The Sermons of John Donne, edited by Evelyn M. Simpson and George R. Potter, Volume VIII, captures Donne in one of the most somber and inward-looking periods of his ministry. Preached between 1627 and 1629, these sermons reflect the shock of repeated bereavements—his daughter Lucy, his patroness Lucy, Countess of Bedford, his lifelong friend Magdalen Danvers (formerly Herbert), and his confidant Sir Henry Goodyer. With no poetry and only a few letters surviving from these years, the sermons stand as the most revealing testimony of Donne’s spiritual life. They show him struggling with melancholy and death, moving through shadows of morbidity toward renewed hope, while sustaining the oratorical brilliance that made him the most compelling preacher of his age.The volume opens with the Trinity Sunday sermon of 1627, still marked by Donne’s earlier emphasis on joy, but soon enters the darker meditations shaped by loss. In the **Sermon of Commemoration of Lady Danvers**, Donne not only offers a portrait of his friend’s faith, cheerfulness, and piety but also develops his theology of death as “God’s Physic and God’s Music.” Other sermons of these years reveal his obsession with mortality and resurrection: bodies reduced to dust and scattered by worms, floods, or fire, yet known and preserved by God for restoration. His Fifth Prebend Sermon and Christmas sermon of 1627 are unusually bleak, emphasizing terror, judgment, and human insufficiency, almost bereft of the vocabulary of light and joy that characterizes his finest work. Yet in the Easter sermon of 1628, Donne’s imagination is reawakened; he rediscovers the language of light and glory, proclaiming the Beatific Vision as the final hope of the faithful. The volume closes with his 1629 Easter sermon on Job, a meditation on the vision of Eliphaz that rises to poetic power, echoing the Te Deum and Revelation in its vision of countless saints and angels gathered before God. Together these sermons mark Donne’s transition into his final phase as a preacher: less logically rigorous than in earlier years, more burdened with repetition, but charged with a strange, haunting beauty. They are sermons of mortality, often shadowed by melancholy, yet repeatedly breaking into sudden radiance—testimony to Donne’s lifelong effort to transmute despair into faith, and darkness into the light of God.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

The Sermons of John Donne, edited by Evelyn M. Simpson and George R. Potter, Volume VIII, captures Donne in one of the most somber and inward-looking periods of his ministry. Preached between 1627 and 1629, these sermons reflect the shock of repeated bereavements—his daughter Lucy, his patroness Lucy, Countess of Bedford, his lifelong friend Magdalen Danvers (formerly Herbert), and his confidant Sir Henry Goodyer. With no poetry and only a few letters surviving from these years, the sermons stand as the most revealing testimony of Donne’s spiritual life. They show him struggling with melancholy and death, moving through shadows of morbidity toward renewed hope, while sustaining the oratorical brilliance that made him the most compelling preacher of his age.The volume opens with the Trinity Sunday sermon of 1627, still marked by Donne’s earlier emphasis on joy, but soon enters the darker meditations shaped by loss. In the **Sermon of Commemoration of Lady Danvers**, Donne not only offers a portrait of his friend’s faith, cheerfulness, and piety but also develops his theology of death as “God’s Physic and God’s Music.” Other sermons of these years reveal his obsession with mortality and resurrection: bodies reduced to dust and scattered by worms, floods, or fire, yet known and preserved by God for restoration. His Fifth Prebend Sermon and Christmas sermon of 1627 are unusually bleak, emphasizing terror, judgment, and human insufficiency, almost bereft of the vocabulary of light and joy that characterizes his finest work. Yet in the Easter sermon of 1628, Donne’s imagination is reawakened; he rediscovers the language of light and glory, proclaiming the Beatific Vision as the final hope of the faithful. The volume closes with his 1629 Easter sermon on Job, a meditation on the vision of Eliphaz that rises to poetic power, echoing the Te Deum and Revelation in its vision of countless saints and angels gathered before God. Together these sermons mark Donne’s transition into his final phase as a preacher: less logically rigorous than in earlier years, more burdened with repetition, but charged with a strange, haunting beauty. They are sermons of mortality, often shadowed by melancholy, yet repeatedly breaking into sudden radiance—testimony to Donne’s lifelong effort to transmute despair into faith, and darkness into the light of God.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

The Sermons of John Donne, edited by Evelyn M. Simpson and George R. Potter, Volume VIII, captures Donne in one of the most somber and inward-looking periods of his ministry. Preached between 1627 and 1629, these sermons reflect the shock of repeated bereavements—his daughter Lucy, his patroness Lucy, Countess of Bedford, his lifelong friend Magdalen Danvers (formerly Herbert), and his confidant Sir Henry Goodyer. With no poetry and only a few letters surviving from these years, the sermons stand as the most revealing testimony of Donne’s spiritual life. They show him struggling with melancholy and death, moving through shadows of morbidity toward renewed hope, while sustaining the oratorical brilliance that made him the most compelling preacher of his age.The volume opens with the Trinity Sunday sermon of 1627, still marked by Donne’s earlier emphasis on joy, but soon enters the darker meditations shaped by loss. In the **Sermon of Commemoration of Lady Danvers**, Donne not only offers a portrait of his friend’s faith, cheerfulness, and piety but also develops his theology of death as “God’s Physic and God’s Music.” Other sermons of these years reveal his obsession with mortality and resurrection: bodies reduced to dust and scattered by worms, floods, or fire, yet known and preserved by God for restoration. His Fifth Prebend Sermon and Christmas sermon of 1627 are unusually bleak, emphasizing terror, judgment, and human insufficiency, almost bereft of the vocabulary of light and joy that characterizes his finest work. Yet in the Easter sermon of 1628, Donne’s imagination is reawakened; he rediscovers the language of light and glory, proclaiming the Beatific Vision as the final hope of the faithful. The volume closes with his 1629 Easter sermon on Job, a meditation on the vision of Eliphaz that rises to poetic power, echoing the Te Deum and Revelation in its vision of countless saints and angels gathered before God. Together these sermons mark Donne’s transition into his final phase as a preacher: less logically rigorous than in earlier years, more burdened with repetition, but charged with a strange, haunting beauty. They are sermons of mortality, often shadowed by melancholy, yet repeatedly breaking into sudden radiance—testimony to Donne’s lifelong effort to transmute despair into faith, and darkness into the light of God.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.