New Orleans Review. He is at work on a novel.

The stories in Rise are fairytales, except that the witch, lucky Hans, and the frog prince are characters at the fringes of everyday life. There are rockets, swells of starlings, and children who disappear into thin air. L. Annette Binder writes magical tales with authority and restraint, and we believe her stories, every one."The complex interweaving of themes, rendered through precise detail, is akin to a powerful subterranean disturbance that sends seismographs jumping but leaves few visible effects."—Starred Review, Publishers Weekly"L. Annette Binder’s Rise is a wondrous debut collection of her stories, any one of which could be an example of the form at its best."—ForeWord Reviews, Selected as summer 2012 best book of debut fiction"Binder has gone so deeply, and with such mystical brilliance and loyalty, into her own world that she has brought mine to me in high relief. She both casts a spell and breaks it. To experience Rise is to experience wonder."—Laura Kasischke"Three years ago I read a story titled 'Dead Languages.' I came out of my chair. I've been in standing ovation position reading every subsequent story written by L. Annette Binder. They came exquisitely one by one, and now you are damn lucky to have them all in one wondrous volume: Rise.—Michelle Latiolais“L. Annette Binder is a stunningly talented writer. Her stories are the stories of outsiders, gripping and heartfelt, heightened with hidden undertones of the surreal. It is this tension that makes the worlds she creates so vibrant, and allows her readers to see so deeply into these characters' souls. Rise is a beautiful book, and Binder’s words cut clear and straight to the bone.”—Hannah Tinti

Jason K. Friedman investigates art, sexuality, love, and religion in seven unconventional and engrossing short stories. A gay man attends his high school reunion in Savannah, where he's pursued by the now-married former football star. An awkward teenager grapples with notions of God and girls at his bar mitzvah. A curator's assistant struggles to understand a five hundred-year-old Italian painter's body of work, until his boyfriend (whom he's previously written off as frivolous), makes an accidental discovery that challenges decades of art criticism. A moving picture of the trials religious, cultural, and sexual minorities experience in Georgia and the Deep South.

"Heartfelt, lyrical, and moving, these stories make you feel the texture of your life alter while you're immersed in them. This remarkable book announces the arrival of a brilliant young writer."—Robert BoswellStories set in rural Georgia investigate small moments that illuminate life-altering struggles: a man slipping into dementia is abandoned at a diner with his granddaughters; a farmer's son discovers his love of carving wooden birds but buries his creations in shame; bait dogs are left to die, chained in the woods, when they grow too old to fight.