Anthony Quinn - Böcker

'Anthony Quinn has found an ingenious way of shaping the story into a gripping work of fiction... a compelling mixture of crime story and character study' Sunday Times'A dark, unsettling, completely addictive mystery' Jonathan Coe'A beguiling real-life crime thriller' Chris Brookmyre'Absorbing.. The Mouthless Dead is as engrossing as it is unsettling' Emma FlintOne night in 1931 William Wallace was handed a phone message at his chess club from a Mr Qualtrough, asking him to meet at an address to discuss some work. Wallace caught a tram from the home he shared with his wife, Julia, to the address which turned out, after Wallace had consulted passers-by and even a policeman, to not exist. On returning home two hours later he found his wife beaten to death in the parlour. The elaborate nature of his alibi pointed to Wallace as the culprit. He was arrested and tried, found guilty of murder and sentenced to hang, but the next month the Court of Criminal Appeal sensationally overturned the verdict and he walked free. The killer was never found.Fifteen years on, the inspector who worked the case is considering it once more. Speculation continues to be rife over the true killer's identity. James Agate in his diary called it 'the perfect murder', Raymond Chandler said 'The case is unbeatable. It will always be unbeatable'. And on a cruise in 1947, new information is about to come to light.

Liverpool, 1939. Lonely historian Tom Baines is at work on a study of the city's architectural past but the ominous news from Europe, together with his burgeoning friendship with Richard, a young photographer, and his beautiful wife, Bella, are proving a distraction. When the bombings begin, Tom joins up as 'rescue man', retrieving the wounded and dying from the ruins of buildings, but the love affair he embarks on soon leads him into a very different kind of danger.

Summer of 1911. English society is on the brink of change. The streets of London ring with cheers for a new king's coronation and the cries of increasingly violent suffragette protests. Connie Callaway, fired up by the possibilities of independence, wants more than the conventional comforts of marriage. Spirited and courageous, she is determined to fight for 'the greatest cause the world has ever known'.Will Maitland, the rising star of county cricket, is a man of traditional opinions. He is both intrigued and appalled by Connie's outspokenness and her quest for self-fulfilment. Their lives become inextricably entangled just as the outbreak of war drives them further apart. Buffeted and spun by choice and chance, Connie and Will struggle against the aftershocks of war and the changes it wreaks. This is a deeply affecting story of love against all the odds.

From the author of Half of the Human Race (Channel 4 TV Book Club) comes an intricate and thrilling tale of love and conspiracy in Victorian London.London, 1882. David Wildeblood, an idealistic young journalist, pounds the streets of Camden reporting on the notorious slums. The misery and squalor surprise him, but more shocking still is the realisation that someone is profiting from this destitution. Wildeblood’s urge to uncover the truth draws him into mortal danger as his investigations reveal a trail of corruption that leads to the very highest levels of society...‘Powerful and heartfelt. Ms Eliot and Mr Dickens would surely approve’ Sunday Telegraph‘Quinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller’ Daily Telegraph

London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now.Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

'A gripping mystery... sweeping across centuries in its three interlinked sections, Molly & the Captain summons the past effortlessly' ObserverA celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly & the Captain", becomes instantly famous. In the summer of 1889, a young painter glimpses a mother at play with her two daughters in Kensington Gardens and decides to include them in his picture. A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. With period subtlety, intricate characterisation and storytelling verve, Anthony Quinn melds three families and three centuries into a single vision of human frailty and longing. 'A delicious mystery' Daily Mail'A thrilling read' Spectator'So versatile - Quinn seems to reinvent himself with every book' Jonathan Coe

'Anthony Quinn has found an ingenious way of shaping the story into a gripping work of fiction... a compelling mixture of crime story and character study' Sunday Times'A dark, unsettling, completely addictive mystery' Jonathan CoeA powerful and gripping crime novel based on the Wallace Murder, a national cause célèbre of the 1930s and still unsolved today, by the author of Curtain Call and Our Friends in BerlinOne night in 1931 William Wallace was handed a phone message at his chess club from a Mr Qualtrough, asking him to meet at an address to discuss some work. Wallace caught a tram from the home he shared with his wife, Julia, to the address which turned out, after Wallace had consulted passers-by and even a policeman, to not exist. On returning home two hours later he found his wife beaten to death in the parlour. The elaborate nature of his alibi pointed to Wallace as the culprit. He was arrested and tried, found guilty of murder and sentenced to hang, but the next month the Court of Criminal Appeal sensationally overturned the verdict and he walked free. The killer was never found.Fifteen years on, the inspector who worked the case is considering it once more. Speculation continues to be rife over the true killer's identity. James Agate in his diary called it 'the perfect murder', Raymond Chandler said 'The case is unbeatable. It will always be unbeatable'. And on a cruise in 1947, new information is about to come to light.'A beguiling real-life crime thriller' Chris Brookmyre'Absorbing.. The Mouthless Dead is as engrossing as it is unsettling' Emma Flint

