Nick Worrall - Böcker
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4 produkter
4 produkter
144 kr
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'Frayn's translation, which strikes me as splendidly lucid and alive ...will be acted again and again' New Statesman In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt: urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they struggle to act decisively. Originally published to coincide with Peter Hall's National Theatre production in 1978, this edition features the revised translation staged by Sam Mendes at the Aldwych Theatre, London, in 1989, starring Judi Dench and Ronald Pickup. Commentary and notes by Nick Worrall
192 kr
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Widely held to have led the realist revolution in Russian drama, Gogol liberated comedy from a tradition of didacticism and sentimentality. The Government Inspector, Gogol's masterpiece, was regarded by Vladimir Nabokov as the greatest play in the Russian language. This is the poet and playwright Adrian Mitchell's version of Gogol's classic satire on human vanity with its story of a penniless nobody from Moscow who is mistaken for a government inspector by the corrupt and self-seeking officials of a small town in Tsarist Russia. Methuen Drama Student Editions are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text, the volume contains a chronology of the playwright's life and works, an introduction with background, a discussion of various interpretations, and notes on words and phrases.
2 150 kr
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Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions:* Tolstoy's Tsar Fedor Ioannovich* Gorky's The Lower Depths* Chekov's The Cherry Orchard* Turgenev's A Month in the Country
441 kr
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This is the first book to deal with the work of three important Soivet theatre directors - Alexander Tairov, Evgeni Vakhtangov and Nikolai OkHlopkov - who, although familiar names in the West, are not often the subjects of full-length studies. The present one therefore sets out to introduce their work to theatre specialists and non-specialists alike, analysing individual productions and placing them within the context of their time. The active working life of the three directors spans, in varying stages, the period of revolution and civil war with its accompanying radical artistic innovations; the conservative phase of socialist realism in the 1930s and 1940s; and the more flexible and creative artistic years of the late 1950s and 1960s. The book contains a number of photographs of the original productions as well as a chronology of theatrical and historical events. Worrall's study will be of interest to students and scholars of Russian studies and theatre history.