Alessandro Guetta – författare

Between the years 1550 and 1650, Italy’s Jewish intellectuals created a unique and enduring synthesis of the great literary and philosophical heritage of the Andalusian Jews and the Renaissance’s renewal of perspective. While remaining faithful to the beliefs, behaviors, and language of their tradition, Italian Jews proved themselves open to a rapidly evolving world of great richness. The crisis of Aristotelianism (which progressively touched upon all fields of knowledge), religious fractures and unrest, the scientific revolution, and the new perception of reality expressed through a transformation of the visual arts: these are some of the changes experienced by Italian Jews which they were affected by in their own particular way. This book explores the complex relations between Jews and the world that surrounded them during a critical period of European civilization. The relations were rich, problematic, and in some cases strained, alternating between opposition and dialogue, osmosis and distinction.

From Iraq to Spain, from Germany to Cataluña, from Italy to Yemen, poetry has been for centuries a privileged mode of expression in the Jewish world. Sometimes borrowing from the poetry of the land in which they lived, but always reinventing it in relationship to the Hebrew language and to the Jewish cultural references, the "medieval" Hebrew poets created an immense, variegated and fascinating corpus. In this book, some of the best specialist of the field analyse different themes and authors of this tradition, providing new insights to well-known authors or proposing less celebrated works as equally worthy of study. As a result of this scholarship, the English reader will be able to penetrate the different social and historical contexts of significant portions of Medieval Hebrew poetry as well as the cultural implications of technical choices apparently neutral.

This volume presents the culmination of research on an almost ignored literary corpus: the translations into literary Italian of classical Hebrew texts made by Jews between 1550 and 1650. It includes poetry, philosophy and wisdom literature, as well as dictionaries and biblical translations produced in what their authors viewed as a national tongue, common to Christians and Jews. In so doing, the authors/translators explicitly left behind the so-called Judeo-Italian. These texts, many of them being published for the first time, are studied in the context of intellectual and literary history. The book is an original contribution showing that the linguistic acculturation of German Jews in the late 18th century occurred in Italy 150 years earlier.

Reconciles the conflict between these two seemingly diverse traditions.Philosophy and Kabbalah offers an analysis of the life and work of Elijah Benamozegh (1823–1900), an Italian Kabbalist and philosopher of Moroccan origins. Although the relationship between Kabbalah and philosophy has always been problematic, Benamozegh considered Kabbalah to be the true dogmatic and rational tradition of Judaism. In his numerous books and articles in Hebrew, Italian, and French, he constantly integrated this Jewish esoteric tradition into the currents of Western European philosophy, particularly Hegelian idealism and positivism, as well as the philosophy of the unconscious that would later develop into psychoanalysis. Benamozegh's inspired reading of Spinoza, his grand project of a universal religion, his "feminization" of Jewish thought, and his ability to excel simultaneously as a rabbi, an Italian patriot, a citizen of the République des Lettres, and a proud representative of an ancient Sephardic culture make him one of the most outstanding and original figures of the nineteenth-century Jewish culture.