Alexander Bloom – författare

With remarkable speed, the Sixties have gone from lived history to mythology. They remain alive in our culture in a manner different from any previous era. At the dawn of a new century, we are still debating the issues that emerged during that decade, still living in the conscious aftermath of its events and transformations. This collection looks back at the Sixties, attempting to understand the issues of the day on their own terms and to think about their meanings in today's world. Alexander Bloom has gathered ten original essays, each of which explores the gulf between history and myth regarding a central characteristic of the Sixties. Topics covered include civil rights, the student movement and the New Left, the Vietnam War, the antiwar movement, gay rights, the counterculture, and the women's movement. Long Time Gone dispels myths about the Sixties and constructs an accurate vision of the past and an understanding of its impact on the modern world. It is an invaluable resource for anyone seeking deeper knowledge of this incredible decade and its continuing influence on American culture.

"A herd of independent minds," Harold Roseberg once labelled his fellow intellectuals. They were, and are, as this book shows, a special and fascinating group, including literary critics like Lionel Trilling, Alfred Kazin, Irving Howe, Leslie Fiedler, Philip Rahv, and William Phillips; social scientists like Nathan Glazer; art critics and historians Clement Greenberg, Harold Rrosenberg, and Meyer Schapiro; novelist Saul Bellow; and political journalists IrvingKristol and Norman Podhoretz. Their story winds through nearly all of the crucial intellectual and political events of the last decades, as well as through the major academic institutions of the nation andthe editorial boards of such important journals as Partisan Review, Commentary, Dissent, The Public Interest, and The New York Review of Books.So deeply entrenched in our intellectual establishment are these people that it's easy to forget that most grew up onthe edge of American society--poor, Jewish, the children of immigrants. Prodigal Sons retraces their common past, from their New York City ghetto upbringing and education at Columbia and City College through theirradicalization in the '30s to their preeminence in the postwar literary and academic world. The book examines their youthful efforts to ignore their Jewish heritage and their later rediscovery of thisheritage in the wake of the Holocaust. It shows how they moved toward the liberal center during the Cold War and how the group fragmented in the 1960s, when some turned toward the right, becoming key figures in the Neo-Conservative movement of the 1970s and '80s.As Bloom points out, there is no single typical New York intellectual; nor did they share all their ideas. This book is concerned with how the community came to be formed, and what it thought important, how andwhy it moved and changed, and why it ultimately came undone. We learn some of the ways in which intellectuals function and justify their own places and a great deal about the political and culturallandscape over which New York intellectuals passed.A fascinating portrait of New York intellectual life over the past half-centuryBLBased on interviews with many of the leading figures and 10 years of extensive researchBLTakes us behind the scenes at Commentary, Partisan Review, The Public Interest and other influential publications

"A herd of independent minds," Harold Rosenberg once labelled his fellow intellectuals. They were, and are, as this book shows, a special and fascinating group, including literary critics Lionel Trilling, Alfred Kazin, Irving Howe, Leslie Fiedler, Philip Rahv and William Phillips; social scientists Daniel Bell, Seymour Martin Lipset, and Nathan Glazer,; art critics and historians Clement Greenberg, Harold Rosenberg, and Meyer Schapiro; novelist Saul Bellow; and political journalists Irving Kristol and Norman Podhoretz. Their story winds through nearly all of the crucial intellectual and political events of the last decades, as well as through the major academic institutions of the nation and the editorial boards of such important journals as Partisan Review, Commentary, Dissent, The Public Interest, and The New York Review of Books. So deeply entrenched in our intellectual establishment are these people that it is easy to forget that most grew up on the edge of American society--poor, Jewish, the children of immigrants. Prodigal Sons retraces their common past, from their New York City ghetto upbringing and education through their radicalization in the '30s to their preeminence in the postwar literary and academic world. As Bloom points out, there is no single typical New York intellectual; nor did they share all their ideas. This book is concerned with how the community came to be formed, that it thought important, how and why it moved and changed, and why it ultimately came undone.

