Angus Vine – författare

In Defiance of Time explores the emergence of antiquarianism in early modern England, from its first flourishing in the mid-Tudor period through to its seventeenth-century heyday. A vibrant antiquarian culture emerged, which reached beyond scholarly and historical circles, and had a profound influence on the literature and thought of the period. Examining the influences on that development of that culture, this book argues that the origins of Englishantiquarianism need to be found in the methods and practices of continental (and especially Italian) humanism. It shows that, like the humanists, the early antiquaries had the essentially imaginative aim of resurrecting and recomposing the past and past societies ''in defiance of time''. The antiquaries conceived ofthemselves and their activities as bridging the gap between past and present, affording ''olden time'' presence in this way so that it might speak to and inform present circumstances. At the heart of this book is the argument that the antiquarian project depended on the antiquaries'' capacity to restore-in their imagination at least-the fragments of the past, to imagine those remnants of history ''which have casually escaped the shipwrack of time'' made whole once again. In Defiance of Timetraces these arguments through a range of authors and material, both printed and in manuscript. Chapters advance original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden, as well as shedding light on institutions such as the Elizabethan Society of Antiquaries andreviewing the wide range of activities, interests, and concerns that came under the antiquarian purview. Antiquarianism is thereby shown to be integral to early modern literary and intellectual culture.

This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives. Based on extensive archival research, and interdisciplinary in both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to ''miscellaneous order'' in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.

This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives. Based on extensive archival research, and interdisciplinary in both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to ''miscellaneous order'' in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.

This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives.Based on extensive archival research, and interdisciplinary in both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to 'miscellaneous order' in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.

Early Modern Merchants and their Books offers the first dedicated study of the literary and intellectual lives of the merchants of seventeenth-century Britain. Drawing primarily on unpublished manuscript material, but also on a range of rarely discussed printed texts, the book reveals for the first time the importance of this 'mercantile humanism'. A contribution principally to the field of 'book history', but with significance for early modern literary studies, cultural and intellectual history, global history, and history of science too, this volume examines mercantile account books, letter-books, anthologies, and manuals, as well as mercantile libraries and archives, and mercantile poetic and pedagogical works, to document this now little-known literary and intellectual culture. Working across geographical contexts, as well as institutional structures, the book examines merchants as accountants, record-keepers, authors, collectors, and compilers, and reveals the creative interplay between financial, commercial, administrative, archival, memorial, and devotional categories and practices in the early modern mercantile world. Through a series of mercantile microhistories, each based on a single document or group of associated documents, the book traces the range and extent of this 'mercantile humanism' and identifies its signature textual and material forms, as well as its key subjects and concerns, and some of its most important actors. Early Modern Merchants and their Books in this way challenges long held assumptions about knowledge-making in the seventeenth century and pushes back against equally persistent beliefs about merchants in the period. As such, it not only offers a revisionist history of the early modern merchantry, and a major new account of learning in the seventeenth century, but also constitutes a significant methodological intervention in 'book history' itself.

Early Modern Merchants and their Books offers the first dedicated study of the literary and intellectual lives of the merchants of seventeenth-century Britain. Drawing primarily on unpublished manuscript material, but also on a range of rarely discussed printed texts, the book reveals for the first time the importance of this 'mercantile humanism'. A contribution principally to the field of 'book history', but with significance for early modern literary studies, cultural and intellectual history, global history, and history of science too, this volume examines mercantile account books, letter-books, anthologies, and manuals, as well as mercantile libraries and archives, and mercantile poetic and pedagogical works, to document this now little-known literary and intellectual culture. Working across geographical contexts, as well as institutional structures, the book examines merchants as accountants, record-keepers, authors, collectors, and compilers, and reveals the creative interplay between financial, commercial, administrative, archival, memorial, and devotional categories and practices in the early modern mercantile world. Through a series of mercantile microhistories, each based on a single document or group of associated documents, the book traces the range and extent of this 'mercantile humanism' and identifies its signature textual and material forms, as well as its key subjects and concerns, and some of its most important actors. Early Modern Merchants and their Books in this way challenges long held assumptions about knowledge-making in the seventeenth century and pushes back against equally persistent beliefs about merchants in the period. As such, it not only offers a revisionist history of the early modern merchantry, and a major new account of learning in the seventeenth century, but also constitutes a significant methodological intervention in 'book history' itself.

