Amy Von Lintel – författare
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3 produkter
3 produkter
552 kr
Skickas inom 5-8 vardagar
Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States.The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism.Authors Amy Von Lintel and Bonnie Roos demonstrate that these women’s New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists’ aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
366 kr
Skickas inom 11-20 vardagar
In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life. The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.
443 kr
Skickas inom 5-8 vardagar
Art at the Crossroads: The Surprising Aesthetics of the Texas Panhandle underscores the striking richness of art stories about the Texas Panhandle—a strange and wondrous place, where old and new, tradition and innovation are constantly in productive tension. East meets West; Midwest meets Southwest; cars and trains and planes have long connected the area to the rest of the nation. The art of the Texas Panhandle forms a networked centerpiece of American creativity, a distinct artistic crossroads. This book features four comprehensive narratives of artists working in the region, such as the first art historical study on Frank Lloyd Wright's Sterling Kinney House in Amarillo and the hidden but foundational aesthetics of aviation in the Panhandle. It also revisits familiar lore but with fresh and newly historical eyes, including archival dives into the concept of decay at the very heart of Amarillo-area art and the famous case of the Georgia O'Keeffe fakes found in a Canyon, Texas, garage. As a transplant to the Panhandle, the author learned these stories from scratch and can attest firsthand that the region's artistic output had stories that appeal to art lovers anywhere. They bear witness not only to rural life but also to the Panhandle's raw and sublime landscapes and its diverse population of artists and patrons who created a thriving art scene.