Andrew Burstein – författare

Two centuries ago, native New Yorker Washington Irving exploded onto the literary scene of Europe with the publication of his breakout collection of stories, The Sketch Book of Geoffrey Crayon, Gent. Published in England and America in 1819­–1820, and universally praised for its inventive characters and soul-searching qualities, including the immortal tales "Rip Van Winkle" and "The Legend of Sleepy Hollow," the volume enjoyed remarkable transatlantic success, allowing Irving to become the first of his nation to support himself as a professional author. In this distinctive collection, historians and literary scholars come together to reassess Irving's imaginative world and complex cultural legacy. Alternately a satirist and a nostalgia merchant, Irving was ever absorbed in reconstituting a lost past, which the volume dubs "Rip Van Winkle's Republic." The assembled scholars explore issues of Anglo-American culture, the power of imagery, race, and the treatment of time and history in Irving's vast body of literature, as well as his status as a bibliophile, an antiquarian, and a prominent figure in an age of literary celebrity. Edited by acclaimed historians Andrew Burstein and Nancy Isenberg, Rip Van Winkle's Republic marks a rediscovery of this marvelous author of social satire and fabled tales of the past.

Two centuries ago, native New Yorker Washington Irving exploded onto the literary scene of Europe with the publication of his breakout collection of stories, The Sketch Book of Geoffrey Crayon, Gent. Published in England and America in 1819­–1820, and universally praised for its inventive characters and soul-searching qualities, including the immortal tales "Rip Van Winkle" and "The Legend of Sleepy Hollow," the volume enjoyed remarkable transatlantic success, allowing Irving to become the first of his nation to support himself as a professional author. In this distinctive collection, historians and literary scholars come together to reassess Irving's imaginative world and complex cultural legacy. Alternately a satirist and a nostalgia merchant, Irving was ever absorbed in reconstituting a lost past, which the volume dubs "Rip Van Winkle's Republic." The assembled scholars explore issues of Anglo-American culture, the power of imagery, race, and the treatment of time and history in Irving's vast body of literature, as well as his status as a bibliophile, an antiquarian, and a prominent figure in an age of literary celebrity. Edited by acclaimed historians Andrew Burstein and Nancy Isenberg, Rip Van Winkle's Republic marks a rediscovery of this marvelous author of social satire and fabled tales of the past.

Mortal Remains introduces new methods of analyzing death and its crucial meanings over a 240-year period, from 1620 to 1860, untangling its influence on other forms of cultural expression, from religion and politics to race relations and the nature of war. In this volume historians and literary scholars join forces to explore how, in a medically primitive and politically evolving environment, mortality became an issue that was inseparable from national self-definition.Attempting to make sense of their suffering and loss while imagining a future of cultural permanence and spiritual value, early Americans crafted metaphors of death in particular ways that have shaped the national mythology. As the authors show, the American fascination with murder, dismembered bodies, and scenes of death, the allure of angel sightings, the rural cemetery movement, and the enshrinement of George Washington as a saintly father, constituted a distinct sensibility. Moreover, by exploring the idea of the vanishing Indian and the brutality of slavery, the authors demonstrate how a culture of violence and death had an early effect on the American collective consciousness.Mortal Remains draws on a range of primary sources-from personal diaries and public addresses, satire and accounts of sensational crime-and makes a needed contribution to neglected aspects of cultural history. It illustrates the profound ways in which experiences with death and the imagery associated with it became enmeshed in American society, politics, and culture.

