University of Arkansas Press Poetry Series – serie
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235 kr
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Greg Rappleye’s Figured Dark is a collection of contemporary lyric and narrative poems, set in an American landscape, which takes as its implicit theme the journey of the soul from darkness into light.The voices in the collection call across a vast landscape of myth, memory, and horrific wreckage. In the title poem, speaking of the phenomenon of fireflies rising at night from a southern field, he writes, “I could read this down to a million tiny bodies, / blazing the midnight trees,” but the reader is left to wonder whether any extravagant numbering can account for the massed starlings, dreamy raptors, dome-lighted Firebirds, flaming bodies, junk cars, and deadly archangels that come to ground in Rappleye’s world, where the spiritual exhaustion of Odysseus is visited upon Brian Wilson, and the young John Berryman seeks recompense from a wily family in northern Michigan.These poems are by turns wise, elegiac, ironic, and wickedly funny. This is a poet who refuses easy categories. If these poems are anything, they are affidavits of a heart at work, building out of darkness a kind of wild redemption, hard-earned in the real world.Figured Dark is part of the University of Arkansas’s Poetry Series, edited by Enid Shomer.
235 kr
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With a quirky poignance, Dannye Romine Powell's third collection probes the nature of loss—loss that's actual and loss that's feared. In these poems, loss takes many guises. With its ferny breath, loss is sometimes the lover who waits in secret on the porch. Sometimes even loss recognizes the feeling of loss and "calls the cops / to say his best friend / went fishing and won't answer his phone." Often, the poet mourns a loss of innocence, as when she learns, after attending the funeral of a friend, that the dead woman's husband has a history of infidelity. There's also the loss of romantic love, as when the woman "pulls / toward shore, a shore she calls by a name / she swore she'd never breathe again."
235 kr
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The Fire Landscape is a series of poem sequences that chronicle a wide variety of coming-of-age moments from childhood in the 1950s through the beginning of the 21st century. These deeply layered, complex narrative poems are connected by close personal observation of place and time but also by the politics of the Cold War and its aftermath, including a sequence driven by the May 4, 1970, shooting of students by the National Guard at Kent State where Gary Fincke was a student at the time.