Adrian De Leon – författare

How migrants imagined a country through their acts of returnWhat does it mean to go back home, especially when “home” is shaped by conquest, labor, and longing? This question has animated the experiences of global migrants displaced by imperialism, capital, and the nation-states that have sought to manage their movements for their own political and economic benefit. Through vivid storytelling, Adrian De Leon traces how Filipinos, both at home and overseas, have both shaped the societies they’ve settled in and transformed the very idea of the Philippines itself. By following the emergence of the Filipino return migrant (balikbayan), De Leon explores how statecraft in the Philippines—from the late Spanish period through the post-1946 independent state—attempted to co-opt value from migrant communities. Balikbayan shows how diasporic labor and transpacific political imaginations were central to the development of a modern Philippine nation-state, through enabling the continued conquest of the islands’ frontiers, and sustaining the economic recovery of a nation indebted by native elites and overseas empires. In turn, these lands were reframed by the state as the birthright of overseas Filipinos who yearned to connect with their roots. Compiled through deep and thoughtful research in community archives, the itinerant histories brought to life in Balikbayan coalesce around a new cultural-economic form that has come to define contemporary nationhood: the homeland.

How migrants imagined a country through their acts of returnWhat does it mean to go back home, especially when “home” is shaped by conquest, labor, and longing? This question has animated the experiences of global migrants displaced by imperialism, capital, and the nation-states that have sought to manage their movements for their own political and economic benefit. Through vivid storytelling, Adrian De Leon traces how Filipinos, both at home and overseas, have both shaped the societies they’ve settled in and transformed the very idea of the Philippines itself. By following the emergence of the Filipino return migrant (balikbayan), De Leon explores how statecraft in the Philippines—from the late Spanish period through the post-1946 independent state—attempted to co-opt value from migrant communities. Balikbayan shows how diasporic labor and transpacific political imaginations were central to the development of a modern Philippine nation-state, through enabling the continued conquest of the islands’ frontiers, and sustaining the economic recovery of a nation indebted by native elites and overseas empires. In turn, these lands were reframed by the state as the birthright of overseas Filipinos who yearned to connect with their roots. Compiled through deep and thoughtful research in community archives, the itinerant histories brought to life in Balikbayan coalesce around a new cultural-economic form that has come to define contemporary nationhood: the homeland.

From the late eighteenth century, the hinterlands of Northern Luzon and its Indigenous people were in the crosshairs of imperial and capitalist extraction. Combining the breadth of global history with the intimacy of biography, Adrian De Leon follows the people of Northern Luzon across space and time, advancing a new vision of the United States's Pacific empire that begins with the natives and migrants who were at the heart of colonialism and its everyday undoing. From the emergence of Luzon's eighteenth-century tobacco industry and the Hawaii Sugar Planters' Association's documentation of workers to the movement of people and ideas across the Suez Canal and the stories of Filipino farmworkers in the American West, De Leon traces "the Filipino" as a racial category emerging from the labor, subjugation, archiving, and resistance of native people. De Leon's imaginatively constructed archive yields a sweeping history that promises to reshape our understanding of race making in the Pacific world.

From the late eighteenth century, the hinterlands of Northern Luzon and its Indigenous people were in the crosshairs of imperial and capitalist extraction. Combining the breadth of global history with the intimacy of biography, Adrian De Leon follows the people of Northern Luzon across space and time, advancing a new vision of the United States's Pacific empire that begins with the natives and migrants who were at the heart of colonialism and its everyday undoing. From the emergence of Luzon's eighteenth-century tobacco industry and the Hawaii Sugar Planters' Association's documentation of workers to the movement of people and ideas across the Suez Canal and the stories of Filipino farmworkers in the American West, De Leon traces "the Filipino" as a racial category emerging from the labor, subjugation, archiving, and resistance of native people. De Leon's imaginatively constructed archive yields a sweeping history that promises to reshape our understanding of race making in the Pacific world.