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    • Nyhet

    Soviet Myth in Post-Soviet Russia

    AvMaria Engström,Aleksei Semenenko

    Inbunden, Engelska, 2026

    Del i serien Routledge Contemporary Russia and Eastern Europe Series

    2 410 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    This book examines how the Soviet past is culturally negotiated, reimagined, and recreated in new temporal regimes; how the Soviet project is “recycled” and used as a key component in the construction of a new Russian collective identity; and how it has metamorphosed from a historical dimension to the sphere of myth.These processes, conceptualized under the term “Soviet myth,” are crucial for understanding the growing nostalgia for the USSR in Russia, recent cultural and ideological developments, and current domestic and foreign policies. The scope of this study extends from the late Soviet period to the present, but most chapters examine the pivotal decade in the formation of the Soviet myth, 2012-2022. Written by experts in the field, the book presents a broad spectrum of examples of how the Soviet legacy has been transmuted into the realm of mythology in visual arts, film, television, urban narratives, music, and video games.Soviet Myth in Post-Soviet Russia is of value to researchers studying Slavic and Russian studies, in particular post-Soviet culture, languages, literatures, anthropology, and political science.

    Produktinformation

    • Utgivningsdatum:2026-07-17
    • Mått:156 x 234 x 14 mm
    • Vikt:600 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Routledge Contemporary Russia and Eastern Europe Series
    • Antal sidor:226
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781041071914

    Utforska kategorier

    • Referensverk och tvärvetenskap inom Samhälle och politik
    • Statsskick och politiska processer inom Samhälle och politik

    Mer om författaren

    Maria Engström is Professor of Russian at Uppsala University, Sweden. Her research focuses on Russian intellectual history, late Soviet underground culture, queer Russian visual culture, and contemporary Russian conservatism. She coedited The Oxford Handbook of Soviet Underground Culture, Oxford University Press (2024), and Digital Orthodoxy: Mediating Post-Secularity in Russia (2015). She is coeditor-in-chief of the journal Slovo. Journal of Slavic Languages, Literatures and Cultures. Her recent research projects, supported by the Swedish Research Council and the Foundation for Baltic and East European Studies, examine the formation of Russian civilizational discourse and the aesthetics of neo-reaction.Aleksei Semenenko is Associate Professor of Russian in the Department of Language Studies at Umeå University. He holds a PhD in Russian literature from Stockholm University. He is the author of Russian Translations of Hamlet and Literary Canon Formation (Stockholm University, 2007) and The Texture of Culture: An Introduction to Yuri Lotman’s Semiotic Theory (Palgrave Macmillan, 2012), the editor of Satire and Protest in Putin’s Russia (Palgrave Macmillan, 2021) and Aksenov and the Environs (with Lars Kleberg; Södertörn University, 2012). He has published works on translation, literature, semiotics, and cultural recycling.

    Innehållsförteckning

    • Introduction: Soviet Myth in Post-Soviet Russia, Maria Engström and Aleksei Semenenko Part I. Visual Arts 1. Very Old Songs about the Most Important Thing: Deconstruction → Nostalgia → Affirmation, Ilya Kalinin 2. Recycled Art? Recycling Socialism in Recent Russian Art, Klavdia Smola 3. Dark Petroaesthetics: The Crude Ghosts of Soviet Oil, Maria Engström Part II. Film and Television 4. In Search of Emotional Teleology: Melodramatization of the Soviet past in Russian films 2020–2023, Mark Lipovetsky 5. “Dumping” the Soviet myth of Russian provinces in the independent cinema of the 2010s, Birgit Beumers 6. Sputnik’s Ghosts: Recycling the Soviet Space-Age Mythology in 21stcentury Russian Film as a Metamodernist Future-Fabulation Strategy, Natalija Majsova 7. Inside Lapenko: Alternative Soviet Mythologies, Aleksei Semenenko Part III. Urban Narratives 8. Soviet Retrofuturism and the New Military Temple Architecture: Analyzing Russia’s Neo-Soviet Iconography, Masha Panteleyeva 9. From People’s House to Cultural Cluster: GES-2 and the Mythology of the Third Place in Contemporary Russia, Ekaterina Kalinina 10. Welcome to Leningrad: Neo-Soviet Myth in Contemporary St. Petersburg, Irina Seits Part IV. Music and Video Games 11. A longing with no home: Russophone post-punk and the neo-Soviet myth, Marco Biasioli 12. Playing the USSR: Atomic Heart and Soviet wave, Maria Engström and Aleksei Semenenko