A powerful period crime novel based on a true story, by the author of Curtain Call and Our Friends in BerlinThe Wallace Murder was a national cause celebre of the 1930s, and is still unsolved over ninety years later. One night in January 1931 William Herbert Wallace, a 52-year-old insurance agent in Liverpool, was handed a phone message at his chess club purporting to come from a 'Mr Qualtrough' who wanted to put some work his way. He had left an address in south Liverpool. The following night Wallace caught a tram from the home he shared with his wife, Julia, in Anfield to visit Qualtrough at 25 Menlove Gardens East - which he had trouble locating. It turned out, after Wallace had consulted passers-by and even a policeman, the road didn't exist. On returning home two hours later he found his wife lying dead in the parlour, her head crushed by violent blows. The elaborate nature of his alibi pointed to Wallace as the culprit. He was arrested and tried, found guilty of murder and sentenced to hang, but the next month the Court of Criminal Appeal overturned the verdict and he walked free. Ever since, speculation has been obsessive over the killer's identity. The police and the press remained baffled, while novelists, criminologists and eminent lawyers theorised as to who the guilty man might be. Dorothy L. Sayers considered the case in The Anatomy of Murder (1936). James Agate in his diary (1942) called it "the perfect murder", and Raymond Chandler said "The case is unbeatable. It will always be unbeatable"...

London in the 1920s: a young woman treads the path between danger and desire.Against a backdrop of thuggish blackmail, constricting high society and a London still fragile from the war, Edie Greenlaw is trying to decide what she wants from the world. The closer the prospect of marriage with her handsome war hero fiance becomes, the less fulfilling it seems. Defying caution she goes to the aid of a friend and entangles herself in a dangerous demi-monde of sexual extortion and violence.Praise for Anthony Quinn:'A dark, unsettling, completely addictive mystery' Jonathan Coe'A beguiling real-life crime thriller' Chris Brookmyre'Quinn blends his history, his plot and his characters elegantly, with the pace of a thriller ' Daily Telegraph'Brings to the fore all of Quinn's talents - gripping storylines, plot twists, thorough research and elegant prose' The Times

London in the 1920s: a powerful, atmospheric and emotional novel with a charismatic, but flawed heroine trying to find her place in the world.Against a backdrop of thuggish blackmail, constricting high society and the glitter of London recovering from the First World War, Edie Greenlaw is trying to work out what she wants from the world. The closer the prospect of marriage with her handsome war hero fiance becomes, the less fulfilling it seems. Defying caution she goes to the aid of a friend and entangles herself in a dangerous demi-monde of sexual extortion and violence.Praise for Anthony Quinn:'So versatile - Quinn seems to reinvent himself with every book' Jonathan Coe'A witty and erudite writer' Alexander Larman, The Critic'Brings to the fore all of Quinn's talents - gripping storylines, plot twists, thorough research and elegant prose' The Times

An essential reference for anyone working with ceramics, from weekend crafters and students to practising ceramicists seeking a one-stop reference on techniques and processes, this workshop reference covers both traditional and contemporary practices, collecting the breadth and range of ceramic techniques into one definitive volume for amateur and specialist alike. A directory of materials, tools, machinery and furniture describes everything you need to set up an effective workshop. It includes an extensive guide to forming techniques, from pinch, coil, slab and wheel to mold-making, slip casting and extrusion, detailed sections on slip decoration, embossing and glazing, glaze recipes and applications. These techniques are explored thematically to facilitate the process of discovery that takes place in the workshop, supported by detailed descriptions and step-by-step photography. At the back of the book there is a comprehensive guide to firing and kilns, along with charts and tables for quick reference. All techniques are examined closely for relevance to practice and quality of finish. The practical processes of running a workshop are discussed alongside the more complex techniques of making unique work. Examples of how to set up a studio, good workshop practices, tool making, and recycling of materials act as a foundation to creating a strong workshop environment to carry out your work.

