Megan G Leitch – författare

New approaches to the everlasting malleability and transformation of medieval romance.The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University.Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

A comprehensive survey of one of the most important texts of the Middle Ages.Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieux:textual, literary, cultural and historical. This volume adds to and updates the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte. MEGAN G. LEITCH is Senior Lecturer in English Literature at Cardiff University; CORY JAMES RUSHTON is Associate Professor in the Department of English at St Francis Xavier University, Canada. Contributors: Dorsey Armstrong, Thomas Crofts, Siân Echard, Rob Gossedge, Daniel Helbert, Amy Kaufman, Megan Leitch, Andrew Lynch, Catherine Nall, Ralph Norris, Raluca Radulescu, Lisa Robeson, Meg Roland, Cory Rushton, Masako Takagi, Kevin Whetter.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTGuest Editors: Sarah Bowden, Susanne Friede and Andreas HammerThis special issue focuses on space and place in Arthurian literature, from a wide range of European traditions. Topics addressed include the connections between quest space and individual spirituality in the Vulgate Queste and Malory's Morte Darthur; penitence in Hartmann's Iwein and Gregorius; parallels in sacred spaces in the Matter of Britain and medieval Ireland; political prophecy in Sir Gawain and the Green Knight and The Awntyrs off Arthure A; syntagmatic and paradigmatic spaces in Chrétien's Perceval; spatial significance in Wigalois and Prosa Lancelot; the political meaning of the tomb of King Lot and the rebel kings in Malory's Morte Darthur; and sexual spaces in twelfth-century French romance.

New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

New and fresh assessments of Malory's Morte Darthur.The essays here are devoted to that seminal Arthurian work, Sir Thomas Malory's Le Morte Darthur. Developments of papers first given at the 'Malory at 550: Old and New' conference, they emphasise here the second part of its remit. Accordingly, several contributors focus new attention on Malory's style, using his stock phrases, metaphors, characterization, or manipulation of sources to argue for a deeper appreciation of his merits as an author. If, as others illustrate, Malory is a much better artist than his twentieth-century reputation allowed, then there is a renewed need to re-assess the vexed question of the possible originality of his 'Tale of Sir Gareth of Orkeney'. Similarly fresh approaches underlie those essays re-examining Malory's attitude to time and the sacred in 'The Sankgreal', the manner in which the ghosts of Lot and his sons highlight potential failures in the Round Table Oath, or the pleasures and pitfalls of Arthurian hospitality. The remaining contributions argue for new approaches to Malory's narrative gaps, Launcelot's status as a victim of sexual violence, and the importance of rejecting Victorian moral attitudes towards Gwenyvere and Isode, moralizing that still informs much recent scholarship addressing Malory's female characters.Contributors: Joyce Coleman, Elizabeth Edwards, Kristina Hildebrand, Cathy Hume, David F. Johnson, Megan Leitch, Andrew Lynch, Molly A. Martin, Cory James Rushton, † Fiona Tolhurst, Michael W. Twomey

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENTWINNER: The James Randall Leader Essay PrizeWINNER: The James Randall Leader Essay Prize in the 'Fair Well-Known' CategoryThis issue offers stimulating studies of a wide range of Arthurian texts and authors, from the Middle Ages to the nineteenth century, among which is the first winner of the Derek Brewer Essay Prize, awarded to a fascinating exploration of Ragnelle's strangeness in The Weddyng of Syr Gawen and Dame Ragnelle. It includes an exploration of Irish and Welsh cognates and possible sources for Merlin; Bakhtinian analysis of Geoffrey of Monmouth's playful discourse; and an account of the transmission of Geoffrey's text into Old Icelandic. In the Middle English tradition, there is an investigation of material Arthuriana in Sir Gawain and the Green Knight, followed by explorations of shame in Malory's Morte Darthur. The post-medieval articles see one paper devoted to the paratexts of sixteenth-century French Arthurian publishers; one to eighteenth-century Arthuriana; and one to a range of nineteenth-century rewritings of the virginity of Galahad and Percival's Sister. Two Notes close this volume: one on Geoffrey's Vita Merlini and a possible Irish source, and one on a likely source for Malory's linking of Trystram with the Book of Hunting and Hawking in an early form of The Book of St Albans.

A comprehensive survey of Malory's Morte Darthur, one of the most important texts of the Middle Ages.Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieux:textual, literary, cultural and historical. This volume adds to and updates the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte. MEGAN G. LEITCH is Senior Lecturer in English Literature at Cardiff University; CORY JAMES RUSHTON is Associate Professor in the Department of English at St Francis Xavier University, Canada. Contributors: Dorsey Armstrong, Thomas Crofts, Siân Echard, Rob Gossedge, Daniel Helbert, Amy Kaufman, Megan Leitch, Andrew Lynch, Catherine Nall, Ralph Norris, Raluca Radulescu, Lisa Robeson, Meg Roland, Cory Rushton, Masako Takagi, Kevin Whetter.

"Delivers fascinating material across genres, periods, and theoretical issues." TIMES LITERARY SUPPLEMENTThis volume is a special issue dedicated to Professor Elizabeth Archibald, who has had such an impact on, and made so many significant contributions to, the field of Arthurian Studies. It maintains its tradition of diverse approaches to the Arthurian tradition - albeit on this occasion with a particular focus on Malory, appropriately reflecting one of Professor Archibald's main interests. It starts with the essay awarded this year's D.S. Brewer Prize for a contribution by an early career scholar, which considers the little-known debt owed by early modern sailors to Arthurian knighthood and pageantry. The essays that follow begin with a wide-ranging account of manuscript decorations and annotations in Geoffrey of Monmouth's Historia, before turning to the Evil Custom trope in Sir Gawain and the Green Knight. Further contributions explore the formalities of requests and conditions in Malory's '"Tale of Gareth", emotional excess and magical transformation in several scenes across the Morte Darthur, tensions between public and private and self and identity in Malory's "Sankgreal", and friction between the (external and imposed) law and (internal and subjective but honourable) code of chivalry, especially apparent in Malory's final Tales. The last article examines the ways in which Mordred's origins in modern Arthurian fiction build on Malory's false, or forgotten, promise to relate Mordred's upbringing. The volume closes with a short tribute to Elizabeth Archibald, highlighting her leadership in the field and her encouragement of scholarly collaboration and community.