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57 produkter
713 kr
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As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history.
3 048 kr
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As literary scholars have long insisted, an interdisciplinary approach is vital if modern readers are to make sense of works of medieval literature. In particular, rather than reading the works of medieval authors as addressing us across the centuries about some timeless or ahistorical 'human condition', critics from a wide range of theoretical approaches have in recent years shown how the work of poets such as Chaucer constituted engagements with the power relations and social inequalities of their time. Yet, perhaps surprisingly, medieval historians have played little part in this 'historical turn' in the study of medieval literature. The aim of this volume is to allow historians who are experts in the fields of economic, social, political, religious, and intellectual history the chance to interpret one of the most famous works of Middle English literature, Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales, in its contemporary context. Rather than resorting to traditional historical attempts to see Chaucer's descriptions of the Canterbury pilgrims as immediate reflections of historical reality or as portraits of real-life people whom Chaucer knew, the contributors to this volume have sought to show what interpretive frameworks were available to Chaucer in order to make sense of reality and how he adapted his literary and ideological inheritance so as to engage with the controversies and conflicts of his own day. Beginning with a survey of recent debates about the social meaning of Chaucer's work, the volume then discusses each of the Canterbury pilgrims in turn. Historians on Chaucer should be of interest to all scholars and students of medieval culture whether they are specialists in literature or history,
656 kr
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This wide-ranging study examines the role of the dream in medieval culture with reference to philosophical, legal and theological writings as well as literary and autobiographical works. Stephen Kruger studies the development of theories of dreaming, from the Neoplatonic and patristic writers to late medieval re-interpretations, and shows how these theories relate to autobiographical accounts and to more popular treatments of dreaming. He considers previously neglected material including one important dream vision by Nicole Oresme, and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
Del 38 - Cambridge Studies in Medieval Literature
Chaucer's Legendary Good Women
Häftad, Engelska, 2005
610 kr
Skickas inom 7-10 vardagar
Chaucer's Legend of Good Women is a testament to the disparate views of women prevalent in the Middle Ages. Dr Percival contends that the complex medieval notion of Woman informs the structure of the poem: in the Prologue Chaucer praises conventional ideas of female virtue, while in the Legends he demonstrates a humorous scepticism, apparently influenced by a contemporary antifeminist tradition. The debate Chaucer thus promotes could be relied on to entertain many medieval readers, at the same time that it demonstrates the power of the vernacular translator/poet to handle language wittily and to do just as he pleases with the august texts of the past. This is a comprehensive account of the Legend's interpretative puzzles, which does not ignore the element of political writing, and adds to a close and nuanced reading of the text an examination of literary, historical, and social contexts.
Del 25 - Cambridge Studies in Medieval Literature
Sciences and the Self in Medieval Poetry
Alan of Lille's Anticlaudianus and John Gower's Confessio Amantis
Häftad, Engelska, 2005
671 kr
Skickas inom 7-10 vardagar
In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181-3), and John Gower's English poem, The Confessio Amantis (1390-3). Simpson locates these works in a cultural context dominated by two kinds of literary humanism: the absolutist, whose philosophical mentor is Plato, whose literary model is Virgil and whose concept of the self is centred in the intellect, and the constitutionalist, whose classical models are Aristotle and Ovid and whose concept of the self resides in the mediatory power of the imagination. Both poems are examples of the Bildungsroman, in which the self reaches its fullness only by traversing an educational cursus in the related sciences of ethics, politics and cosmology, but as this study shows, there are very different modes of thought behind their conceptions of selfhood and education.
Del 36 - Cambridge Studies in Medieval Literature
Arthurian Narrative in the Latin Tradition
Häftad, Engelska, 2005
610 kr
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Arthurian literature is a popular field, but most of the published work focuses on the vernacular tradition. This book, uniquely, looks at Latin Arthurian works. Geoffrey of Monmouth is treated at length and this is the first book to put him in a context which includes other Latin histories, monastic chronicles, saints' lives and other Latin prose Arthurian narratives. Like Geoffrey's works, most can be associated with the Angevin court of Henry II and by placing these works against the court background, this book both introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout. The result is a thorough exploration of Latin Arthurian narrative in the foundational period for the Arthurian tradition.
Del 22 - Cambridge Studies in Medieval Literature
Dante and the Mystical Tradition
Bernard of Clairvaux in the Commedia
Häftad, Engelska, 2005
469 kr
Skickas inom 7-10 vardagar
In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.
