Alex Vernon – författare

“The works of Tim O’Brien are among the most significant recent contributions to a lengthy canon of war literature,” write the editors of this volume; they serve “as an ideal point of entry for discussions of war and its human impact.” The author of the highly acclaimed The Things They Carried, O’Brien is a Pulitzer Prize finalist and the winner of a National Book Award for Going After Cacciato.This volume in the Approaches to Teaching series considers the range and depth of O’Brien’s writing, with an emphasis on works that focus on the Vietnam War. Part 1, “Materials,” provides information on O’Brien’s life and an overview of his literary output. It also directs readers to critical and reference works on subjects encountered in his writing. The twenty-three essays in part 2, “Approaches,” provide historical background on the Vietnam War; explore narrative issues in O’Brien’s works, such as the melding of fiction, nonfiction, and memoir; and suggest ideas for teaching the author’s works in a variety of classroom and conceptual settings (e.g., composition, American literature, war fiction, narrative theory, postmodernism).

“The works of Tim O’Brien are among the most significant recent contributions to a lengthy canon of war literature,” write the editors of this volume; they serve “as an ideal point of entry for discussions of war and its human impact.” The author of the highly acclaimed The Things They Carried, O’Brien is a Pulitzer Prize finalist and the winner of a National Book Award for Going After Cacciato.This volume in the Approaches to Teaching series considers the range and depth of O’Brien’s writing, with an emphasis on works that focus on the Vietnam War. Part 1, “Materials,” provides information on O’Brien’s life and an overview of his literary output. It also directs readers to critical and reference works on subjects encountered in his writing. The twenty-three essays in part 2, “Approaches,” provide historical background on the Vietnam War; explore narrative issues in O’Brien’s works, such as the melding of fiction, nonfiction, and memoir; and suggest ideas for teaching the author’s works in a variety of classroom and conceptual settings (e.g., composition, American literature, war fiction, narrative theory, postmodernism).

In 1925, Ernest Hemingway wrote to F. Scott Fitzgerald that “the reason you are so sore you missed the war is because the war is the best subject of all. It groups the maximum of material and speeds up the action and brings out all sorts of stuff that normally you have to wait a lifetime to get.” Though a world war veteran for seven years, at the time he wrote Fitzgerald, Hemingway had barely scratched the surface of his war experiences in his writing, yet it would be a subject he could never resist. As an eyewitness to the emergence of modern warfare, through the Second World War, and as a writer devoted to recreating experience on the page, Ernest Hemingway has gifted us with an oeuvre of wartime representation ideal for the classroom.Teaching Hemingway and War offers fifteen original essays on Hemingway’s relationship to war with a variety of instructional settings in mind, and the contributors bring to the volume a range of experience, backgrounds, and approaches. Some of the topics included are:The Violence of Story: Teaching In Our Time and Narrative RhetoricHemingway’s Maturing View of the Spanish Civil WarRobert Jordan’s Philosophy of War in For Whom the Bell TollsHemingway, PTSD, and Clinical DepressionPerceptions of Pain in The Sun Also RisesAcross the River and into the Trees as Trauma LiteratureThe final section provides three excellent undergraduate essays as examples of what students are capable of producing and as contributions to Hemingway studies in their own right.