Ann Kjellberg - Böcker
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'Brodsky charged at the world . . . there is no voice, no vision, remotely like it' The New York Times Book ReviewSelf-educated, intense, impulsive and unmoored, Joseph Brodsky emerged in mid-century Russia as a poetic virtuoso, recognized by such greats as Anna Akhmatova as their worthy heir. He was expelled from the Soviet Union in 1972. Together, the poems in this volume unfold the project that, as Brodsky saw it, the condition of exile presented: 'to set the next man - however theoretical he and his needs may be - a bit more free.'This edition includes poems translated by Derek Walcott, Richard Wilbur and Anthony Hecht, and poems written in English or translated by the author himself. It surveys Brodsky's tumultuous life and illustrious career, and showcases his most notable and poignant work as a poet.Winner of the Nobel Prize for Literature Edited and introduced by Ann Kjellberg
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Edited by Ann Kjellberg; translated by Anthony Hecht, Howard Moss, Derek Walcott, Richard Wilbur and othersFive years after the death of Joseph Brodsky, the heir of the generation of Pasternak, Mandelstam, Tsvetaeva and especially Akhmatova, this Collected Poems in English for the first time collects all his translated and original poems in English. It confirms his unique place in our literature. His abiding addiction to the English language, and particularly to the Metaphysical poets, was manifest in the industry with which he read and translated in both directions. Both his own efforts to translate his work, and the poems he wrote directly in English, are ambitious: the poetic 'conceit' is for him functional as it was in the seventeenth century, a tool for prizing open difficult truths, making vertiginous connections. In the preface to A Part of Speech (Oxford, 1977) he wrote, 'I have taken the liberty of reworking some of the translations to bring them closer to the original, though perhaps at the expense of their smoothness.' Something strange and suggestive is alive in his disrupted prosodies, the pressure of content and of a poet making sense.Susan Sontag speaks of the poems' 'extraordinary velocity and density of material notation, of cultural reference, of attitude. He insisted that poetry's "job" (a much used word) was to explore the capacity of language to travel farther, faster. Poetry, he said, is 'accelerated thinking.'