A BOOK OF THE YEAR IN THE TIMES, DAILY TELEGRAPH, FT AND IRISH TIMES'A marvellous tribute to one of the great characters of English football.' The TimesFrom the author of Klopp, a funny and insightful look at one of Britain's greatest and strangest football greats.He was stranger than he knew - than any of us knew.England captain. Mercurial competitor. Pop star manqué. The Face of Brut 33. Pioneer of the footballers' perm. Twice winner of the Ballon d'Or. Kevin Keegan owned the 1970s. We had never seen his like before. There appeared to be nothing he could fail at.Tracking his career from youth-team player at Scunthorpe to the England manager's job, by way of Liverpool, Newcastle and Hamburg, Keegan considers the extravagant highs of a football man who touched the game with genius, who was never sacked and who came within an ace of triumph as a manager. A story of almost and maybe, of excellence and of failure, it is a story too, perhaps, of the fans' quixotic search for a messiah.Praise for Klopp:'An elegiac memoir [and] a love letter to the great man himself.' The Times'Delightful . . . perfectly captures the man's endearing likeability.' Mail on Sunday

A BOOK OF THE YEAR IN THE TIMES, DAILY TELEGRAPH, FT AND IRISH TIMES'A marvellous tribute to one of the great characters of English football.' The TimesFrom the author of Klopp, a funny and insightful look at one of Britain's greatest and strangest football greats.He was stranger than he knew - than any of us knew.England captain. Mercurial competitor. Pop star manqué. The Face of Brut 33. Pioneer of the footballers' perm. Twice winner of the Ballon d'Or. Kevin Keegan owned the 1970s. We had never seen his like before. There appeared to be nothing he could fail at.Tracking his career from youth-team player at Scunthorpe to the England manager's job, by way of Liverpool, Newcastle and Hamburg, Keegan considers the extravagant highs of a football man who touched the game with genius, who was never sacked and who came within an ace of triumph as a manager. A story of almost and maybe, of excellence and of failure, it is a story too, perhaps, of the fans' quixotic search for a messiah.Praise for Klopp:'An elegiac memoir [and] a love letter to the great man himself.' The Times'Delightful . . . perfectly captures the man's endearing likeability.' Mail on Sunday

**UPDATED WITH A NEW FAREWELL CHAPTER**'A love letter to the great man himself.' The Times'Immensely readable.' Observer'Delightful.' Mail on Sunday'Highly enjoyable.' Guardian'Informative and emotive.' This Is AnfieldIn the first book by a British writer about this extraordinary football manager, lifelong Liverpool fan Anthony Quinn has crafted a memorable love letter to Jürgen Klopp. Taking in all the drama of LFC's disrupted, but ultimately triumphant, 2019-20 season, it offers unique insight into one of football's most charismatic figures.'Klopp isn't just for Liverpool, Quinn writes in his final pages. He is for all of us. I reckon this book can be too.' Hannah Jane Parkinson, Observer'Klopp has worked his way into Liverpool's big sentimental heart like a German love bomb. And Quinn couldn't resist writing an ode, an unabashed fan's note: to Klopp and his boyhood city and the ghost of Shankly.' Irish Times

London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. Whilst Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly.The story plots an unpredictable path through a city choked by strikes and cowed by bomb warnings. It reverberates to the sound of alarm and protest, of police sirens, punk rock, street demos, of breaking glass and breaking hearts in dusty pubs. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly.The story plots an unpredictable path through a city choked by strikes and cowed by bomb warnings. It reverberates to the sound of alarm and protest, of police sirens, punk rock, street demos, of breaking glass and breaking hearts in dusty pubs. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

'An intricate, moving novel... Quinn's best book to date' Observer'Every sentence he produces is a joy' Metro'Opens up timeless themes of family, success and love' New Statesman'Truly magnificent... this is Quinn's masterpiece' The Tablet'Quinn is an intelligent analyst of the uncertainties of love and art' Sunday TimesA celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly &the Captain", becomes instantly famous, its fate destined to echo down the centuries, touching many lives.In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom.A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of "Molly &the Captain". Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable?Through Anthony Quinn's signature gifts - period subtlety, intricate characterisation and storytelling verve this triptych novel melds three families and three centuries into a single vision of human frailty and longing.

A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly &the Captain", becomes instantly famous, its fate destined to echo down the centuries, touching many lives.In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom.A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of "Molly &the Captain". Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart.Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable?Through Anthony Quinn's signature gifts - period subtlety, intricate characterisation and storytelling verve this triptych novel melds three families and three centuries into a single vision of human frailty and longing.

Freya Wyley meets Nancy Holdaway amid the wild celebrations of VE Day, the prelude to a devoted and competitive friendship…Freya, ambitious and outspoken, pursues a career on Fleet Street while Nancy, less self-confident, struggles to get her first novel published. Both friends become entangled with Robert Cosway, a charismatic young man whose own ambition will have a momentous bearing on their lives. Flitting from war-haunted Oxford to the bright new shallows of the 1960s, Freya plots the unpredictable course of a woman’s life and loves in extraordinary times.

