Amanda Shoaf Vincent – författare
3 542 kr
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877 kr
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This handbook assembles a vibrant collection of original scholarship highlighting new and exciting research themes on Paris in the Modern Era. It provides an innovative selection and use of primary sources, broadens the notion of “archive,” and includes diverse voices and multiple perspectives.
The contributors, representing a range of academic disciplines in the humanities and social sciences, connect specific topics to larger historical questions and extend consideration of Paris beyond the city’s historical limit to the outskirts of the metropolis in the Île-de-France region. The first section includes overview chapters tracing structural evolutions and broad movements as understood through recent historiography. The second section presents essays that take a narrower focus on case studies and key moments of reflection and debate, change and commemoration through specific sites, social phenomena, cultural objects, movements, and representations of Paris in the arts. The authors explore how Paris has been imagined, constructed, and mythologized from the outside – by tourists, immigrants, and those separate from the circles of power, as well as from within – by political, administrative, and cultural institutions.
Geared towards advanced undergraduates, graduate students, and postgraduate researchers, this handbook contributes to readers’ understanding of France’s place in the world and French society, culture, and policy by telling the story of modern Paris in all its complexity.
877 kr
Läs direkt efter köp
This handbook assembles a vibrant collection of original scholarship highlighting new and exciting research themes on Paris in the Modern Era. It provides an innovative selection and use of primary sources, broadens the notion of “archive,” and includes diverse voices and multiple perspectives.
The contributors, representing a range of academic disciplines in the humanities and social sciences, connect specific topics to larger historical questions and extend consideration of Paris beyond the city’s historical limit to the outskirts of the metropolis in the Île-de-France region. The first section includes overview chapters tracing structural evolutions and broad movements as understood through recent historiography. The second section presents essays that take a narrower focus on case studies and key moments of reflection and debate, change and commemoration through specific sites, social phenomena, cultural objects, movements, and representations of Paris in the arts. The authors explore how Paris has been imagined, constructed, and mythologized from the outside – by tourists, immigrants, and those separate from the circles of power, as well as from within – by political, administrative, and cultural institutions.
Geared towards advanced undergraduates, graduate students, and postgraduate researchers, this handbook contributes to readers’ understanding of France’s place in the world and French society, culture, and policy by telling the story of modern Paris in all its complexity.
791 kr
Skickas inom 5-8 vardagar
1 100 kr
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Constructing Gardens, Cultivating the City is the first cultural history of major new parks developed in Paris in the late twentieth century, as part of the city’s program of adaptive reuse of industrial spaces. Thanks to laws that gave the city more political autonomy, Paris’s local government launched a campaign of park creation in the late 1970s that continued to the turn of the millennium. The parks in this book represent this campaign and illustrate different facets of their cultural and historical context.Archival research, interviews, and analyses of the parks reveal how postmodern debates about urban planning, the historic city, public space, and nature’s presence in an urban setting influenced their designs. In sum, the city adopted the garden as a model for public parks, investing in complex, richly symbolic and representational spaces. These parks were intended to represent contemporary twists on traditional designs and serve local residents as much as they would contribute to Paris’s role as a world city.The parks’ development process often included points of conflict, pointing to differing views on what Parisian space should represent and fundamental contradictions between the characteristics of public space and the garden as it is traditionally defined. These parks demonstrate the ongoing cultivation of the city over time, in which transformed sites not only fulfil new functions but also engage with history and their surroundings to create new meaning. They stand for landscape as a form of signifying cultural production that directly engages with other art forms and ways of knowing. Just as the Luxembourg Gardens, the Tuileries, and the Buttes-Chaumont parks exemplify their eras’ cultural dynamics, such parks as the Jardin Atlantique, Parc André-Citroën, and the Jardin des Halles express contemporary French culture within the archetypal space of their era, the city. Finally, they point the way to current trends in landscape architecture, such as citizen gardening and ecological initiatives.