John E. Carter – författare
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374 kr
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On a wintry day in December 1890, near a creek named Wounded Knee on the Pine Ridge Reservation in South Dakota, the Seventh Cavalry of the U.S. Army opened fire on an encampment of Sioux Indians. This assault claimed more than 250 lives, including those of many Indian women and children. The tragedy at Wounded Knee has often been written about, but the existing photographs have received little attention until now.Eyewitness at Wounded Knee brings together and assesses for the first time some 150 photographs that were made before and immediately after the massacre. Present at the scene were two itinerant photographers, George Trager and Clarence Grant Morelodge, whose work has never before been published. Accompanying commentaries focus on both the Indian and the military sides of the story. Richard E. Jensen analyzes the political and economic quagmire in which the Sioux found themselves after 1877. R. Eli Paul considers the army's role at Wounded Knee. John E. Carter discusses the photographers and also the reporters and relic hunters who were looking to profit from the misfortune of others. For this Bison Books edition each image has been digitally enhanced and restored, making the photographs as compelling as the event itself. Heather Cox Richardson tells the story behind the endeavor to present a meaningful account of this significant historical event.
428 kr
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For millions of Americans, Solomon D. Butcher's photographs epitomize the sod-house frontier. His images from western Nebraska constitute the most extensive photographic record of the generation that settled the Great Plains. Their faces are imprinted on our minds: jaunty bachelors and earnest husbands (Civil War veterans of both armies), spinster sodbusters, determined mothers, cowhands, farmhands, and former slaves––all in search of land of their own. This first book devoted to Butcher and his photos presents a unique visual chronicle of that epoch, firmly establishing Butcher's place in frontier photography.In a substantial introduction, John E. Carter traces the variegated career of this Virginia-born photographer who was himself an immigrant to the Nebraska plains. Combining critical analysis with biography, Carter situates Butcher in western history as well as in the history of photography and assesses his achievements in both. Exploring the nature of Butcher's works and their scope, content, and significance, Carter offers a perspective for evaluating the historical evidence found in his work and new insights into the evolution of Butcher's style and subject matter.In this new paperback edition, more than 125 photographs are superbly reproduced in duotone from high-resolution scans of glass negatives. This edition also includes a new afterword by Carter, tracing the fascinating history of the photographs themselves after Butcher sold them to the Nebraska State Historical Society in 1912. Everyone interested in the plains pioneers or historical American photography will prize this splendid book.