Visar resultat för..."Martin Wall"

In this profoundly personal journey through British history, Martin Wall traces the influence of Magic and Myth from the earliest times to the present day. Our abiding myths have endured since before the time of the Druids, reaching their apotheosis in the Arthurian tales and the Glastonbury legends, stories which retain their dynamism and imaginative power. These mythic templates, constantly reinvented, provided a legitimating mission for the British Empire, which mediated them to a worldwide audience. Our spiritual inheritance is shot through with magic.But this book takes in more obscure mysteries, such as ‘Who put Bella in the Wych-Elm?’, a localised ‘tribe of witches’, and a host of extraordinary characters like Doctor John Dee, William Blake, and the notorious Aleister Crowley. In this fascinating account of the occult origins of British culture the author depicts our island story as an outworking of magical destiny – a challenge to us to create our own imaginative system.

For centuries, the Celtic peoples of Britain stood fast against invasion and oppression. Theirs is a fascinating and exciting story that includes the deeds of some of the most tenacious and heroic leaders in history – from Caratacus and Boudicca to William Wallace, Owain Glyndwr and the legendary King Arthur. What was it that gave first the Britons, and then the Welsh, this fanatical will to hold out against overwhelming odds through so many centuries?Martin Wall explores the mythology and psychology of this unyielding and insular people; their devotion to charismatic leaders they believed to be sent from God, and their stubborn determination ‘ne’er to yield’ to oppression and injustice, whether Roman, Saxon, Norman, Viking, or later, the ravages of industrialisation. This fascinating book explores Celtic Britain from before the onslaught of the Roman Empire, through rebellion and open war, to the Act of Union passed under the Tudors and on to the Victorian era.

Part personal memoir, part cultural history, West is a compendium of ‘tales’, telling the story of a unique geographical and literary landscape – the western Midlands of England. It is a magpie’s nest, a melange of anecdotes, folk legends, ghost stories and fairy tales. But more than this, it is a record of a land and its people, told over 2,000 years of history – a land that birthed both industrial and cultural revolutions.A native of the area, Martin Wall takes us on a search for lost time in the Lost Lands of the west, charting the liminal energies which have so influenced our literature – and himself. Shamelessly nostalgic, sometimes tender, sometimes brutal, these tales invite us to immerse ourselves in the past, present and future, to become ‘unstuck in time’.How were the lands ‘lost’? The author laments the decline and fall of a succession of cultures, from the Celtic principality of Pengwern and the mighty kingdom of Mercia to the end of heavy industry in the late twentieth century. With a thoughtful foreword by Robert Plant, West takes history to a new imaginative edge.

The discovery of the Staffordshire Hoard in 2009 has captured the imagination and stimulated renewed interest in the history and culture of the Anglo-Saxons. The discovery poses some interesting questions. Who owned the treasure and how did they acquire it? Was it made locally or did it originate elsewhere? Why was it buried in an obscure field in the Staffordshire countryside? To answer these questions, Martin Wall takes us on a journey into a period that still remains mysterious, into regions and countries long forgotten, such as Mercia and Northumbria.This is a story of the ‘Dark Ages’ and the people who lived in them, but darkness is in the eye of the beholder. This book challenges our notions of these times as barbaric and backward to reveal a civilization as complex, sophisticated and diverse as our own.

The Anglo-Saxon age was one of great change and unrest. Lasting from the departure of the Romans in approximately AD 400 until the Norman invasion in AD 1066, this era was defined by the continued spread of Christianity, the constant threat of Viking raids and the first stirrings of a nation that would become known as England.With its strange customs and unfamiliar names, the Anglo-Saxon era became mysterious and misunderstood, ironically by the descendants of the Anglo-Saxons, the English people themselves. Archaeological discoveries have forced us to re-evaluate these ingenious and skilled people, and to acknowledge the debt we owe to them. Martin Wall seeks to ‘de-mystify’ the period, breaking it down into easy-to-read, bitesize chunks, and to show that the so-called ‘Dark Ages’ were by no means backward or inferior. It was a truly heroic age, whose exemplars, such as King Offa, Alfred the Great, Lady Aethelflaed or Athelstan, stand beside the giants of world history. In 100 excerpts from these turbulent, bloody and exciting centuries, a proud, complex, but ultimately doomed civilisation is revealed.

