Object Studies in Art History - Böcker
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5 produkter
5 produkter
Turm, Spiegel, Buch
Astronomische Tischuhren in Süddeutschland zwischen 1450 und 1650
Inbunden, Tyska, 2022
740 kr
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In the Early Modern period, astronomical table clocks were among the most complex and indeed most expensive objects produced in the centers of craftsmanship in southern Germany such as Augsburg and Nuremberg. While the extensive information provided by the various timekeeping systems, the positions of the sun, the moon and the zodiac, and the many other features is truly impressive, an equally surprising element is the central principle by which the table clocks are designed: their presentation in the shape of other objects. The study shows how clockmakers developed formal strategies to set the scene for their outstanding craftsmanship and expertise. Astronomical table clocks fitted out with casings in the form of towers, mirrors or books thus take on the symbolic interpretation of these artefacts as technological wonders, images of the cosmos, and vessels of heavenly knowledge. From the invention of the spring drive to the implementation of the pendulum clock, the study offers countless findings on the practice and teaching of technology, art, and science.
505 kr
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The "lion of Saint Mark's" in Venice, the "Capitoline wolf" in Rome, or the "griffin" on the imperial palace in Goslar: Monumental animal bronzes dominated many medieval cities and palaces. Whether taken from antiquity, reworked, and partially altered, or cast anew, they represent ideal figures of identification for single individuals or social groups until today due to their size, positioning, and generally open meaning. The book takes a look for the first time at selected bronzes south and north of the Alps, their histories and modes of reception from a comparative and interdisciplinary perspective.
490 kr
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Die Forschungsgeschichte der Zeit wird traditionell von einer Trennung zwischen technikhistorischen Ansätzen, welche die Entwicklung der Zeitmessung nachzeichnen, und sozial- und kulurhistorischen Ansätzen, die sich etwa mit Fragen nach dem Zeitbewusstsein oder gesellschaftlicher Synchronisierung und Disziplinierung beschäftigen, bestimmt. " Material Histories of Time" eröffnet einen Dialog zwischen beiden Zugängen. Ausgehend von den Objekten wie zum Beispiel Monumental-, Tisch- und tragbare Uhren sowie Kutschenuhren werden Praktiken der Zeitmessung und -erfahrung untersucht. Die Beiträge reichen von den Anfängen der mechanischen Zeitmessumg im Mittelalter bis zur Industrialisierung im 8. und 9. Jahrhundert.
Lehre – Sammlung – Objekt
Das Mathematisch-Physikalische Kabinett des ehemaligen Jesuitenkollegs in Köln
Inbunden, Tyska, 2024
1 125 kr
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Natural science collections were widespread in the early modern period. This volume focuses on the eventful collection history of the Chamber of Mathematics and Physics of the former Jesuit College in Cologne from its 17th-century beginnings to the present day. Political and (ecclesiastical) historical events influenced the organisation, function, and collection of instruments. As early as the 18th century, but more especially in the French period around 1800, the Jesuit collection developed into one of mathematics and physics, which Georg Simon Ohm later used to prepare for his important discovery of Ohm’s Law. In the context of science’s historical development towards modern natural science, the Cologne chamber played an active role, helping to shape this major transformation on a small scale.
Wirkmächtige Artefakte
Naturmagische Bildkonzepte und die Kunstkammer Kaiser Rudolfs II.
Inbunden, Tyska, 2025
1 340 kr
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Talismans are objects much neglected by art historical research to date. This volume is the first to present such magical artefacts as a highly complex and extremely promising object genre in terms of visual studies, which can be discussed in the context of recent discourses such as material cultural studies, object studies, and the question of the agency of artistic works. Based on the Kunstkammer of Habsburg Emperor Rudolf II in Prague, who was the most important collector of naturalia, artificialia and scientifica around 1600, Kunstkammer objects will also be considered as magica: artefacts to which a natural magical quality could be attributed due to their iconographic and material preparation or artistic craftsmanship.