Jacob Gallagher-Ross - Böcker
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2 produkter
2 produkter
1 483 kr
Skickas inom 10-15 vardagar
Theaters of the Everyday: Aesthetic Democracy on the American Stage reveals a vital but little-recognized current in American theatrical history: the dramatic representation of the quotidian and mundane. Jacob Gallagher-Ross shows how twentieth-century American theater became a space for negotiating the demands of innovative form and democratic availability.Offering both fresh reappraisals of canonical figures and movements and new examinations of theatrical innovators, Theaters of the Everyday reveals surprising affinities between artists often considered poles apart, such as John Cage and Lee Strasberg, and Thornton Wilder and the New York experimentalist Nature Theater of Oklahoma. Gallagher-Ross persuasively shows how these creators eschew conventional definitions of dramatic action and focus attention on smaller but no less profound dramas of perception, consciousness, and day-to-day life.Gallagher-Ross traces some of the intellectual roots of the theater of the everyday to American transcendentalism, with its pragmatic, process philosophy as well as its sense of quotidian experience as the wellspring of aesthetic awareness. Telling a new story about the American theater, Theaters of the Everyday adds drama and performance to scholarly conversations about the centrality of the everyday to artistic and literary modernism.
130 kr
Skickas inom 7-10 vardagar
Contributors to this special issue investigate the ways surveillance and the fields of theater and performance inform one another. Considering forms of surveillance from government mass spying to data mining to all-seeing social networks, the contributors demonstrate how surveillance has found its way into our lives, both online and off, and how theater and performance-art forms predicated on heightened experiences of viewing-might help us recognize it. This issue includes scripts, photographs, essays, interviews, and reviews from Live Arts Bard’s 2017 performance biennial We’re Watching, a series of commissioned performances paired with a conference of scholars and artists. The performances focus on the appropriation and integration of surveillance technologies into theater and performance, such as a piece that uses Python code and Twitter data to create performance text, and one that uses an interplay of video projection, movement, and poetry. Drawing on these performances and more, contributors collectively argue that contemporary surveillance is characterized by both anonymous systems of digital control and human behaviors enacted by individuals. Contributors: David Bruin, Annie Dorsen, Shonni Enelow, Miriam Felton-Dansky, Jacob Gallagher-Ross, Caden Manson, John H. Muse, Jemma Nelson, Jennifer Parker-Starbuck, Alexandro Segade, Tom Sellar