Del 31 - Cambridge Studies in Medieval Literature
Lies, Slander and Obscenity in Medieval English Literature
Pastoral Rhetoric and the Deviant Speaker
Häftad, Engelska, 2005
641 kr
Skickas inom 7-10 vardagar
Drawing on manuscript sources, this book examines how the medieval clergy developed the authority and persuasive force to attempt to govern the day-to-day speech of Western Christians. It shows how attempts were made to portray some political, social and private speech as deviant and destructive, labelling it lying, slander, blasphemy and other Sins of the Tongue. It explores, for the first time, how Chaucer, Langland, Gower and the 'Patience' poet use the different strains of this pastoral discourse not only to expose the destructive power of speech in political and social life but also to judge clerical claims to authority and efficacy in formulating and applying codes of speech.
Del 39 - Cambridge Studies in Medieval Literature
The Making of Chaucer's English
A Study of Words
Häftad, Engelska, 2005
716 kr
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The Making of Chaucer's English undertakes a substantial reappraisal of the place Chaucer's English occupies in the history of the English language and the language of English literature. It attacks the widespread presumption that Chaucer invented literary English and argues instead that Chaucer's English is generally traditional. It shows that Chaucer's linguistic innovation was as much performance as fact, but it also traces the linguistic strategies that made (and make) the performance of 'originality' so believable. It also includes a valuable history of every word Chaucer uses. The book also interrogates the theory and methodology of historicising languages, so even as it explores how Chaucer's words matter, it also questions why these particular words have acquired such importance for poets and scholars alike for 600 years.
Del 44 - Cambridge Studies in Medieval Literature
Pedagogy, Intellectuals, and Dissent in the Later Middle Ages
Lollardy and Ideas of Learning
Häftad, Engelska, 2005
641 kr
Skickas inom 7-10 vardagar
This book is about the place of pedagogy and the role of intellectuals in medieval dissent. Focusing on the medieval English heresy known as Lollardy, Rita Copeland places heretical and orthodox attitudes to learning in a long historical perspective that reaches back to antiquity. She shows how educational ideologies of ancient lineage left their imprint on the most sharply politicized categories of late medieval culture, and how radical teachers transformed inherited ideas about classrooms and pedagogy as they brought their teaching to adult learners. The pedagogical imperatives of Lollard dissent were also embodied in the work of certain public figures, intellectuals whose dissident careers transformed the social category of the medieval intellectual. Looking closely at the prison narratives of two Lollard preachers, Copeland shows how their writings could serve as examples for their fellow dissidents and forge a new rapport between academic and non-academic communities.
Del 37 - Cambridge Studies in Medieval Literature
Clerical Discourse and Lay Audience in Late Medieval England
Häftad, Engelska, 2005
505 kr
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The translation of learned Latin materials into English between around 1370 and 1410 was a highly controversial activity. It was thought likely to make available to lay audiences the authoritative and intellectual information and methods of argument previously only accessible to an educated elite - and with that knowledge the power of information. Fiona Somerset's 1998 study examines what kinds of academic material were imported into English, what sorts of audience were projected for this kind of clerical discourse and how writers positioned themselves with respect to potential audience and opponents. The well-known concerns with clerical corruption and lay education of authors such as Langland, Trevisa, and Wyclif are linked to those of more obscure writers in both Latin and English, some only recently edited, or only extant in manuscript.
Del 18 - Cambridge Studies in Medieval Literature
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
Häftad, Engelska, 2005
671 kr
Skickas inom 7-10 vardagar
'Tragedy' has been understood in a variety of conflicting ways over the centuries, and the term has been applied to a wide range of literary works. In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.
Del 28 - Cambridge Studies in Medieval Literature
Editing Piers Plowman
The Evolution of the Text
Häftad, Engelska, 2006
716 kr
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The fifty-plus extant manuscripts of Piers Plowman have always posed a puzzle to editors and readers. This 1996 book is an account of the editions of the poem which have appeared since 1550, when it was first published by the protestant reformer Robert Crowley. It examines the circumstances in which the editions were produced, the lives and intellectual motivations of the editors, and the relationship between one edition and the next. Brewer places the work of W. W. Skeat at the centre of Piers Plowman editing, showing how he towered above his predecessors and determined the path subsequently taken by editors of the poem, and presents much new biographical information about this extraordinary man. She uses a wide range of published and previously unpublished material to explain the difficulties of editing and to shed light on attempts to crack one of the major editorial conundrums in medieval studies.