This book examines the gulf between the history and mythology that has grown up around different aspects of the Sixties, ranging from the counterculture to gay rights to the student and women's movements to the Johnson presidency. One of the volumes launching the Viewpoints of American Culture series, this collection of original essays features writing by scholars and public figures, including Tom Wicker, John D'Emilio, and Julian Bond, and includes their personal reflections on the decade.

This book examines the gulf between the history and mythology that has grown up around different aspects of the Sixties, ranging from the counterculture to gay rights to the student and women's movements to the Johnson presidency. One of the volumes launching the Viewpoints of American Culture series, this collection of original essays features writing by scholars and public figures, including Tom Wicker, John D'Emilio, and Julian Bond, and includes their personal reflections on the decade.

"A herd of independent minds," Harold Roseberg once labelled his fellow intellectuals. They were, and are, as this book shows, a special and fascinating group, including literary critics like Lionel Trilling, Alfred Kazin, Irving Howe, Leslie Fiedler, Philip Rahv, and William Phillips; social scientists like Nathan Glazer; art critics and historians Clement Greenberg, Harold Rrosenberg, and Meyer Schapiro; novelist Saul Bellow; and political journalists Irving Kristol and Norman Podhoretz. Their story winds through nearly all of the crucial intellectual and political events of the last decades, as well as through the major academic institutions of the nation and the editorial boards of such important journals as Partisan Review, Commentary, Dissent, The Public Interest, and The New York Review of Books. So deeply entrenched in our intellectual establishment are these people that it''s easy to forget that most grew up onthe edge of American society--poor, Jewish, the children of immigrants. Prodigal Sons retraces their common past, from their New York City ghetto upbringing and education at Columbia and City College through their radicalization in the ''30s to their preeminence in the postwar literary and academic world. The book examines their youthful efforts to ignore their Jewish heritage and their later rediscovery of this heritage in the wake of the Holocaust. It shows how they moved toward the liberal center during the Cold War and how the group fragmented in the 1960s, when some turned toward the right, becoming key figures in the Neo-Conservative movement of the 1970s and ''80s. As Bloom points out, there is no single typical New York intellectual; nor did they share all their ideas. This book is concerned with how the community came to be formed, and what it thought important, how and why it moved and changed, and why it ultimately came undone. We learn some of the ways in which intellectuals function and justify their own places and a great deal about the political and cultural landscape over which New York intellectuals passed. A fascinating portrait of New York intellectual life over the past half-century BLBased on interviews with many of the leading figures and 10 years of extensive research BLTakes us behind the scenes at Commentary, Partisan Review, The Public Interest and other influential publications

It has been called the year that changed everything, the postwar watershed in which the forces that shaped public and private life erupted, everywhere and all at once--New York, Paris, Prague, Mexico City. Beginning with the Tet Offensive in Vietnam in January and continuing through the inauguration of Richard Nixon as president the following January, 1968 witnessed the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, the Democratic Convention in Chicago, and the irresistible rise of a rebellious spirit that questioned every form of authority. Each month brought a fresh wave of upheaval with shared undercurrents---deep frustrations, bold aspirations, and a growing conviction that change, whether peaceful and violent, was inevitable. Political unrest, civil rights struggles, anti-war protests, generational shifts: the causes were manifold and complex, yet their convergence was unmistakable. Alexander Bloom captures the explosive energy of a world in upheaval, illuminating how the events of 1968 were driven by youth movements, inspired by music and the subversive pull of countercultural ideals, all of which transcended borders. In Prague, young people tuned into Western radio, embracing the same sounds and messages reverberating through London and San Francisco. Styles of dress, personal expression, and radical ideals spread rapidly, fueled by an expanding media. The revolution was in fact being televised, making distant struggles immediate and personal, and turning local movements into global moments. Together, these forces made 1968 a year unlike any before or any since. For many, it felt as if the ground beneath them had shifted. Political and social transformation seemed not just possible but imminent, across the nation and around the world. Not all the promises or expectations of that year bore fruit and the backlash it generated remains with us. Still, it marked an irrevocable turning point in world history. In 1968, the world didn't just change---it shook to its core.