For centuries, the Celtic peoples of Britain stood fast against invasion and oppression. Theirs is a fascinating and exciting story that includes the deeds of some of the most tenacious and heroic leaders in history – from Caratacus and Boudicca to William Wallace, Owain Glyndwr and the legendary King Arthur. What was it that gave first the Britons, and then the Welsh, this fanatical will to hold out against overwhelming odds through so many centuries?Martin Wall explores the mythology and psychology of this unyielding and insular people; their devotion to charismatic leaders they believed to be sent from God, and their stubborn determination ‘ne’er to yield’ to oppression and injustice, whether Roman, Saxon, Norman, Viking, or later, the ravages of industrialisation. This fascinating book explores Celtic Britain from before the onslaught of the Roman Empire, through rebellion and open war, to the Act of Union passed under the Tudors and on to the Victorian era.

The discovery of the Staffordshire Hoard in 2009 has captured the imagination and stimulated renewed interest in the history and culture of the Anglo-Saxons. The discovery poses some interesting questions. Who owned the treasure and how did they acquire it? Was it made locally or did it originate elsewhere? Why was it buried in an obscure field in the Staffordshire countryside? To answer these questions, Martin Wall takes us on a journey into a period that still remains mysterious, into regions and countries long forgotten, such as Mercia and Northumbria.This is a story of the ‘Dark Ages’ and the people who lived in them, but darkness is in the eye of the beholder. This book challenges our notions of these times as barbaric and backward to reveal a civilization as complex, sophisticated and diverse as our own.

In this profoundly personal journey through British history, Martin Wall traces the influence of Magic and Myth from the earliest times to the present day. Our abiding myths have endured since before the time of the Druids, reaching their apotheosis in the Arthurian tales and the Glastonbury legends, stories which retain their dynamism and imaginative power. These mythic templates, constantly reinvented, provided a legitimating mission for the British Empire, which mediated them to a worldwide audience. Our spiritual inheritance is shot through with magic.But this book takes in more obscure mysteries, such as ‘Who put Bella in the Wych-Elm?’, a localised ‘tribe of witches’, and a host of extraordinary characters like Doctor John Dee, William Blake, and the notorious Aleister Crowley. In this fascinating account of the occult origins of British culture the author depicts our island story as an outworking of magical destiny - a challenge to us to create our own imaginative system.

No major battle has taken place on British soil since the Battle of Culloden in 1746. Almost three centuries of the absence of war on the island has generated a complacency which blinds us to the horrific violence and bloodshed which raged on these isles for over 1,700 years. For many younger people, war is a seeming anachronism, a reminder of an unsophisticated, almost barbaric past. For other people, our military history recalls more glorious days, when British military skill helped to establish a vast overseas empire.Martin Wall examines our long and blood-soaked history from the Roman invasions until modern times. This is by no means just a story of honour, courage and glory, but of the terrible suffering war has caused through the centuries – and the epigenetic trauma it has bequeathed us, which continues to influence our national culture even today.

