Adam Bingham – författare

Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.

Part of the Directory of World Cinema series, this title includes contributions from some of the leading academics in the field. It features film recommendations from a range of genres for those interested in watching more cinema from these regions. It also features comprehensive filmography as an index. Given the prevalence of important new wave cinemas across Eastern Central Europe in the post-war, post-Stalinist era (Poland, Hungary, Czechoslovakia and Yugoslavia), this new volume of the Directory of World Cinema series charts the trends of these national cinemas.

In the decades since the 1970s, the continuing popularity of filmmakers from these countries (including Krzysztof Kieslowski, Béla Tarr, István Szabó and Jiri Menzel), coupled with a recent international surge in the visibility of the cinemas of Serbia, Slovakia and Romania, means that these countries in East Central Europe are a central focus in the directory. Introductory essays of this title establish key players and explore important genres such as war, comedy, surrealism and art cinema while reviews and case studies analyse individual titles in considerable depth. For the film studies scholar, or for all those who love cinema and want to learn more, Directory of World Cinema: East Europe will be an essential companion.