Visar resultat för..."David Mazzucchelli"

Written by Frank Miller Art and cover by David Mazucchelli A new softcover edition of one of the most important and critically acclaimed Batman adventures eve! In addition to telling the entire dramatic story of Batman's first year fighting crime, this collection includes loads of reproductions of original pencils, script pages, promotional art, unseen Mazzucchelli Batman art and more!

'It was a wrong number that started it . . .'Chosen as one of the '100 Most Important Comics of the Century', Faber is proud to publish the graphic novel City of Glass for the first time in the UK. As Art Spiegelman explains in his new introduction, David Mazzucchelli and Paul Karasik 'created a strange doppelganger of the original book' and 'a breakthrough work.' Paul Auster's Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

It has become an axiom in comic studies that ""comics is a language, not a genre."" But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the ""grammar"" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate.Comics and Language argues against the critical tendency to flatten the distinctions between language and images and to discuss literature purely in terms of story content. It closely examines the original critical theories that such arguments purport to draw on and shows how they in fact point away from the conclusions they are commonly used to prove. The book improves the use the field makes of existing scholarly disciplines and furthers the ongoing sophistication of the field. It provides animated and insightful analyses of a range of different texts and takes an interdisciplinary approach. Comics and Language will appeal to the general comics reader and will prove crucial for specialized scholars in the fields of comics, literature, cultural studies, art history, and visual studies. It also provides a valuable summary of the current state of formalist criticism within comics studies and so presents the ideal text for those interested in exploring this growing area of research

From classics like "Puss in Boots" and "Goldilocks" to obscure gems like "The Boy Who Drew Cats," Fairy Tale Comics has something to offer every reader. Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

It has become an axiom in comic studies that ""comics is a language, not a genre."" But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the ""grammar"" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate.Comics and Language argues against the critical tendency to flatten the distinctions between language and images and to discuss literature purely in terms of story content. It closely examines the original critical theories that such arguments purport to draw on and shows how they in fact point away from the conclusions they are commonly used to prove. The book improves the use the field makes of existing scholarly disciplines and furthers the ongoing sophistication of the field. It provides animated and insightful analyses of a range of different texts and takes an interdisciplinary approach. Comics and Language will appeal to the general comics reader and will prove crucial for specialized scholars in the fields of comics, literature, cultural studies, art history, and visual studies. It also provides a valuable summary of the current state of formalist criticism within comics studies and so presents the ideal text for those interested in exploring this growing area of research

When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.

'An instant classic that will be read for decades to come.' Guardian'A stone cold masterpiece.' Rachel Cooke, Observer'Spectacular.' PW (starred review)'Something like David Lynch meets Raymond Chandler in Manhattan . . . as unnerving as it is hypnotic.' Buzz MagIt was a wrong number that started it . . .From its iconic opening, The New York Trilogy famously blurred the lines between postmodern literature and noir fiction. Now, for the first time, all three books have been adapted for this landmark graphic novel, each by a different artist, and all overseen by Paul Auster before his death.In David Mazzucchelli's take on City of Glass, a writer of detective fiction is drawn into a real-life case far stranger than anything he has ever written; in Lorenzo Mattotti's Ghosts, a private eye is hired to stalk a man only to discover a case so puzzling he descends into madness; and in series Director Paul Karasik's The Locked Room, another author hopes to cure his writer's block by solving the disappearance of his childhood friend. As each artist channels the cross-genre thrills of their source material, with its joyous mix of highbrow and lowbrow, the result is a groundbreaking new visual take on a modern classic.

A major new line of DC collected editions starts with one of the most revered eras of Batman history, including the all-time classic Batman: Year One! Welcome to DC Finest, a major new publishing initiative presenting comprehensive collections of the most in-demand and celebrated periods in DC Comics history, spanning genres, characters, and eras! DC Finest: Batman: Year One & Two collects the Dark Knight s adventures following the game-changing crossover Crisis on Infinite Earths, starting with the seminal Batman: Year One story from Frank Miller and David Mazzucchelli. This collection also includes Batman: Year Two by Mike W. Barr, Alan Davis, and Todd McFarlane, along with further mid-to-late 80s adventures from Barr, Max Allan Collins, Norm Breyfogle, and more! Collects Batman #404-414, Batman Annual #11, and Detective Comics #571-581.

For too long, the ’centre’ of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ’centre’ and ’periphery’ in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.

One of the most important and critically acclaimed graphic novels of alltime is now presented in a stunning Absolute edition. In 1986, FrankMiller and David Mazzucchelli produced this groundbreaking reinterpretation ofthe origin of Batman--who he is and how he came to be. Written shortly after THEDARK KNIGHT RETURNS, Miller's dystopian fable of Batman's final days, YEAR ONEset the stage for a new vision of a legendary character. This oversize Absoluteedition includes artist David Mazzucchelli's original pencil pages, sketches andscript pages from Frank Miller, along with other bonus materials, all presentedin a gorgeous slipcase.

For too long, the ’centre’ of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ’centre’ and ’periphery’ in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.

Daredevil, the stalwart defender of the innocent and oppressed of Hell's Kitchen, New York. While other superheroes battle villains of unimaginable power and defend the Earth from alien powers, Daredevil is down in the streets protecting the ordinary citizen from the scum of the alleys and the corrupt and powerful who believe they are above the law. However, when Karen Page, Matt Murdock's former lover, trades the Man Without Fear's secret identity for a drug fix, Daredevil must find strength as the Kingpin of Crime wastes no time destroying his life. The definitive Daredevil tale! Collecting Daredevil (1964) #227-231.