Late Harold Pinter

Basil Chiasson is Research Fellow at the University of Leeds. He is a member of the AHRC-funded ‘Harold Pinter: Histories and Legacies’ research team. Previous publications include contributions to Modern Drama, The Theatre of Harold Pinter and Harold Pinter's The Dumb Waiter.

“This book was very well written, and Chiasson went above and beyond to explain to readers how Pinter’s later works used both affect and aesthetics to convey their messages. … this book would be important to anyone who wants to study politics, poetics, rhetoric, and the media. This could be a particularly good book for a class that is studying media and politics.” (Katy Johnson, CBQ Communication Booknotes Quarterly, Vol. 49 (2), 2018)

• 1. Introduction: On the Meaning of Late, Affect, and Aestheticizing Politics.- 2. The “Early” Years: A “More Precisely Political” Drama.- 3. Pinter’s Political Dramas in the 1990s and After: Dialogue Is the Thing.- 4. The Political Verse: A Poetics of Force.- 5. A “Citizen of the World”: Aestheticizing Politics.- 6. The Nobel Lecture: Artist and Citizen Converge.-