Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods and theoretical issues. TLSAppropriately for the journal's fortieth milestone, this volume of Arthurian Literature offers an especially wide range of topics, from printers' modifications in early Arthurian books to a study of archetypal characters in several linguistic traditions. It begins with the winner of the Derek Brewer Essay Prize, which has this year been awarded to an original and intriguing investigation of how and why Wynkyn de Worde (or various of his staff working under his direction) modified his 1529 printing of Sir Thomas Malory's Le Morte Darthur. Thereafter, literary-critical explorations range across French, Welsh, and Middle English Arthurian literatures, including examinations of marriage in Chrétien's Chevalier au Lion, Peredur in the Welsh Grail texts, fairies and cosmic providence in Sir Gawain and the Green Knight, and the shifting degrees of agency possessed by Malory's Gwenyvere. The volume also features a lively reconsideration of the Arthurian tomb at Glastonbury from the point of view of material culture, and an examination of Arthur's hagiographical characterisation in Latin-Breton Saints Lives'. It closes with a survey of twentieth-century English-language retellings of Arthurian fiction that highlights female authors' many contributions to the genre.