'Powered by a satisfactorily pacy plot and oiled by Quinn’s effortless prose, this is a book that slips down as easily as a gin-and-it' GuardianSummer, 1967. As London shimmers in a heat haze and swoons to the sound of Sergeant Pepper, a mystery film – Eureka – is being shot by German wunderkind Reiner Werther Kloss. The screenwriter, Nat Fane, would do anything for a hit but can’t see straight for all the acid he’s dropping. Fledgling actress Billie Cantrip is hoping for her big break but can’t find a way out of her troubled relationship with an older man. And journalist Freya Wyley wants to know why so much of what Kloss touches turns to ash in his wake.

‘A gripping espionage thriller’ ObserverLondon, 1941. The city is in blackout and an enemy is hiding in plain sight. Jack Hoste has become entangled in a national treachery. His mission: to locate the most dangerous Nazi agent in the country.He soon receives a promising lead in Amy Strallen, whose life is a world away from the machinations of Nazi sympathisers. But when Hoste pays a visit to Amy’s office, the dangerous game he is playing becomes even more lethal.'A cracking tale of high-stakes espionage... Intensely atmospheric' Mail on Sunday*Perfect for fans of John Le Carré and Charles Cumming*

This book is an investigation into the design and history of British magazines over the past 170 years.It identifies turning points and new directions in one of the most sensitive barometers of mass-market design taste, from the advent of two periodicals - Punch and the Illustrated London News - that changed publishing fundamentally, through to the beginnings of digital distribution.A magazine flourishes or folds according to its audience's response to its look and feel - sometimes more so than its written content - and this study of a developing history encompasses discussion of graphic design, typography, photography and innovative print technology. It explores why magazines have looked how they do. Published with full access to the National Art Library's unparalleled archive of periodicals, British Magazine Design is a definitive history.

During the 1970s and 1980s, Widnes R.LFC were labeled the 'Cup Kings'. When the team narrowly lost the 199.1 Challenge Cup Final against Wigan, it marked the end of 20 seasons of the Club as a major force in British Rugby League. 'End of an Era' is a chronicle of the last six of those 20 seasons from the 1987/88 until the 1992/93 season. Widnes won two successive Championships, three Premierships, the Lancashire Cup and the World Club Championship in that period.Anthony J. Quinn infers in his book that they could have achieved even more, and perhaps nominated British Rugby League until the advent of Super League in 1996. He suggests the famous World Club Championship victory in 1989 may have had "ramifications". He speculates that it may have cost a third successive Championship and a place in the 1990 Challenge Cup Final, which in turn may have led to the departures of coach Doug Laughton and star winger Martin Offiah from the Club.The author also gives his opinion that the Club should not have signed Jonathan Davies. Whilst acknowledging the Welshman's great performances for Widnes, he writes that his signing was a factor in the Club's financial problems that along with the departures of Laughton and Offiah resulted in an era ending before it should have done.

Gaussian linear modelling cannot address current signal processing demands. In moderncontexts,suchasIndependentComponentAnalysis(ICA),progresshasbeen made speci?cally by imposing non-Gaussian and/or non-linear assumptions. Hence, standard Wiener and Kalman theories no longer enjoy their traditional hegemony in the ?eld, revealing the standard computational engines for these problems. In their place, diverse principles have been explored, leading to a consequent diversity in the implied computational algorithms. The traditional on-line and data-intensive pre- cupations of signal processing continue to demand that these algorithms be tractable. Increasingly, full probability modelling (the so-called Bayesian approach)-or partial probability modelling using the likelihood function-is the pathway for - sign of these algorithms. However, the results are often intractable, and so the area of distributional approximation is of increasing relevance in signal processing. The Expectation-Maximization (EM) algorithm and Laplace approximation, for ex- ple, are standard approaches to handling dif?cult models, but these approximations (certainty equivalence, and Gaussian, respectively) are often too drastic to handle the high-dimensional, multi-modal and/or strongly correlated problems that are - countered.Since the 1990s, stochastic simulation methods have come to dominate Bayesian signal processing. Markov Chain Monte Carlo (MCMC) sampling, and - lated methods, are appreciated for their ability to simulate possibly high-dimensional distributions to arbitrary levels of accuracy. More recently, the particle ?ltering - proach has addressed on-line stochastic simulation. Nevertheless, the wider acce- ability of these methods-and, to some extent, Bayesian signal processing itself- has been undermined by the large computational demands they typically make.