In political speech, Thomas Jefferson is the eternal flame. No other member of the founding generation has served the agendas of both Left and Right with greater vigor. When Franklin Roosevelt dedicated the iconic Jefferson Memorial on the founder’s two hundredth birthday, in 1943, he declared the triumph of liberal humanism. Harry Truman claimed Jefferson as his favorite president, too. And yet Ronald Reagan was as great a Jefferson admirer as any Democrat. He had a go-to file of Jefferson’s sayings and enshrined him as a small-government conservative.So, who owns Jefferson--the Left or the Right? The unknowable yet irresistible third president has had a tortuous afterlife, and he remains a fixture in today’s culture wars. Pained by Jefferson’s slaveholding, Democrats still regard him highly. Until recently he was widely considered by many African Americans to be an early abolitionist. Libertarians adore him for his inflexible individualism, and although he formulated the doctrine of separation of church and state, Christian activists have found intense religiosity between the lines in his pronouncements.The renowned Jefferson scholar Andrew Burstein lays out the case for both ""Democrat"" and ""Republican"" Jefferson as he interrogates history’s greatest shape-shifter, the founder who has inspired perhaps the strongest popular emotions. In this timely and powerful book, Burstein shares telling insights, as well as some inconvenient truths, about politicized Americans and their misappropriations of the past, including the concoction of a ""Jeffersonian"" stance on issues that Jefferson himself could never have imagined.Here is one book that is more about ""us"" than it is about Jefferson. It explains how the founding generation’s most controversial partisan became essential to America’s quest for moral security—how he became, in short, democracy’s muse.

In political speech, Thomas Jefferson is the eternal flame. No other member of the founding generation has served the agendas of both Left and Right with greater vigor. When Franklin Roosevelt dedicated the iconic Jefferson Memorial on the founder’s two hundredth birthday, in 1943, he declared the triumph of liberal humanism. Harry Truman claimed Jefferson as his favorite president, too. And yet Ronald Reagan was as great a Jefferson admirer as any Democrat. He had a go-to file of Jefferson’s sayings and enshrined him as a small-government conservative.So, who owns Jefferson – the Left or the Right? The unknowable yet irresistible third president has had a tortuous afterlife, and he remains a fixture in today’s culture wars. Pained by Jefferson’s slaveholding, Democrats still regard him highly. Until recently he was widely considered by many African Americans to be an early abolitionist. Libertarians adore him for his inflexible individualism, and although he formulated the doctrine of separation of church and state, Christian activists have found intense religiosity between the lines in his pronouncements.The renowned Jefferson scholar Andrew Burstein lays out the case for both ""Democrat"" and ""Republican"" Jefferson as he interrogates history’s greatest shape-shifter, the founder who has inspired perhaps the strongest popular emotions. In this timely and powerful book, Burstein shares telling insights, as well as some inconvenient truths, about politicized Americans and their misappropriations of the past, including the concoction of a ""Jeffersonian"" stance on issues that Jefferson himself could never have imagined.Here is one book that is more about ""us"" than it is about Jefferson. It explains how the founding generation’s most controversial partisan became essential to America’s quest for moral security – how he became, in short, democracy’s muse.

Untangling the private feelings, ambitions, and fears of early Americans through their personal writings from the Revolution to the Civil War.Modern readers of history and biography unite around a seemingly straightforward question: What did it feel like to live in the past? In Longing for Connection, historian Andrew Burstein attempts to answer this question with a vigorous, nuanced emotional history of the United States from its founding to the Civil War. Through an examination of the letters, diaries, and other personal texts of the time, along with popular poetry and novels, Burstein shows us how early Americans expressed deep emotions through shared metaphors and borrowed verse in their longing for meaning and connection. He reveals how literate, educated Americans—both well-known and more obscure—expressed their feelings to each other and made attempts at humor, navigating an anxious world in which connection across spaces was difficult to capture. In studying the power of poetry and literature as expressions of inner life, Burstein conveys the tastes of early Americans and illustrates how emotions worked to fashion myths of epic heroes, such as the martyr Nathan Hale, George Washington, and Abraham Lincoln. He also studies the public's fears of ocean travel, their racial blind spots, and their remarkable facility for political satire.Burstein questions why we seek a connection to the past and its emotions in the first place. America, he argues, is shaped by a persistent belief that the past is reachable and that its lessons remain intact, which represents a major obstacle in any effort to understand our national history. Burstein shows, finally, that modern readers exhibit a similar capacity for rationalization and that dire longing for connection across time and space as the people he studies.