Cory James Rushton - Böcker

The figure of the zombie is a familiar one in world culture, acting as a metaphor for "the other," a participant in narratives of life and death, good and evil, and of a fate worse than death--the state of being "undead." This book explores the phenomenon from its roots in Haitian folklore to its evolution on the silver screen and to its radical transformation during the 1960s countercultural revolution. Contributors from a broad range of disciplines here examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more--including potential signs that the zombie hordes may have finally achieved oversaturation.Instructors considering this book for use in a course may request an examination copy here.

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human.Instructors considering this book for use in a course may request an examination copy here.

An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic.This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel.Contributors: ALEX DAVIS, SIMON MEECHAM-JONES, JANE BLISS, SUE NIEBRZYDOWSKI, KRISTINA HILDEBRAND, ANTHONY BALE, CORY JAMES RUSHTON, CORINNE SAUNDERS, AMANDA HOPKINS, ROBERT ROUSE, MARGARET ROBSON, THOMAS H. CROFTS III, MICHAEL CICHON. AMANDA HOPKINS teaches in the department of English and Comparative Literary Studies and the department of French at the University of Warwick; CORY RUSHTON is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada.

A comprehensive guide to the medieval popular romance, one of the age's most important literary forms.Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition,its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts,definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception.CONTRIBUTORS: ROSALIND FIELD, RALUCA L. RADULESCU, MALDWYN MILLS, GILLIAN ROGERS, JENNIFER FELLOWS, THOMAS H. CROFTS, ROBERT ALLEN ROUSE, JOANNE CHARBONNEAU,DESIREE CROMWELL, AD PUTTER, KARL REICHL, PHILLIPA HARDMAN, CORY JAMES RUSHTON

A comprehensive guide to the medieval popular romance, one of the age's most important literary forms.Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition,its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts,definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception.CONTRIBUTORS: ROSALIND FIELD, RALUCA L. RADULESCU, MALDWYN MILLS, GILLIAN ROGERS, JENNIFER FELLOWS, THOMAS H. CROFTS, ROBERT ALLEN ROUSE, JOANNE CHARBONNEAU, DESIREE CROMWELL, AD PUTTER, KARL REICHL, PHILLIPA HARDMAN, CORY JAMES RUSHTON

An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises.It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised by a polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression.This collection of essays brings together a wide-ranging discussion of the sexual possibilities and fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions.

An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic.This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel.Contributors: ALEX DAVIS, SIMON MEECHAM-JONES, JANE BLISS, SUE NIEBRZYDOWSKI, KRISTINA HILDEBRAND, ANTHONY BALE, CORY JAMES RUSHTON, CORINNE SAUNDERS, AMANDA HOPKINS, ROBERT ROUSE, MARGARET ROBSON, THOMAS H. CROFTS III, MICHAEL CICHON. AMANDA HOPKINS teaches in the department of English and Comparative Literary Studies and the department of French at the University of Warwick; CORY RUSHTON is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada.

An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises.It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised by a polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression.This collection of essays brings together a wide-ranging discussion of the sexual possibilities and fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions.

A comprehensive survey of one of the most important texts of the Middle Ages.Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieux:textual, literary, cultural and historical. This volume adds to and updates the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte. MEGAN G. LEITCH is Senior Lecturer in English Literature at Cardiff University; CORY JAMES RUSHTON is Associate Professor in the Department of English at St Francis Xavier University, Canada. Contributors: Dorsey Armstrong, Thomas Crofts, Siân Echard, Rob Gossedge, Daniel Helbert, Amy Kaufman, Megan Leitch, Andrew Lynch, Catherine Nall, Ralph Norris, Raluca Radulescu, Lisa Robeson, Meg Roland, Cory Rushton, Masako Takagi, Kevin Whetter.