Anthony Bale – författare

From the bustling bazaars of Tabriz to the mysterious island of Caldihe, Anthony Bale brings history alive, inviting the reader to travel across a medieval world.‘A joyful, erudite book . . . A global Middle Ages for our times’ Jerry Brotton_____________________A Travel Guide to the Middle Ages is no ordinary travel guide.Journey alongside scholars, spies and saints. From western Europe to the Far East, the Antipodes, and the ends of the world. This is a living atlas that blurs the distinction between real and imagined places, containing everything from profane pilgrim badges, Venetian laxatives to encounters with bandits and trysts with princesses.Using previously untranslated contemporary accounts from as far and wide as Turkey, Iceland, Armenia, north Africa, and Russia, it offers the reader a vivid and unforgettable insight into how medieval people understood their world - a world of stories, desire and fantasies, of cherished pasts and longed-for futures._____________________‘Rich and wonderful . . . This is the world as you’ve never seen it before’ Ian Mortimer'Wisdom fills the pages of this immensely entertaining history' The New Yorker'Serious scholarship and a sightseer’s unbridled enthusiasm make for fascinating armchair time travel' Observer‘Masterful, panoramic, beautifully written and vividly imagined . . . a book to be savoured’ Dr Helen Castor, author of Blood and Roses‘An enthralling journey into the past and across the world . . . this book takes us to barely imaginable places’ Seb Falk, author of The Light Ages

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organised by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on ''Places, Real and Imagined'', ''Maps the Organsiation of Space'', ''Encounters'', ''Languages and Codes'', ''Trade and Exchange'', and ''Politics and Diplomacy''. The organising principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains 26 texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucer''s Squire''s Tale, in addition to less familiar texts, such as Osbern Bokenham''s Mappula Angliae, John Kay''s Siege of Rhodes 1480, and Richard Torkington''s Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: ''commercial voyages'', ''diplomatic and military travel'', ''maps, rutters, and charts'', ''practical needs'', and ''religious voyages''.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organized by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps and the Organization of Space', 'Encounters', 'Codes and Languages', 'Trade and Exchange', and 'Politics and Diplomacy'.The organizing principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains twenty-six texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucers 'Squire's Tale', in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes, 1480, and Richard Torkington's Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs, languages, and currencies', and 'religious voyages'.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organised by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps the Organsiation of Space', 'Encounters', 'Languages and Codes', 'Trade and Exchange', and 'Politics and Diplomacy'. The organising principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains 26 texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucer's Squire's Tale, in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes 1480, and Richard Torkington's Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs', and 'religious voyages'.

A delightfully captivating journey across the medieval world, seen through the eyes of those who travelled across it. History readers will love this gift!'Rich and wonderful . . . This is the world as you've never seen it before' Ian Mortimer'A joyful, erudite book . . . A global Middle Ages for our times' Jerry Brotton_____________________From the bustling bazaars of Tabriz, to the mysterious island of Caldihe, where sheep were said to grow on trees, Anthony Bale brings history alive in A Travel Guide to the Middle Ages, inviting the reader to travel across a medieval world punctuated with miraculous wonders and long-lost landmarks. Journeying alongside scholars, spies and saints, from western Europe to the Far East, the Antipodes, and the ends of the world, this is no ordinary travel guide, containing everything from profane pilgrim badges, Venetian laxatives and flying coffins to encounters with bandits and trysts with princesses.Using previously untranslated contemporary accounts from as far and wide as Turkey, Iceland, Armenia, north Africa, and Russia, A Travel Guide to the Middle Ages is a living atlas that blurs the distinction between real and imagined places, offering the reader a vivid and unforgettable insight into how medieval people understood their world._____________________‘Masterful, panoramic, beautifully written and vividly imagined . . . a book to be savoured’ Dr Helen Castor, author of Blood and Roses'An enthralling journey into the past and across the world . . . this book takes us to barely imaginable places – but the most remarkable thing we find may be ourselves’ Seb Falk, author of The Light Ages

FROM THE CRITICALLY ACCLAIMED AUTHOR OF A TRAVEL GUIDE TO THE MIDDLE AGESIn the year 1324, in the burgeoning town of Kilkenny, Ireland's second biggest town, there lived a wealthy, powerful woman named Dame Alicia Kyteler.After three of her husbands died suspiciously, and with the fourth gravely ill, Alicia and eleven accomplices came under the suspicion of the local bishop, Richard Ledrede. A witch-hunt began. As with every tragedy, we start with the complication – the web of ideas that spread as malicious gossip – and then, the unravelling.Through rich, creative prose, historian Anthony Bale reveals how this prosperous yet fractious town stumbled into these allegations, leading to the tragedy that befell Dame Alicia and her accomplices, resulting in one of the accused being burnt at the stake for her crimes against the church.In time, Europe would be overcome by the “witch craze”. The hysteria that followed was by no means inevitable at the time of Bishop Ledrede and Dame Alicia, but their story bears many of the hallmarks of later witch-hunting. Here, in this small Irish town, was where the case against the witch was crystallised and its impact was felt across Europe.With vivid and enthralling storytelling, this is a story that starts in a quiet Irish town and transports us across medieval Europe, from the countryside to the papal court, to discover the making of the witch.

