Duncan Hooson – författare

An essential reference for anyone working with ceramics, from weekend crafters and students to practising ceramicists seeking a one-stop reference on techniques and processes, this workshop reference covers both traditional and contemporary practices, collecting the breadth and range of ceramic techniques into one definitive volume for amateur and specialist alike. A directory of materials, tools, machinery and furniture describes everything you need to set up an effective workshop. It includes an extensive guide to forming techniques, from pinch, coil, slab and wheel to mold-making, slip casting and extrusion, detailed sections on slip decoration, embossing and glazing, glaze recipes and applications. These techniques are explored thematically to facilitate the process of discovery that takes place in the workshop, supported by detailed descriptions and step-by-step photography. At the back of the book there is a comprehensive guide to firing and kilns, along with charts and tables for quick reference. All techniques are examined closely for relevance to practice and quality of finish. The practical processes of running a workshop are discussed alongside the more complex techniques of making unique work. Examples of how to set up a studio, good workshop practices, tool making, and recycling of materials act as a foundation to creating a strong workshop environment to carry out your work.

"Hooray for clay! Projects that put clay and ceramics centre stage are invaluable - be it in architecture, public sculpture, cups and saucers on your breakfast table, passing on an understanding of the material is invaluable. Clayground Collective are true clay ambassadors. Their extraordinary work is exemplary."--Kate Malone, Ceramic Artist; Judge, BBCTV Great Pottery Throw Down *** "This is not a "how to" book but a "Can you?" book. There is a real passion to discover though materials. This book challenges those with specialist skills to engage the public in that discovery and provides a route to get started."--Amanda Bright, Head of School of Art, U. of Brighton *** "If you're a practitioner setting out to work with schools and the public where do you go for advice? Clay in Common is a great starting point."--Steve Moffitt, Chief Executive, A New Direction *** As clay and ceramic courses decline in schools, craft and hand skills risk being lost. Clay in Common makes a strong case for the vital role of clay in schools and wider society. For teachers, parents, school governors, artist-facilitators and education policy-makers, the book has detailed case studies with ideas for projects and activities that can bridge school and community life. [Subject: Art Studies, Education]