Television Conversations Series – serie

The Writing Dead features original interviews with the writers of today’s most frightening and fascinating shows. They include some of television’s biggest names—Carlton Cuse (Lost and Bates Motel), Bryan Fuller (Hannibal, Dead Like Me, Wonderfalls, and Pushing Daisies), David Greenwalt (Angel and Grimm), Gale Anne Hurd (The Walking Dead, The Terminator series,Aliens, and The Abyss), Jane Espenson (Buffy the Vampire Slayer and Battlestar Galactica), Brian McGreevy (Hemlock Grove), Alexander Woo (True Blood), James Wong (The X-Files, Millennium, American Horror Story, and Final Destination), Frank Spotnitz (The X-Files and Millennium), Richard Hatem (Supernatural, The Dead Zone, and The Mothman Prophecies), Scott Buck (Dexter), Anna Fricke (Being Human), and Jim Dunn (Haven).The Writing Dead features thought-provoking, never-before-published interviews with these top writers and gives the creators an opportunity to delve more deeply into the subject of television horror than anything found online. In addition to revealing behind-the-scene glimpses, these writers discuss favorite characters and storylines and talk about what they find most frightening. They offer insights into the writing process reflecting on the scary works that influenced their careers. And they reveal their own personal fascinations with the genre.The thirteen interviews in The Writing Dead also mirror the changing landscape of horror on TV—from the shows produced by major networks and cable channels to shows made exclusively for online streaming services such as Netflix and Amazon Studios. The Writing Dead will appeal to numerous fans of these shows, to horror fans, to aspiring writers and filmmakers, and to anyone who wants to learn more about why we like being scared.

Hanna and Barbera: Conversations presents a lively portrait of Bill Hanna and Joe Barbera, the influential producers behind Tom and Jerry, the Flintstones, Scooby-Doo, the Smurfs, and hundreds of other cartoon characters who continue to entertain the world today. Encompassing more than fifty years of film and television history, the conversations in this volume include first-person accounts by the namesakes of the Hanna-Barbera studio as well as recollections by artists and executives who worked closely with the pair for decades. It is the first collection of its kind about Hanna and Barbera, likely the most prolific animation producers of the twentieth century, whose studio once outflanked its competitor Walt Disney in output and influence.Bill Hanna fell into animation in 1930 at the Harman-Ising studio in Los Angeles, gaining skills across the phases of production as MGM opened its animation studio. Joe Barbera, a talented and sociable artist, entered the industry around the same time at the wild and woolly Van Beuren studio in Manhattan, learning the ins and outs of animation art before crossing the country to join MGM. In television, Hanna’s timing and community-oriented work ethic along with Barbera’s knack for sales and creating funny characters enabled Hanna-Barbera to build a roster of beloved cartoon series. A wide range of pieces map Hanna and Barbera’s partnership, from their early days in Hollywood in the 1930s to Cartoon Network in the 1990s, when a new generation took the reins of their animation studio. Relatively unknown when they made over one hundred Tom and Jerry theatrical cartoons at MGM in the 1940s and 1950s, Hanna and Barbera became household names upon entering the new medium of television in 1957. Discussions here chart their early primetime successes as well as later controversies surrounding violence, overseas production, and the lack of quality in their Saturday morning cartoons. With wit, candor, insight, and bravado, Hanna and Barbera: Conversations reflects on Bill and Joe’s breakthroughs and shortcomings, and their studio’s innovations and retreads.

