Alexander M. Martin – författare

Imperial Russia, is was said, had two capital cities because it had two identities: St. Petersburg was Russia''s "window to Europe," whereas Moscow preserved the nation''s proud historical traditions. Enlightened Metropolis challenges this myth by exploring how the tsarist regime actually tried to turn Moscow into a bridgehead of Europe in the heartland of Russia.Moscow in the eighteenth century was widely scorned as backward and "Asiatic." The tsars thought it a benighted place that endangered their state''s internal security and their effort to make Russia European. Beginning with Catherine the Great, they sought to construct a new Moscow, with European buildings and institutions, a Westernized "middle estate", and a new cultural image as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectualhistory, Enlightened Metropolis asks: How was the urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine''s accession to the death of Nicholas I? How were the lives of the inhabitants changed? Did a "middle estate" come into being? How similarwas Moscow''s modernization to that of Western cities, and how was it affected by the disastrous occupation by Napoleon? Lastly, how were Moscow and its people imagined by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?

In a manuscript in a Russian archive, an anonymous German eyewitness describes what he saw in Moscow during Napoleon's Russian campaign. Who was this nameless memoirist, and what brought him to Moscow in 1812? The search for answers to those questions uncovers a remarkable story of German and Russian life at the dawn of the modern age.Johannes Ambrosius Rosenstrauch (1768-1835), the manuscript's author, was a man always on the move and reinventing himself. He spent half his life in the Holy Roman Empire, and the other half in Russia. He was a barber-surgeon, an actor, and a merchant, as well as a Catholic, a Freemason, and a Lutheran pastor. He saw the French Revolutionary and Napoleonic Wars, founded a business that flourished for sixty years, and took part in the Enlightenment, the consumer revolution, the Pietist Awakening, and Russia's colonization of the Black Sea steppe. A restless wanderer and seeker, but also the progenitor of an influential merchant family, he was a characteristic figure both of the Age of Revolution and of the bourgeois era that followed.Presenting a broad panorama of life in the German lands and Russia from the Old Regime to modernity, this microhistory explores how individual people shape, and are shaped by, the historical forces of their time.

Imperial Russia, is was said, had two capital cities because it had two identities: St. Petersburg was Russia's "window to Europe," whereas Moscow preserved the nation's proud historical traditions. Enlightened Metropolis challenges this myth by exploring how the tsarist regime actually tried to turn Moscow into a bridgehead of Europe in the heartland of Russia. Moscow in the eighteenth century was widely scorned as backward and "Asiatic." The tsars thought it a benighted place that endangered their state's internal security and their effort to make Russia European. Beginning with Catherine the Great, they sought to construct a new Moscow, with European buildings and institutions, a Westernized "middle estate", and a new cultural image as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectual history, Enlightened Metropolis asks: How was the urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine's accession to the death of Nicholas I? How were the lives of the inhabitants changed? Did a "middle estate" come into being? How similar was Moscow's modernization to that of Western cities, and how was it affected by the disastrous occupation by Napoleon? Lastly, how were Moscow and its people imagined by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?

It is a cliché that tsarist Russia had two rival capitals: St. Petersburg, Russia's "window to Europe"; and Moscow, city of palaces and onion domes, the tradition-bound metropolis of the Orthodox heartland. Enlightened Metropolis challenges this cultural myth by examining the tsarist regime's efforts to turn Moscow into a European city. In the eighteenth century, Europeans and even some Russians scorned Moscow as part of Asia, and the tsars themselves thought it a benighted place that endangered both their political security and their effort to Westernize their country and gain respect for Russia abroad. Beginning with Catherine the Great, they sought to remake Moscow on the model of St. Petersburg by reconstructing its buildings and institutions, fostering a Westernized "middle estate" and constructing a new image of Moscow as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectual history, Enlightened Metropolis asks: How was the city's urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine's accession to the death of Nicholas I? How did these changes affect the everyday lives of the inhabitants, and did a "middle estate" in fact come into being? Did Moscow's urban modernization resemble that of Western cities, and how was it affected by the disastrous occupation by Napoleon in 1812? Lastly, how was Moscow's modernization interpreted by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?

In this richly researched and highly original study, Alexander M. Martin explores conservatism in Russian thought, politics, and culture during the first quarter of the nineteenth century. Tracing the indigenous and foreign origins of conservative ideology through a wide range of sources, he shows how the Russians reacted to threats posed by the egalitarianism of the French Revolution and how this reaction shaped state policy and national consciousness. Martin views the development of Russian conservatism in several contexts, the most important of which is the new nationalism that linked the crisis brought on by the Napoleonic wars to the eras of Catherine the Great and Nicholas I. Exploring the growth of nationalistic thinking, he shows its relation to sentimentalism, to a broad religious awakening, and to the growing pride in Russian distinctiveness. Linking Russia's intellectual and cultural life with national politics, Martin identifies conservative groups and investigates their role in influencing foreign and domestic policy. He shows how public opinion responded to the conservatives' initiatives and explores the relationship between conservative-nationalist ideas and Russian society.By placing Russian conservatism firmly in the context of contemporary Western thought, Martin presents the striking conclusion that Russian conservatives were part of the political and cultural upheaval that took place all across Europe between the revolutions of 1789 and 1848. Russian conservatism was thus uniquely double-edged: far from mainly defending the status quo, Russia's conservatives were also part of the movement for change.Romantics, Reformers, Reactionaries is the first in-depth probe of the origins of Russian conservatism. It will appeal not only to Russian historians but to all readers concerned with political culture and the history of conservative thought.