Early Modern Merchants and their Books offers the first dedicated study of the literary and intellectual lives of the merchants of seventeenth-century Britain. Drawing primarily on unpublished manuscript material, but also on a range of rarely discussed printed texts, the book reveals for the first time the importance of this 'mercantile humanism'. A contribution principally to the field of 'book history', but with significance for early modern literary studies, cultural and intellectual history, global history, and history of science too, this volume examines mercantile account books, letter-books, anthologies, and manuals, as well as mercantile libraries and archives, and mercantile poetic and pedagogical works, to document this now little-known literary and intellectual culture. Working across geographical contexts, as well as institutional structures, the book examines merchants as accountants, record-keepers, authors, collectors, and compilers, and reveals the creative interplay between financial, commercial, administrative, archival, memorial, and devotional categories and practices in the early modern mercantile world. Through a series of mercantile microhistories, each based on a single document or group of associated documents, the book traces the range and extent of this 'mercantile humanism' and identifies its signature textual and material forms, as well as its key subjects and concerns, and some of its most important actors. Early Modern Merchants and their Books in this way challenges long held assumptions about knowledge-making in the seventeenth century and pushes back against equally persistent beliefs about merchants in the period. As such, it not only offers a revisionist history of the early modern merchantry, and a major new account of learning in the seventeenth century, but also constitutes a significant methodological intervention in 'book history' itself.

In Defiance of Time explores the emergence of antiquarianism in early modern England, from its first flourishing in the mid-Tudor period through to its seventeenth-century heyday. A vibrant antiquarian culture emerged, which reached beyond scholarly and historical circles, and had a profound influence on the literature and thought of the period. Examining the influences on that development of that culture, this book argues that the origins of English antiquarianism need to be found in the methods and practices of continental (and especially Italian) humanism. It shows that, like the humanists, the early antiquaries had the essentially imaginative aim of resurrecting and recomposing the past and past societies 'in defiance of time'. The antiquaries conceived of themselves and their activities as bridging the gap between past and present, affording 'olden time' presence in this way so that it might speak to and inform present circumstances. At the heart of this book is the argument that the antiquarian project depended on the antiquaries' capacity to restore-in their imagination at least-the fragments of the past, to imagine those remnants of history 'which have casually escaped the shipwrack of time' made whole once again. In Defiance of Time traces these arguments through a range of authors and material, both printed and in manuscript. Chapters advance original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden, as well as shedding light on institutions such as the Elizabethan Society of Antiquaries and reviewing the wide range of activities, interests, and concerns that came under the antiquarian purview. Antiquarianism is thereby shown to be integral to early modern literary and intellectual culture.

This book examines conceptions of authority for and in Shakespeare, and the construction of Shakespeare as literary and cultural authority. The first section, Defining and Redefining Authority, begins by re-defining the concept of Shakespeare’s sources, suggesting that ‘authorities’ and ‘resources’ are more appropriate terms. Building on this conceptual framework, the remainder of this section explores linguistic and discursive authority more broadly. The second section, Shakespearean Authority, considers the construction, performance and questioning of authority in Shakespeare’s plays. Essays here range from examinations of monarchical authority to discussions of household authority, literary authority and linguistic ownership. The final part, Shakespeare as Authority, then traces the increasing establishment of Shakespeare as an authority from the eighteenth to the twenty-first century in a series of essays that explore Shakespearean authority for editors, actors, critics, authors, readers and audiences. The volume concludes with two essays that reassess Shakespeare as an authority for visual culture – in the cinema and in contemporary art.