Hanna and Barbera: Conversations presents a lively portrait of Bill Hanna and Joe Barbera, the influential producers behind Tom and Jerry, the Flintstones, Scooby-Doo, the Smurfs, and hundreds of other cartoon characters who continue to entertain the world today. Encompassing more than fifty years of film and television history, the conversations in this volume include first-person accounts by the namesakes of the Hanna-Barbera studio as well as recollections by artists and executives who worked closely with the pair for decades. It is the first collection of its kind about Hanna and Barbera, likely the most prolific animation producers of the twentieth century, whose studio once outflanked its competitor Walt Disney in output and influence.Bill Hanna fell into animation in 1930 at the Harman-Ising studio in Los Angeles, gaining skills across the phases of production as MGM opened its animation studio. Joe Barbera, a talented and sociable artist, entered the industry around the same time at the wild and woolly Van Beuren studio in Manhattan, learning the ins and outs of animation art before crossing the country to join MGM. In television, Hanna’s timing and community-oriented work ethic along with Barbera’s knack for sales and creating funny characters enabled Hanna-Barbera to build a roster of beloved cartoon series. A wide range of pieces map Hanna and Barbera’s partnership, from their early days in Hollywood in the 1930s to Cartoon Network in the 1990s, when a new generation took the reins of their animation studio. Relatively unknown when they made over one hundred Tom and Jerry theatrical cartoons at MGM in the 1940s and 1950s, Hanna and Barbera became household names upon entering the new medium of television in 1957. Discussions here chart their early primetime successes as well as later controversies surrounding violence, overseas production, and the lack of quality in their Saturday morning cartoons. With wit, candor, insight, and bravado, Hanna and Barbera: Conversations reflects on Bill and Joe’s breakthroughs and shortcomings, and their studio’s innovations and retreads.

Alan Ball: Conversations features interviews that span Alan Ball's entire career and include detailed observations and insights into his Academy Award-winning film American Beauty and Emmy Award-winning television shows Six Feet Under and True Blood. Ball began his career as a playwright in New York, and his work soon caught the attention of Hollywood television producers. After writing for the sitcoms Grace Under Fire and Cybill, Ball turned his attention to the screenplay that would become American Beauty. The critical success of this film opened up exciting possibilities for him in the realm of television. He created the critically acclaimed show Six Feet Under, and after the series finale, he decided to explore the issue of American bigotry toward the Middle East in his 2007 play All That I Will Ever Be and the film Towelhead, which he adapted and directed in the same year. Ball returned to television once again with the series True Blood—an adaptation of the humorous, entertaining, and erotic world of Charlaine Harris’s vampire novels. In 2012 Ball announced that he would step down as executive producer of True Blood, in part, to produce both a new television series and his screenplay, What’s the Matter with Margie?

No recent television creator has generated more critical, scholarly, and popular discussion or acquired as devoted a cult following as Joss Whedon (b. 1964). No fewer than thirty books concerned with his work have now been published (a forthcoming volume even offers a book-length bibliography), and ten international conferences on his work have convened in the U.K., the United States, Australia, and Turkey. Fitting then that this first volume in the University Press of Mississippi's ""Television Conversations"" series is devoted to the writer, director, and showrunner who has delivered Buffy the Vampire Slayer (The WB, 1997-2001; UPN, 2001-3), Angel (The WB, 1999-2004), Firefly (2002), Dr. Horrible's Sing-Along Blog (Webcast, 2008), and Dollhouse (FOX, 2009-10).If Whedon has shown himself to be a virtuoso screenwriter/script-doctor, director, comic book author, and librettist, he is as well a masterful conversationalist. As a DVD commentator, for example, the consistently hilarious, reliably insightful, frequently moving Whedon has few rivals. In his many interviews he likewise shines. Whether answering a hundred rapid-fire, mostly silly questions from fans on the Internet, fielding serious inquiries about his craft and career from television colleagues, or assessing his disappointments, Whedon seldom fails to provoke laughter and reflection.

Alan Ball: Conversations features interviews that span Alan Ball's entire career and include detailed observations and insights into his Academy Award-winning film American Beauty and Emmy Award-winning television shows Six Feet Under and True Blood. Ball began his career as a playwright in New York, and his work soon caught the attention of Hollywood television producers. After writing for the sitcoms Grace Under Fire and Cybill, Ball turned his attention to the screenplay that would become American Beauty. The critical success of this film opened up exciting possibilities for him in the realm of television. He created the critically acclaimed show Six Feet Under, and after the series finale, he decided to explore the issue of American bigotry toward the Middle East in his 2007 play All That I Will Ever Be and the film Towelhead, which he adapted and directed in the same year. Ball returned to television once again with the series True Blood--an adaptation of the humorous, entertaining, and erotic world of Charlaine Harris's vampire novels. In 2012 Ball announced that he would step down as executive producer of True Blood, in part, to produce both a new television series and his latest screenplay, What's the Matter with Margie?