The memoir of Dmitrii Ivanovich Rostislavov-a mathematician, teacher, and social critic-offers a rare firsthand view of provincial Russia in the late eighteenth and early nineteenth centuries. Translated into English for the first time, these extraordinary observations reveal much about daily village life and the cultural milieu of the time. An acute observer, Rostislavov discusses social and ethnic relationships as well as matters pertaining to education, law enforcement, religious practice, and folk beliefs. Rostislavov's account of his own education is a harrowing description of coming of age in a Darwinian world of violence and cruelty. Coarse, impoverished schoolboys, brutal and corrupt teachers, and callous landlords formed a harsh environment characterized by sadistic corporal punishment and bitter class hatreds. Variously humorous, elegiac, and passionate, his narrative shows why even those from relatively privileged backgrounds came to detest the authoritarian order of the old regime. In a probing analysis of the Russian national order, Rostislavov found the twin evils facing Russia to be the coarseness of traditional society and the authoritarianism and corruption of the regime and its representatives. Russia's hope for the future, he believed, lay with cultural changes that would ultimately raise the society's moral level. Illustrations, maps, and an introduction illuminating the historical context accompany this remarkable account of life in provincial Russia.

The memoir of Dmitrii Ivanovich Rostislavov-a mathematician, teacher, and social critic-offers a rare firsthand view of provincial Russia in the late eighteenth and early nineteenth centuries. Translated into English for the first time, these extraordinary observations reveal much about daily village life and the cultural milieu of the time. An acute observer, Rostislavov discusses social and ethnic relationships as well as matters pertaining to education, law enforcement, religious practice, and folk beliefs. Rostislavov's account of his own education is a harrowing description of coming of age in a Darwinian world of violence and cruelty. Coarse, impoverished schoolboys, brutal and corrupt teachers, and callous landlords formed a harsh environment characterized by sadistic corporal punishment and bitter class hatreds. Variously humorous, elegiac, and passionate, his narrative shows why even those from relatively privileged backgrounds came to detest the authoritarian order of the old regime. In a probing analysis of the Russian national order, Rostislavov found the twin evils facing Russia to be the coarseness of traditional society and the authoritarianism and corruption of the regime and its representatives. Russia's hope for the future, he believed, lay with cultural changes that would ultimately raise the society's moral level. Illustrations, maps, and an introduction illuminating the historical context accompany this remarkable account of life in provincial Russia.

In this richly researched and highly original study, Alexander M. Martin explores conservatism in Russian thought, politics, and culture during the first quarter of the nineteenth century. Tracing the indigenous and foreign origins of conservative ideology through a wide range of sources, he shows how the Russians reacted to threats posed by the egalitarianism of the French Revolution and how this reaction shaped state policy and national consciousness. Romantics, Reformers, Reactionaries is the first in-depth probe of the origins of Russian conservatism. It will appeal not only to Russian historian but to all readers concerned with political culture and the history of conservative thought.

In this richly researched and highly original study, Alexander M. Martin explores conservatism in Russian thought, politics, and culture during the first quarter of the nineteenth century. Tracing the indigenous and foreign origins of conservative ideology through a wide range of sources, he shows how the Russians reacted to threats posed by the egalitarianism of the French Revolution and how this reaction shaped state policy and national consciousness. Romantics, Reformers, Reactionaries is the first in-depth probe of the origins of Russian conservatism. It will appeal not only to Russian historian but to all readers concerned with political culture and the history of conservative thought.

ENGIn a manuscript in a Russian archive, an anonymous German eyewitness describes what he saw in Moscow during Napoleon's Russian campaign. Who was this nameless memoirist, and what brought him to Moscow in 1812? The search for answers to those questions uncovers a remarkable story of German and Russian life at the dawn of the modern age.Johannes Ambrosius Rosenstrauch (1768-1835), the manuscript's author, was a man always on the move and reinventing himself. He spent half his life in the Holy Roman Empire, and the other half in Russia. A restless wanderer and seeker, but also the progenitor of an influential merchant family, he was a characteristic figure both of the Age of Revolution and of the bourgeois era that followed.Presenting a broad panorama of life in the German lands and Russia from the Old Regime to modernity, this microhistory explores how individual people shape, and are shaped by, the historical forces of their time.Winner, 2023 Reginald Zelnik Book Prize in History, Association for Slavic, East European, and Eurasian StudiesRUSВ рукописи анонимный немецкий очевидец описывает то, что он видел в Москве во время русской кампании Наполеона. Кем был этот мемуарист и что привело его в Москву в 1812 году? Поиск ответов на эти вопросы открывает неизвестные страницы из жизни Германии и России на заре современной эпохи. Автор рукописи, Иоганн Амброзиус Розенштраух (1768–1835), половину своей жизни провел в Священной Римской империи, а другую половину –в России. Неугомонный странники искатель, а также родоначальник влиятельной купеческой семьи, он был характерной фигурой своей эпохи. Демонстрируя широкую панораму жизни на немецких землях и в России, книга Александра Мартина показывает, как отдельные люди формируют свое время и сами и формируются под его воздействием.

In this richly researched and highly original study, Alexander M. Martin explores conservatism in Russian thought, politics, and culture during the first quarter of the nineteenth century. Tracing the indigenous and foreign origins of conservative ideology through a wide range of sources, he shows how the Russians reacted to threats posed by the egalitarianism of the French Revolution and how this reaction shaped state policy and national consciousness. Romantics, Reformers, Reactionaries is the first in-depth probe of the origins of Russian conservatism. It will appeal not only to Russian historian but to all readers concerned with political culture and the history of conservative thought.