This interdisciplinary study explores images of Jews and Judaism in late medieval English literature and culture. Using four main categories - history, miracle, cult and Passion - Anthony Bale demonstrates how varied and changing ideas of Judaism coexisted within well-known anti-semitic literary and visual models, depending on context, authorship and audience. He examines the ways in which English writers, artists and readers used and abused the Jewish image in the period following the Jews' expulsion from England in 1290. The texts are analysed in their manuscript and print contexts in order to show local responses and changing meanings. This important work opens up fresh texts, sources and approaches for understanding medieval anti-semitism and shows how anti-semitic stereotypes came to be such potent images which would endure far beyond the Middle Ages.

This interdisciplinary study explores images of Jews and Judaism in late medieval English literature and culture. Using four main categories - history, miracle, cult and Passion - Anthony Bale demonstrates how varied and changing ideas of Judaism coexisted within well-known anti-semitic literary and visual models, depending on context, authorship and audience. He examines the ways in which English writers, artists and readers used and abused the Jewish image in the period following the Jews' expulsion from England in 1290. The texts are analysed in their manuscript and print contexts in order to show local responses and changing meanings. This important work opens up fresh texts, sources and approaches for understanding medieval anti-semitism and shows how anti-semitic stereotypes came to be such potent images which would endure far beyond the Middle Ages.

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders'' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders'' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders'' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders'' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

Blood is something that all humans share: a vital force that courses through our veins – the giver of life. This book gathers together specially commissioned essays from leading scholars which reflect on the religious, historical, and medical dimensions of blood. Written for a broad audience and illustrated with full colour plates, the essays encompass history, literature, art history, religious studies and medical humanities and explore some of the most challenging issues surrounding blood and ritual. The themes covered include: blood in Christian and Jewish culture, medieval antisemitism, Shakespeare''s Merchant of Venice, Jewish ritual, blood and ''race'', Jews and genes.

Blood is something that all humans share: a vital force that courses through our veins – the giver of life. This book gathers together specially commissioned essays from leading scholars which reflect on the religious, historical, and medical dimensions of blood. Written for a broad audience and illustrated with full colour plates, the essays encompass history, literature, art history, religious studies and medical humanities and explore some of the most challenging issues surrounding blood and ritual. The themes covered include: blood in Christian and Jewish culture, medieval antisemitism, Shakespeare''s Merchant of Venice, Jewish ritual, blood and ''race'', Jews and genes.

This is a new account of the late-fourteenth-century mystic and pilgrim Margery Kempe. Kempe, who had 14 children, travelled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts her life, and tells her story through the places, relationships, objects and experiences that influenced her. Extensive quotation from Kempe’s Book, and generous illustration, gives fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. Lastly there is the story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show.St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings and spawned a rich array of visual,literary, musical and political artefacts. Celebrated throughout England, especially at the abbey of Bury St Edmunds, it also inspired separate cults in France, Iceland and Italy.The essays in this collection offer a range of readings from a variety of disciplines - literature, history, music, art history - and of sources - chronicles, poems, theological material - providing an overview of the multi-faceted nature of St Edmund's cult, from the ninthcentury to the early modern period. They demonstrate the openness and dynamism of a medieval saint's cult, showing how the saint's image could be used in many and changing contexts: Edmund's image was bent to various political andpropagandistic ends, often articulating conflicting messages and ideals, negotiating identity, politics and belief.CONTRIBUTORS: ANTHONY BALE, CARL PHELPSTEAD, ALISON FINLAY, PAUL ANTONY HAYWARD, LISA COLTON, REBECCA PINNER, A.S.G. EDWARDS, ALEXANDRA GILLESPIE

»Lebendig, spannend und erstaunlich. Hier erleben wir, was es heißt, in fremden Ländern unterwegs zu sein, damals wie heute«, schreibt John Arnold, Professor für Geschichte des Mittelalters in Cambridge, über »Reisen im Mittelalter«. Farbig und anschaulich erzählt der Historiker Anthony Bale, wie es war, im Mittelalter durch die Welt zu reisen.Ob Pilgerinnen oder Kaufleute, Ritter, Mönche oder Spione – schon damals packte die Menschen die Leidenschaft für das Reisen. Getrieben von Fernweh und Abenteuerlust die einen, auf der Suche nach religiöser Erleuchtung oder Ruhm auf dem Kreuzzug die anderen. Für alle war die Reise lang und gefährlich, gute Vorbereitung und ein Reiseführer mit Tipps für Rast und Übernachtung und Hinweisen auf Gefahren waren unerlässlich.Vom mittelalterlichen Ulm, damals ein Eldorado der Touristen, über Aachen und Köln führen uns die Reisen verschiedener Menschen bis nach Rom mit seinen wunderbaren Sehenswürdigkeiten. Von dort geht es in das schon damals von Touristen bevölkerte Venedig und nach Rhodos, Hotspot der Kosmopoliten und Adligen. Wir erkunden Konstantinopel und die heilige Stadt Jerusalem und gelangen bis in die sagenhaften Länder der Amazonen, Riesen und Fabelwesen, nach Indien, China und Tibet, nach Persien und Äthiopien, Java und Sumatra.Ein farbiges Panorama der mittelalterlichen Welt, wie sie von Europa aus erlebt und gesehen wurde – ein Buch wie ein Roman von Umberto Eco und die ideale Lektüre für die Sommerferien.