It has been called the year that changed everything, the postwar watershed in which the forces that shaped public and private life erupted, everywhere and all at once--New York, Paris, Prague, Mexico City. Beginning with the Tet Offensive in Vietnam in January and continuing through the inauguration of Richard Nixon as president the following January, 1968 witnessed the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, the Democratic Convention in Chicago, and the irresistible rise of a rebellious spirit that questioned every form of authority. Each month brought a fresh wave of upheaval with shared undercurrents---deep frustrations, bold aspirations, and a growing conviction that change, whether peaceful and violent, was inevitable. Political unrest, civil rights struggles, anti-war protests, generational shifts: the causes were manifold and complex, yet their convergence was unmistakable. Alexander Bloom captures the explosive energy of a world in upheaval, illuminating how the events of 1968 were driven by youth movements, inspired by music and the subversive pull of countercultural ideals, all of which transcended borders. In Prague, young people tuned into Western radio, embracing the same sounds and messages reverberating through London and San Francisco. Styles of dress, personal expression, and radical ideals spread rapidly, fueled by an expanding media. The revolution was in fact being televised, making distant struggles immediate and personal, and turning local movements into global moments. Together, these forces made 1968 a year unlike any before or any since. For many, it felt as if the ground beneath them had shifted. Political and social transformation seemed not just possible but imminent, across the nation and around the world. Not all the promises or expectations of that year bore fruit and the backlash it generated remains with us. Still, it marked an irrevocable turning point in world history. In 1968, the world didn't just change---it shook to its core.

It has been called the year that changed everything, the postwar watershed in which the forces that shaped public and private life erupted, everywhere and all at once--New York, Paris, Prague, Mexico City. Beginning with the Tet Offensive in Vietnam in January and continuing through the inauguration of Richard Nixon as president the following January, 1968 witnessed the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, the Democratic Convention in Chicago, and the irresistible rise of a rebellious spirit that questioned every form of authority. Each month brought a fresh wave of upheaval with shared undercurrents---deep frustrations, bold aspirations, and a growing conviction that change, whether peaceful and violent, was inevitable. Political unrest, civil rights struggles, anti-war protests, generational shifts: the causes were manifold and complex, yet their convergence was unmistakable. Alexander Bloom captures the explosive energy of a world in upheaval, illuminating how the events of 1968 were driven by youth movements, inspired by music and the subversive pull of countercultural ideals, all of which transcended borders. In Prague, young people tuned into Western radio, embracing the same sounds and messages reverberating through London and San Francisco. Styles of dress, personal expression, and radical ideals spread rapidly, fueled by an expanding media. The revolution was in fact being televised, making distant struggles immediate and personal, and turning local movements into global moments. Together, these forces made 1968 a year unlike any before or any since. For many, it felt as if the ground beneath them had shifted. Political and social transformation seemed not just possible but imminent, across the nation and around the world. Not all the promises or expectations of that year bore fruit and the backlash it generated remains with us. Still, it marked an irrevocable turning point in world history. In 1968, the world didn't just change---it shook to its core.

With remarkable speed, the Sixties have gone from lived history to mythology. They remain alive in our culture in a manner different from any previous era. At the dawn of a new century, we are still debating the issues that emerged during that decade, still living in the conscious aftermath of its events and transformations. This collection looks back at the Sixties, attempting to understand the issues of the day on their own terms and to think about their meanings in today''s world. Alexander Bloom has gathered ten original essays, each of which explores the gulf between history and myth regarding a central characteristic of the Sixties. Topics covered include civil rights, the student movement and the New Left, the Vietnam War, the antiwar movement, gay rights, the counterculture, and the women''s movement. Long Time Gone dispels myths about the Sixties and constructs an accurate vision of the past and an understanding of its impact on the modern world. It is an invaluable resource for anyone seeking deeper knowledge of this incredible decade and its continuing influence on American culture.