The rock legend tells the story of his wild ride with Martin Scorsese – as friends, adventure-seekers, and boundary-pushing collaborators – with all the heart of his New York Times bestselling memoir Testimony'Intense, exciting, delirious' THE TIMES'Thrilling, beautiful, honest' TELEGRAPH'A wild ride' ROLLING STONE---For four decades, Robbie Robertson produced music for Martin Scorsese's films, a relationship that began when Robertson convinced Scorsese to direct The Last Waltz, the iconic film of the Band's farewell performance at the Winterland Ballroom on Thanksgiving 1976.The closing of the Band's story with that landmark concert thrust Robertson into a new and uncertain world. With his relationship with his bandmates deteriorating and his marriage collapsing, Robertson arrived on Scorsese’s Beverly Hills doorstep only to find his friend in similar straits. Before the night was out, Scorsese had invited him to move in. Both men, already culture-transforming stars before the age of thirty-five, stood at a creative precipice, searching for the beginning of a new phase of life and work. As their friendship deepened into a career-altering collaboration, their shared journey would take them around the world and down the rabbit hole of American culture in the long hangover of the seventies. Buffeted on either side by temptation and paranoia, veering closer to self-destruction than either wanted to admit, together they had devoted themselves to a partnership defined by equal parts admiration and ambition.With a cast of characters featuring Robert De Niro, Harvey Keitel, Federico Fellini, Sophia Loren, Sam Fuller, Liza Minelli, Tuesday Weld, and many more, Insomnia is an intimate portrait of a remarkable creative friendship between two titans of American arts, one that would explore the outer limits of excess and experience before returning to tell the tale.

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.

Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.

Successful innovation is a true challenge and especially when today’s companies are intertwined in close inter-organisational relationships and networks with e.g. customers and suppliers. Research has indicated that accounting can play important roles in such innovation processes, but there is little in-depth systematic knowledge about this issue. Accounting, Innovation and Inter-Organisational Relationships gathers leading researchers from all around the world to argue for the importance of more systematic knowledge about accounting, innovation and inter-organisational relationships.Accounting, Innovation and Inter-Organisational Relationships thus becomes an important source for researchers and practitioners interested in accounting and inter-organisational relationships as well as the related disciplines of management, marketing, innovation and strategy.

Renowned financier Martin Zweig guides readers to smart investing in the 1990s stock market with proven strategies on how to make informed buy and sell decisions, pick winners, spot major bull and bear trends early, and more. This constant bestseller was first published in 1986 and first revised in 1990, with 77,000 trade paperback copies sold.

Arthur Zweig is the publisher of the influential, trend-spotting Zweig Forecast. Now in this new edition Zweig adds the latest numbers to his classic investment primer and evaluates their impact on the challenging market at the turn of the century.

This book argues for the integrity of the Pauline Corpus as a complex, composite text. Martin Wright critiques the prevailing tendency to divide the Corpus in two, separating the undoubtedly authentic letters from those of disputed authorship. Instead, he advocates for a renewed canonical hermeneutic in which the Corpus as a whole communicates Paul’s legacy, and the authorship of individual letters is less important, stressing that that current preoccupations with authorship have a distorting effect on exegesis, and need to be reconsidered.Wright uses Ephesians as a focal text to illustrate the exegetical potential of this approach. He critically investigates the history of the prevailing hermeneutics of pseudonymity, with particular attention to the theological and confessional partiality with which it is often inflected. And constructively, he proposes a new hermeneutical model in which the Pauline Corpus is read as a continuous interpretative dialogue, leaving the question of authorship to one side. In two substantial exegetical studies, Wright offers new readings of passages from Ephesians and other Pauline letters, amplifying the proposed approach and illustrating its value.

This book argues for the integrity of the Pauline Corpus as a complex, composite text. Martin Wright critiques the prevailing tendency to divide the Corpus in two, separating the undoubtedly authentic letters from those of disputed authorship. Instead, he advocates for a renewed canonical hermeneutic in which the Corpus as a whole communicates Paul’s legacy, and the authorship of individual letters is less important, stressing that that current preoccupations with authorship have a distorting effect on exegesis, and need to be reconsidered.Wright uses Ephesians as a focal text to illustrate the exegetical potential of this approach. He critically investigates the history of the prevailing hermeneutics of pseudonymity, with particular attention to the theological and confessional partiality with which it is often inflected. And constructively, he proposes a new hermeneutical model in which the Pauline Corpus is read as a continuous interpretative dialogue, leaving the question of authorship to one side. In two substantial exegetical studies, Wright offers new readings of passages from Ephesians and other Pauline letters, amplifying the proposed approach and illustrating its value.

