Venice Biennale Review – serie
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4 produkter
305 kr
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The historic magazine published by La Biennale di Venezia is coming back to life 53 years after its last publication. Issue number 1/24 is titled Diluvi prossimi venturi / The Coming Floods.Conceived and produced as a printed edition, and featuring a significant iconographic apparatus that draws largely from the Historical Archive of La Biennale and from national and international photographic research, the magazine will be published quarterly. Each issue will have a monographic focus, establishing a dialogue between the disciplines characteristic of La Biennale di Venezia – visual arts, architecture, dance, music, theatre, cinema – as well as the sciences and literature. Like the original magazine, fashion is also included among its areas of interest, by reason of the relation of its creative processes with art, archives, experimentation.Each issue will contain original and exclusive articles, testimonies, interviews, dialogues and contribution by artists, scholars, leading Italian and international figures in the world of culture and civil society. There will be a range of expressive modes, giving space to graphic design and the cross-fertilisation between languages.The contributions in issue n. 1/24 are by Manal Al- Dowayan, Engin Akyurek, Carlo Barbante, Davide Brullo, Carolyn Carlson, Aziza Chaouni, Giovanni Lindo Ferretti, Giulia Foscari, Chiara Ianeselli, John Kinsella, Piersandro Pallavicini, Francesco Palmieri, Gilda Palusci, Orhan Pamuk, Mariagrazia Pontorno, Elena Pettinelli, Andrea Rinaldo, Emanuele Rosa, Stenio Solinas, José Tolentino de Mendonça, Lorenzo Toso, Luciano Violante, Peter Weir, Kongjian Yu. The cover is illustrated with a photograph of Yuri Ancarani taken during the shooting of his film Atlantide. The volume is illustrated with photographic images from the Biennale Archive and with photographs by Chiara Arturo, Alessandro Cinque, Antonio Martinelli, Paolo Pellegrin, Italo Rondinella, Paolo Verzone, Federico Vespignani, Francesco Zizola.The editor-in-chief of the magazine is Debora Rossi. The director is journalist and author Luigi Mascheroni. The Editorial team consists of the Office of Editorial Activities, the Press Offices and a team of professionals from the arious Departments of La Biennale. The graphic design is by Tomo Tomo, a communication design firm founded in Milan by Davide Di Gennaro and Luca Pitoni.Text in English and Italian.
313 kr
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The second issue of the reborn magazine published by La Biennale di Venezia, titled The Shape of Chaos, is dedicated entirely to the theme of the Archive. This new monographic issue again opens a dialogue among the disciplines intrinsic to La Biennale di Venezia (art, architecture, cinema, dance, music, theatre) as well as fashion, science, poetry, literature, anthropology.“Looking through the summary of the second issue of La Biennale di Venezia Magazine published in October 1950 – explains Debora Rossi – it is surprising to encounter the same critical spirit and interdisciplinary research The Magazine – continues Rossi – is reborn today with the same spirit and nature that has characterised it since its very first edition, guided by one essential keyword, ‘research’, a term that recurs in the constituting law of La Biennale. It represents a space for reflection and discussion on today, always with a view to better understanding and imagining the future”.“This printed magazine – writes director Luigi Mascheroni in his editorial – thus becomes a record of papers. And of ideas, documents, memories, and collections. The archive is humanity’s hope (or illusion?) to create order and give shape to chaos, generating knowledge.”The contributions in issue 1/25 are by Adonis, Matteo Al Kalak, Eleonora Barbieri, William Basinski, Cesare Bisantis, Boris Behncke, Sue Black, Irene Boyer, Silvia Calandrelli, Edoardo Camurri, Mircea Cărtărescu, Maud Ceriotti Giaccari, Roberto Cicutto, Giuseppe Conte, Maria Cristiana Costanzo, Pablo Delano, Okwui Enwezor, Marta Franceschini, Alessandra Iadicicco, Gianfranco Linzi, Luigi Mascheroni, Giulio Maira, Alberto Manguel, Pablo Maurette, Damiano Michieletto, Paolo Nori, Federico Pontiggia, Mariagrazia Pontorno, Carlo Ratti, Amerigo Restucci, Bruno Ruffilli, Debora Rossi, Wang Shu e Lu Wenyu, Gian Antonio Stella.The cover is illustrated with a photograph of Archèus. Labirinto Mozart, an immersive installation by Ophicina and Damiano Michieletto. The issue is illustrated with photographic images from the Biennale Archive, the Archivio Luciano e Maud Giaccari, Bergman Center Foundation, Getty Images, Warburg Institute. It also contains photographs by Iwan Baan, Giacomo Bianco, Antonio Biasucci, Frankie Casillo, Giacomo Doni, Thierry Du Bois, Charles Fréger, Mary Gelman, Roberto Marossi, Domingo Milella, Alessandro Scotti, Giovanna Silva, Dayanita Sing, Gerald Ulmann.The graphic design and layout is by Studio Tomo Tomo, Milan.Text in English and Italian.
