Harlan Ellison – författare

"The Region Between" first appeared in Galaxy back in 1970. It had originally been commissioned as one of a set of stories by different authors who all used a common starting point as set out in the story''s prologue, written by Keith Laumer. Ellison''s contribution was a longer work than one usually expects from him, but it nevertheless sustains its bombardment of ideas and feelings throughout. What''s more, Ellison created a story that demanded a different format to allow for full expression. The result was a typesetter''s nightmare but, as you will see, the experience now only makes this story all the more fascinating, it actually takes you into the story itself.Mike Ashley

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland contains sixteen masterful stories from the author''s early career. This collection shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are "All the Sounds of Fear," "The Sky Is Burning," "The Very Last Day of a Good Woman," and "In Lonely Lands." Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

From one of the most highly celebrated and dynamic American writers of our time, comes Spider Kiss, Harlan Ellison’s electrifying novel of the early years of rock and roll.

If you think the only thing Ellison writes is speculative fiction, craziness about giant cockroaches that attack Detroit, or invaders from space who look like pink eggplant and smell like chicken soup, this dynamite novel of the emergent days of rock and roll will turn you around at least three times. No spaceships, no robots, just a nice kid from Louisville named Stag Preston with a voice like an angel, seductive moves like the devil, and an invisible monkey named Success riding him straight to hell.

“Get it straight right now: these aren’t kids playing games of war. They mean business. They are junior-grade killers and public enemies one through five thousand.”

In Rusty Santoro’s neighborhood, the kids carry knives, chains, bricks, and broken glass. And when they fight, they fight dirty, leaving the streets littered with the bodies of the injured and the dead. Rusty wants out—but you can’t just walk away from a New York street gang. And his decision may leave his family to pay a terrible price.

First published more than half a century ago and inspired by the author’s real-life experience going undercover inside a street gang, Web of the City was Harlan Ellison’s first novel and marked the long-form debut of one of the most electrifying, unforgettable, and controversial voices of twentieth-century letters. Appearing here with the short story “No Game for Children,” which Ellison wrote for the pulp magazines of the 1950s, Web of the City offers both a snapshot of a lost era and a portrait of violence and grief as timely as today’s most brutal headlines. Includes an introduction read by the author.

Also includes the 1959 short story “No Game for Children”

The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an “eviscerated” version—which subsequently has been voted the most beloved episode in the series’ history. In its original form, The City on the Edge of Forever won the 1966–67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo Award.

The City on the Edge of Forever is, at its most basic, a poignant love story. Ellison takes the listener on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe—or his one true love.

This edition makes available the astonishing teleplay as Ellison intended it to be aired. The author’s introductory essay reveals all of the details of what Ellison describes as a “fatally inept treatment” of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?

In a world where humans have just made contact with advanced Martians, a stunning cosmic television broadcast promises to change Earth forever. As the "Big Show" reveals the Martians'' utopian society, it challenges Earthlings'' ideas about everything from technology to morality. Television producer Roy Mallory and his beautiful assistant Edith find themselves at the center of this cultural awakening. Will the revelations from Mars uplift humanity, or will long-held hang-ups prove too difficult to overcome?

Avram Davidson was one of the great original American writers of this century. He was erudite, cranky, Jewish, wildly creative, and sold most of his wonderful stories to pulp magazines.

Now, his estate and his friends have brought together a definitive collection of his finest work, each story introduced by an SF luminary: writers like Ursula K. Le Guin, William Gibson, Poul Anderson, Gene Wolfe, Guy Davenport, Peter S. Beagle, Gregory Benford, Thomas M. Disch, and dozens of others. This is a volume every lover of fantasy will need to own.

An anthology more than half a century in the making, The Last Dangerous Visions is the third and final installment of the legendary science fiction anthology series.

In 1973 celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again, Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed.

Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, P. C. Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

The historic publication of The Last Dangerous Visions completes the long-awaited final chapter in an incredible literary legacy.

WITH A NEW FOREWORD BY PATTON OSWALT

Dubbed “the most significant and controversial SF book” of its generation, Harlan Ellison’s groundbreaking collection launched an entire subgenre: New Wave science fiction. With contributions from legendary authors and multiple Hugo and Nebula Awards, Dangerous Visions returns to print in a stunning new edition perfect for new and returning fans alike.

A landmark short story collection that put the more character-based New Wave science fiction on the map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards. Contributing authors include: Robert Silverberg, Frederik Pohl, Brian W. Aldiss, Philip K. Dick, Larry Niven, Fritz Leiber, Poul Anderson, Theodore Sturgeon, J.G. Ballard, Samuel R. Delany, and Ellison himself.

As relevant now as it was when first published, Dangerous Visions is a phenomenal collection that deserves a place on every bookshelf.