The fall of the Berlin Wall in 1989 was the beginning of one of the most interesting natural experiments in recent history. The East German transition from a Communist state to part of the Federal Republic of Germany abruptly created a new social order as old institutions were abolished and new counterparts imported. This unique situation provides an exceptional opportunity to examine the central tenets of life course sociology. The empirical chapters of this book draw a comprehensive picture of life course transformation, demonstrating how the combination of life course dynamics coupled with an extraordinary pace of system change affect individual lives. How much turbulence was created by the transition and how much stability was preserved? How did the qualifications and resources acquired before 1989 influence the fortunes in the restructured economy? How did the privatization and reorganization of firms impact individuals? Did the transformation experiences differ by age/cohort and gender? How stable were social networks at work and in the family? Were personality characteristics important mediators of post-1989 success or failure or were they rather changed by them? How specific were the East German life trajectories in comparison with Poland and West-Germany?

Berlin, situated deep within Soviet-controlled East Germany, became a flashpoint in the Cold War as tensions between former allies escalated. By the late 1950s, the western sectors of Berlin prospered, while East Berlin struggled with economic and political oppression. Increasing numbers of East Berliners sought to defect to the West, turning Berlin into a major escape route.In response, the East German government, with Soviet approval, secretly planned to seal off the city. On the morning of 13 August 1961, the Berlin Wall began to rise, splitting the city for the next 28 years. The Wall became a symbol of division, desperation, and escape attempts. Many tried to cross the Wall, but at least 101 people lost their lives in the process.The Wall also became a symbol of Cold War confrontation. Shortly after its construction, American and Soviet tanks faced off at Checkpoint Charlie, marking a tense moment between the superpowers. Over the next 44 years, West Berlin stood as a symbol of Western resistance to Communist expansion. The rise and fall of the Berlin Wall marked key moments in the Cold War, shaping its history and signaling both the beginning and the end of the conflict.

Successful innovation is a true challenge and especially when today’s companies are intertwined in close inter-organisational relationships and networks with e.g. customers and suppliers. Research has indicated that accounting can play important roles in such innovation processes, but there is little in-depth systematic knowledge about this issue. Accounting, Innovation and Inter-Organisational Relationships gathers leading researchers from all around the world to argue for the importance of more systematic knowledge about accounting, innovation and inter-organisational relationships.Accounting, Innovation and Inter-Organisational Relationships thus becomes an important source for researchers and practitioners interested in accounting and inter-organisational relationships as well as the related disciplines of management, marketing, innovation and strategy.

The 2008 financial crisis rippled across the globe and triggered a worldwide recession. Unlike the American banking system which experienced massive losses, takeovers, and taxpayer funded bailouts, Canada’s banking system withstood the crisis relatively well and maintained its liquidity and profitability. The divergence in the two banking systems can be traced to their distinct institutional and political histories.From Wall Street to Bay Street is the first book for a lay audience to tackle the similarities and differences between the financial systems of Canada and the United States. Christopher Kobrak and Joe Martin reveal the different paths each system has taken since the early nineteenth-century, despite the fact that they both originate from the British system. The authors trace the roots of each country’s financial systems back to Alexander Hamilton and insightfully argue that while Canada has preserved a Hamiltonian financial tradition, the United States has favoured the populist Jacksonian tradition since the 1830s. The sporadic and inconsistent fashion in which the American system have changed over time is at odds with the evolutionary path taken by the Canadian system. From Wall Street to Bay Street offers a timely and accessible comparison of financial systems that reflects the political and cultural milieus of two of the world’s top ten economies.