Anne DeWitt – författare

The twelfth volume of The Correspondence of John Tyndall contains 326 letters and covers the fifteen months of Tyndall’s life from March 1871 through May 1872, a time when he was a central figure in the field and had a substantial reputation in both the UK and the United States. It begins just before the publication of Fragments of Science in April and Hours of Exercise in May. It includes a number of small but public disputes about science, most notably the start of a controversy about Kew Gardens involving botanist Joseph Hooker. Tyndall was visited by friends and dignitaries; he traveled to Switzerland, Ireland, and the countryside for scrambles; and he began planning a trip to the United States. He dealt with issues concerning his family in Ireland, which were troublesome for him. He was busy administering the Royal Institution and the Royal Society; he was also working as the scientific consultant to Trinity House, which was involved in overseeing lighthouses in the United Kingdom, of which Ireland was a part at this time. Unlike other volumes, this one is not defined as much by one or two major endeavors or events for Tyndall, but instead includes a number of smaller projects as well as personal and professional issues.

Nineteenth-century men of science aligned scientific practice with moral excellence as part of an endeavor to secure cultural authority for their discipline. Anne DeWitt examines how novelists from Elizabeth Gaskell to H. G. Wells responded to this alignment. Revising the widespread assumption that Victorian science and literature were part of one culture, she argues that the professionalization of science prompted novelists to deny that science offered widely accessible moral benefits. Instead, they represented the narrow aspirations of the professional as morally detrimental while they asserted that moral concerns were the novel's own domain of professional expertise. This book draws on works of natural theology, popular lectures, and debates from the pages of periodicals to delineate changes in the status of science and to show how both familiar and neglected works of Victorian fiction sought to redefine the relationship between science and the novel.