314 kr
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Things to Come is the title of issue number 2/2025 of the historic Magazine published by La Biennale di Venezia, brought back to life after 53 years of editorial silence.Each issue contains original and exclusive articles, testimonies, interviews, dialogues and contributions by artists, scholars and leading Italian and international figures in culture and civil society. The magazine is characterised by the multiplicity of languages and freedom of expression it cultivates, allowing ample space for experimentation in graphic design and a cross-fertilisation between different forms and codes.Conceived and produced exclusively in print, the magazine features a significant iconographic apparatus that draws largely from the Historical Archive of La Biennale and from national and international photographic research. Published quarterly, each issue will be monographic in focus, establishing a dialogue between the disciplines that distinguish La Biennale di Venezia – visual arts, architecture, dance, music, theatre, cinema – while also venturing into the realms of science and literature.The cover is illustrated with a work by Mino Maccari: it is the image of a stage panel portraying a face and its reflections for the final parade in the opera “The Comedy on the Bridge” by Bohuslav Martinů at the 1951 Biennale Musica (tempera on plywood).The contributions in issue 2/25 are by Christine Macel, Germaine Acogny, Roberto Cremascoli, Gianni Forte, Mazen Khaled, Luigi Gallo, Luca Francesconi, Antonio Marras, Darco Pellos e Wael Shawky, Josep Oriol Esteve, Claudio Magris, Robert Jan van Pelt, Mizue Hasegawa, Annarita Colombo, Jon Padfield, Javier Cercas, Gohar Dashti, Balakrishnan Rajagopal, Anita Likmeta, Valentina Tanni, Silvano Tagliagambe, Felix Azhimov, Giovanni Caprara, Cinzia Zuffada, Pier Luigi Sacco, Matt Leacock, Krystian Lupa, Stefania Vitulli, Alexander Sokurov, Denis Brotto, Mark Salvatus. The issue is illustrated with photographic images from: Biennale Archive; Fototeca Cinema; Sfeir-Semler Gallery; Lisson Gallery; Lia Rumma; Barakat Contemporary; Museo Nacional del Prado; Scala, Firenze; New Picture Library; Summerfield Press; Carlo Valsecchi; Collezione Maramotti; Elvert Bañares; National Commission for Culture and the Arts NCCA – Philippine Arts in Venice PAVB. Sono presenti, inoltre, le fotografie di Stefano Graziani, Junpei Katayama e Jon Padfield, Carlo Valsecchi, Gohar Dashti, Luca Capuano, Lorenzo Pesce, Gabrielle Traversat, Toni Fabris, Joan Fontcuberta, Jason Larkin, Masahisa Fukase.The graphic design and layout is by Studio Tomo Tomo, Milan.Text in English and Italian.
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305 kr
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Materia prima / Raw Material is the title of issue 3/2025 of the historic magazine published by La Biennale di Venezia, which has come back to life after 53 years of editorial silence. Printed to be ready for the 82nd Venice International Film Festival, the new issue addresses the tension between the digital and material reality.In the era of Big Data, Artificial Intelligence and virtual reality, the magazine focuses on res extensa, the extension of the body, the physical nature of experience, the genuine connection with the world. It features contributions by: philosopher Massimo Cacciari, who confirms how intelligence does not intend to dematerialise; choreographer Antony Hamilton, on the body as a map of space; director Massimo D’Anolfi on the pilgrimage to Fàtima as a physical act of faith; the science fiction author Bruce Sterling, on cyberpunk as a bridge between technology and pop culture; paralympic champion Daniele Cassioli, on the role of technology as an extension of the human being; poet Hugo Mujica, who calls for moving beyond the opposition between matter and spirit; the heart surgeon Gino Gerosa in a conversation with Vincenzo Milanesi on the body enhanced by science; artist Alberto Biasi on his artistic research between movement and expansion.The cover is designed by artist Mari Katayama with the work on the way home #005 (2016), while the back cover features leave-taking #013 (2021), also by Mari Katayama, who participated in the Biennale Arte 2019. Conceived and produced exclusively as a printed edition, the Magazine features a rich iconographic apparatus that draws largely from the Historical Archive of La Biennale and from national and international photographic research. Published quarterly, each issue will have a monographic focus, establishing a dialogue between the disciplines that characterise La Biennale di Venezia – the visual arts, architecture, dance, music, theatre, cinema – as well as incursions into the fields of the sciences and literature.The Magazine contains articles, testimonies, interviews, dialogues and original and exclusive contributions by artists, scholars, and leading figures in the cultural landscape and civil society from Italy and abroad. Every page is characterised by the multiplicity of languages and freedom of expression, with ample space for graphic experimentation and the cross-fertilisation between different forms and codes.This issue is also illustrated with photographs from: Archives of the Teatro Stabile di Torino; Fototeca Cinema; Fototeca Teatro; Flowers Gallery; Studio Ancarani, ZERO…, Isabella Bortolozzi Galerie. There are also photographs by Ela Bialkowska - OKNO Studio, Massimo D’Anolfi, Davide Ferrante, Pieter Hugo, Nadav Kander, Michele Palazzi, Pamela Randon, Italo Rondinella, Martin Usborne, Michael Wolf. The illustrations are by Lorenzo Mattotti. The authors for N. 3/25: Maurizio Ferraris, Massimo Cacciari, Giorgio Marengo, Damiano Michieletto, Cesare Bisantis, Oge Obasi, Antony Hamilton, Xu Jiang, Michelangelo Frammartino, Luca Buoncristiano, Massimo D’Anolfi, Bruce Sterling, Raqs Media Collective, Daniele Cassioli, Giovanni Agosti, Giuseppe Bartolucci, Piero Genovesi, Pietro Li Causi, Davide Brullo, Hugo Mujica, Gino Gerosa, Vincenzo Milanesi, Arthur Duff, Arcangelo Sassolino, Alberto Biasi, Debora Rossi, and Erzë Dinarama. The graphic design and layout is by Studio Tomo Tomo, Milan.Text in English and Italian.