Ann Rosalind Jones – författare
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2 produkter
2 produkter
Inbunden, Engelska, 1990
381 kr
Skickas inom 10-15 vardagar
"Professor Jones' book uniquely fills a huge hole in gender studies in the Renaissance. Its easy clarity of argument, its scrupulous care for detail, its just plain good story telling, and its theoretical sophistication make it an obvious candidate for the status of standard work." —Maureen Quilligan" . . full of fine insights . . . a fine addition to a growing body of work on Renaissance women writers." —Renaissance Quarterly"In this forceful and perceptive study . . . Jones has fused gyno- and gender criticism superbly and produced one of the most important works on the European renaissance lyric in this decade." —L'Esprit Créateur" . . . this absorbing study encourages (re)reading, reflection, and debate on the texts in question, and revitalizes and reorients the reader's understanding of the function and potential of early modern love lyric." —French Studies" . . . an intelligent, persuasive work . . . " —Italica" . . . is richly suggestive of the range and variety of women's writing in the early modern period . . . " —Review of English StudiesThe Currency of Eros examines women's love lyrics in Renaissance Europe as strategic responses to two cultural systems: early modern gender ideologies and male-authored literary conventions.
Del 38 - Cambridge Studies in Renaissance Literature and Culture
Renaissance Clothing and the Materials of Memory
Häftad, Engelska, 2001
422 kr
Skickas inom 7-10 vardagar
During the late sixteenth century 'fashion' first took on the sense of restless change in contrast to the older sense of fashioning or making. As fashionings, clothes were perceived as material forms of personal and social identity which made the man or woman. In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This 2001 book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to the making and unmaking of concepts of status, gender, sexuality, and religion in the Renaissance. The book is illustrated with a wide range of images from portraits to embroidery.