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A reconsideration of Filippino Lippi’s transformative Roman period and the ensuing evolution of his innovative style, as reflected in his Holy Family tondo in Cleveland—a masterpiece that exemplifies this pivotal phase in his career Between 1488 and 1493, leading Florentine artist Filippino Lippi (ca. 1457–1504) relocated to Rome to complete his celebrated frescoes in the funerary chapel of Neapolitan cardinal Oliviero Carafa in the major Dominican church of Santa Maria Sopra Minerva. During this time, Filippino also painted a magnificent tondo for Carafa: The Holy Family with Saint John the Baptist and Saint Margaret. Focusing on this seminal work in his oeuvre, Filippino Lippi and Rome traces the arc of the painter’s artistic practice before, during, and after his Roman period, illuminating the evolution of his processes and iconographic ingenuities. This in-depth study presents new scholarship on the inspiration Filippino found in the Eternal City and how The Holy Family tondo—the only known independent work produced by Filippino in Rome—influenced artists from Raffaellino del Garbo to Jan Gossaert to Leonardo da Vinci. Moreover, the essays and catalogue entries in this volume draw on recent technical analyses that had, for the first time, revealed the tondo’s underdrawing and pentimenti, shedding new light on Filippino’s painting techniques. These texts are accompanied by a chronicle of the work’s rediscovery at the start of the nineteenth century and the dramatic turn of events that led to its acquisition by the Cleveland Museum of Art in 1932. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art(November 30, 2025–February 22, 2026)
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A landmark publication on the influential Renaissance sculptor Bertoldo di Giovanni, who was the pupil of Donatello and the teacher of Michelangelo Renaissance sculptor Bertoldo di Giovanni (ca. 14401491) was a student of Donatello, a teacher of Michelangelo, and a favourite of Lorenzo de' Medici "il Magnifico," his principal patron. Bertoldo was one of the first sculptors to create statuettes in bronze. With an overview of the artist's entire oeuvre - including The Frick Collection's Shield Bearer, the only Bertoldo sculpture outside of Europe - this major scholarly catalogue is the most substantial text on Bertoldo ever produced. Featured are contributions from renowned international scholars who bring into focus the sculptor's unique position at the heart of the artistic and political landscape in fifteenth-century Italy.