Del 30 - Cambridge Studies in Medieval Literature
Texts and the Self in the Twelfth Century
Häftad, Engelska, 2006
520 kr
Skickas inom 7-10 vardagar
Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.
Del 46 - Cambridge Studies in Medieval Literature
Women, Reading, and Piety in Late Medieval England
Häftad, Engelska, 2006
671 kr
Skickas inom 7-10 vardagar
Women, Reading, and Piety in Late Medieval England traces networks of female book ownership and exchange which have so far been obscure, and shows how women were responsible for both owning and circulating devotional books. In seven narratives of individual women who lived between 1350 and 1550, Mary Erler illustrates the ways in which women read and the routes by which they passed books from hand to hand. These stories are prefaced by an overview of nuns' reading and their surviving books, and are followed by a survey of women who owned the first printed books in England. An appendix lists a number of books not previously attributed to religious women's ownership. Erler's narratives also provide studies of female friendship, since they situate women's reading in a network of family and social connections. The book uses bibliography to explore social and intellectual history.
Del 35 - Cambridge Studies in Medieval Literature
The Evolution of Arthurian Romance
The Verse Tradition from Chrétien to Froissart
Häftad, Engelska, 2006
483 kr
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This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English.
Del 43 - Cambridge Studies in Medieval Literature
Fictions of Identity in Medieval France
Häftad, Engelska, 2006
595 kr
Skickas inom 7-10 vardagar
In this study of vernacular French narrative from the twelfth century through the later Middle Ages, first published in 2000, Donald Maddox considers the construction of identity in a wide range of fictions. He focuses on crucial encounters, widespread in medieval literature, in which characters are informed about fundamental aspects of their own circumstances and selfhood. These always arresting and highly significant moments of 'specular' encounter are examined in numerous Old and Middle French romances, hagiographic texts, epics and brief narratives. Maddox discloses the key role of identity in an original reading of the Lais of Marie de France as a unified collection, as well as in Arthurian literature, fictions of the courtly tryst, genealogies and medieval family romance. The study offers many new perspectives on the poetic and cultural implications of identity as an imaginary construct during the long formative period of French literature.
Del 41 - Cambridge Studies in Medieval Literature
The Early History of Greed
The Sin of Avarice in Early Medieval Thought and Literature
Häftad, Engelska, 2006
610 kr
Skickas inom 7-10 vardagar
The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
Del 24 - Cambridge Studies in Medieval Literature
Virgil in Medieval England
Figuring The Aeneid from the Twelfth Century to Chaucer
Häftad, Engelska, 2006
746 kr
Skickas inom 7-10 vardagar
What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among different institutions and readerships? In this study Christopher Baswell takes as his model Virgil's ancient epic poem The Aeneid, which held many kinds of appeal for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how their users approached the epic in very different ways. He then charts the progression from the Latin of the original to the vernaculars of the Roman d'Eneas and Chaucer's House of Fame and Legend of Good Women, to show how medieval vernacular poets used Virgil's prestige to lay their own claim to poetic and even political authority.
Del 32 - Cambridge Studies in Medieval Literature
'Floire and Blancheflor' and the European Romance
Häftad, Engelska, 2006
520 kr
Skickas inom 7-10 vardagar
This comparative 1997 study examines a medieval love story, Floire and Blancheflor, and shows how writers from Spain, France, Italy, England and Scandinavia reworked the story from the twelfth to the sixteenth century to develop and emphasize social, political, religious and artistic goals, while maintaining its entertaining qualities. It shows the importance of a little-known medieval Spanish version to the development of the story throughout Europe, and especially as a precursor to Boccaccio's Il Filocolo, and examines important issues of the development of prose fiction in medieval and Renaissance Europe. This study is unique for its breadth of coverage of one story and for its inclusion of Spain as a significant participant in the development of medieval narrative.
