Aimable Twagilimana – författare

In the attempt to explain the mass killings of the Tutsi of Rwanda in April-July 1994, books written about the 1994 Rwandan genocide have focused on ethnicity at the expense of other factors, including the acrimonious history of regional politics in Rwanda since the turn of the twentieth century. In The Debris of Ham, Aimable Twagilimana argues that while ethnic ideology provided the materials for the relentless propaganda against the Tutsi and the Hutu of the political opposition in 1990-1994, in a parallel mode, regional politics provided the sine qua non that made the 1994 Rwandan genocide possible. This book investigates the juxtaposition of ethnicity and regionalism in Rwandan politics, and the unfolding of the worst mass murder at the end of the twentieth century.

This book examines the ways in which race and gender have shaped and continue to inform African American literature. African American texts create a black literary and cultural identity interpreting and recording the survival of their cultures shattered by years of slavery. Black women writers, who have to deal with both racism and sexism, use additional strategies to undo this double reduction. They strive to invent a new language to talk about their experience and their lives as black and as women. After a typology of the African American text, the book proposes a reading of major African American writers including Phyllis Wheatley, Olaudah Equiano, Frederick Douglass, Harriet Jacobs, Harriet Wilson, Charles Chesnutt, Booker T. Washington, James Weldon Johnson, Zora Neale Hurston, Alice Walker, and Toni Morrison.

This book examines the ways in which race and gender have shaped and continue to inform African American literature. African American texts create a black literary and cultural identity interpreting and recording the survival of their cultures shattered by years of slavery. Black women writers, who have to deal with both racism and sexism, use additional strategies to undo this double reduction. They strive to invent a new language to talk about their experience and their lives as black and as women. After a typology of the African American text, the book proposes a reading of major African American writers including Phyllis Wheatley, Olaudah Equiano, Frederick Douglass, Harriet Jacobs, Harriet Wilson, Charles Chesnutt, Booker T. Washington, James Weldon Johnson, Zora Neale Hurston, Alice Walker, and Toni Morrison.

Blessed with natural beauty and rich vegetation, Rwanda is often called the “land of a thousand hills” (le pays des mille collines), a reference to its many lush and green rolling hills. Moreover, for many Rwandans, at least in the past, Rwanda, in spite of its small size, is vast; in fact, it means the universe. This idyllic view, however, sharply contrasts with the sad history of ethnic strife that unfolded since the 1950s: the 1959 Hutu Revolution followed by years of anti-Tutsi pogroms, undemocratic regimes, the civil war of 1990-1994, and, more significantly, the April-July 1994 genocide against the Tutsi and the killing of Hutu who opposed the killings. The 1994 genocide against the Tutsi remains the most defining single event in contemporary Rwanda, and many people in the world today know of this central African nation from the prism of extreme mass violence that sullied the end of the 20th century amid international indifference and has since haunted the world’s conscience. This second edition of Historical Dictionary of Rwanda contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rwanda.