Alexis Malefakis - Böcker
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5 produkter
5 produkter
1 142 kr
Skickas inom 10-15 vardagar
The market places and street corners of Dar es Salaam are home to a thriving informal economy of street vendors selling secondhand clothing and other goods. These street vendors often live a precarious existence, under pressure from state authorities and international markets. In addition to these external pressures, the experiences of such vendors are also shaped by a complex interplay of internal tensions, rivalries and conflicting communal ties. Such internal dynamics are a common part of informal economies around the world, but have largely gone unrecognised and unexamined by academic scholarship.Based on ethnographic fieldwork and extensive interviews with vendors living and working in Dar es Salaam, Malefakis’s book offers a nuanced portrait of those trying to carve out a livelihood in a major African city, one in which ties of kinship and ethnicity are often viewed as a barrier, rather than an aid, to success. In the process, Malefakis provides an invaluable new perspective on the way in which co-operation, or lack thereof, functions in an informal economy, as well as insight into the lived experiences of those who depend on such economies.
448 kr
Skickas inom 10-15 vardagar
The market places and street corners of Dar es Salaam are home to a thriving informal economy of street vendors selling secondhand clothing and other goods. These street vendors often live a precarious existence, under pressure from state authorities and international markets. In addition to these external pressures, the experiences of such vendors are also shaped by a complex interplay of internal tensions, rivalries and conflicting communal ties. Such internal dynamics are a common part of informal economies around the world, but have largely gone unrecognised and unexamined by academic scholarship.Based on ethnographic fieldwork and extensive interviews with vendors living and working in Dar es Salaam, Malefakis’s book offers a nuanced portrait of those trying to carve out a livelihood in a major African city, one in which ties of kinship and ethnicity are often viewed as a barrier, rather than an aid, to success. In the process, Malefakis provides an invaluable new perspective on the way in which co-operation, or lack thereof, functions in an informal economy, as well as insight into the lived experiences of those who depend on such economies.
230 kr
Skickas inom 3-6 vardagar
223 kr
Skickas inom 5-8 vardagar
This multifaceted reader explores the cultural heritage of the pre-colonial Kingdom of Benin, in the territory of what today is Nigeria. Objects from Benin are held also in Swiss museums and, as in other countries of the Global North, have become the subject of controversial debate. The richly illustrated volume offers new findings on the historical and current significance of artefacts. Moreover, it highlights the current dialogue with partners from Nigeria and the diaspora, reflecting on the methods of cooperative research and the future of the objects currently kept in Swiss collections. Biographies of individual items and examples of mediation and exhibition practice provide an insight into interwoven histories, the international art trade, and post-colonial reconciliation work between Africa and Europe.Mobilizing: Benin Heritage in Swiss Museums is published as part of the Benin Initiative Switzerland (2021–24), a project by eight Swiss museums focusing on provenance research on artefacts from colonial contexts. Texts and images invite reflection on art works and values, relationships, and views of history. The close collaboration with representatives from Nigeria and the diaspora enables new forms of knowledge production. This not only sets cultural heritage in motion, but also the museum as an institution itself.
482 kr
Skickas inom 5-8 vardagar
The unique wire model collection of the Swiss collector Edmond Remondino documents an early phase of a craft that today enjoys international renown with collectors and researchers. In the 1970s and 1980s the models evolved from real prototypes such as race cars from the Rally du Burundi; today, as then, the extraordinary aesthetic, alternating between minimalism and comic-type exaggeration, captures the imagination. However, these cars, planes and helicopters, often referred to as 'recycled art', are in no way assembled from rubbish. In Burundi old tin cans and metal wire are considered an important basic material in handicraft. Interdisciplinary essays discuss the works of the self-taught working engineers in terms of their skillful production and the history of Burundi as well as from an industrial design viewpoint, showing completely new aspects of a genre of African art that is now more than forty years old. Text in English and German.