Del 29 - Cambridge Studies in Medieval Literature
Vernacular Literary Theory in the Middle Ages
The German Tradition, 800-1300, in its European Context
Häftad, Engelska, 2006
701 kr
Skickas inom 7-10 vardagar
The first edition of this book appeared in German in 1985, and set an agenda for the study of medieval literary theory. Rather than seeing vernacular writers' reflections on their art, as found in prologues, epilogues and interpolations in literary texts, as merely deriving from established Latin traditions, Walter Haug shows that they marked the gradual emancipation of an independent vernacular poetics that went hand in hand with changing narrative forms. While focusing primarily on medieval German writers, Haug also takes into account French literature of the same period, and the principles underlying his argument are equally relevant to medieval literature in English or any other European language.
Del 19 - Cambridge Studies in Medieval Literature
The Making of Textual Culture
'Grammatica' and Literary Theory 350-1100
Häftad, Engelska, 2006
776 kr
Skickas inom 7-10 vardagar
This is the a major study of the cultural work performed by grammatica, the central discipline concerned with literacy, language, interpretation and literature in medieval society. Grammatica was, with all aspects of Latin literary text, its language, meaning and value. Martin Irvine demonstrates that grammatica, though the first of the liberal arts, was not simply one discipline among many: it had an essentially constitutive function, defining language, meaning and texts for other medieval disciplines. Martin Irvine draws together several aspects of medieval culture - literary theory, the nature of literacy, education, biblical interpretation, the literary canon and linguistic thought - in order to disclose the more far-reaching social effect of grammatica, chief of which was the making of textual culture in the medieval West.
Del 13 - Cambridge Studies in Medieval Literature
Richard Rolle and the Invention of Authority
Häftad, Engelska, 2007
716 kr
Skickas inom 7-10 vardagar
This 1991 book is a literary study of the career of Richard Rolle (d.1349), a Yorkshire hermit and mystic who was one of the most widely read English writers of the late Middle Ages. Nicholas Watson proposes a chronology of Rolle's writings, and offers a literary analyses of a number of his works. He shows how Rolle's career, as a writer of passionate religious works in Latin and later in English, has as its principal focus the establishment of his own spiritual authority. The book also addresses wider issues, suggesting an alternative way of looking at mystical writing in general and challenging the prevailing view of the relationship between medieval and renaissance attitudes to authors and authority.
Del 2 - The Cambridge History of Literary Criticism
The Cambridge History of Literary Criticism: Volume 2, The Middle Ages
Inbunden, Engelska, 2005
2 829 kr
Skickas inom 7-10 vardagar
This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.
Del 2 - The Cambridge History of Literary Criticism
The Cambridge History of Literary Criticism: Volume 2, The Middle Ages
Häftad, Engelska, 2009
768 kr
Skickas inom 7-10 vardagar
This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.
Del 41 - Cambridge Studies in Medieval Literature
The Early History of Greed
The Sin of Avarice in Early Medieval Thought and Literature
Inbunden, Engelska, 2000
1 800 kr
Skickas inom 7-10 vardagar
The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
Del 14 - Cambridge Studies in Medieval Literature
Dreaming in the Middle Ages
Inbunden, Engelska, 1992
1 499 kr
Skickas inom 7-10 vardagar
This wide-ranging study examines the role of the dream in medieval culture with reference to philosophical, legal and theological writings as well as literary and autobiographical works. Stephen Kruger studies the development of theories of dreaming, from the Neoplatonic and patristic writers to late medieval re-interpretations, and shows how these theories relate to autobiographical accounts and to more popular treatments of dreaming. He considers previously neglected material including one important dream vision by Nicole Oresme, and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
Del 38 - Cambridge Studies in Medieval Literature
Chaucer's Legendary Good Women
Inbunden, Engelska, 1998
1 679 kr
Skickas inom 7-10 vardagar
Chaucer's Legend of Good Women is a testament to the disparate views of women prevalent in the Middle Ages. Dr Percival contends that the complex medieval notion of Woman informs the structure of the poem: in the Prologue Chaucer praises conventional ideas of female virtue, while in the Legends he demonstrates a humorous scepticism, apparently influenced by a contemporary antifeminist tradition. The debate Chaucer thus promotes could be relied on to entertain many medieval readers, at the same time that it demonstrates the power of the vernacular translator/poet to handle language wittily and to do just as he pleases with the august texts of the past. This is a comprehensive account of the Legend's interpretative puzzles, which does not ignore the element of political writing, and adds to a close and nuanced reading of the text an examination of literary, historical, and social contexts.
Del 18 - Cambridge Studies in Medieval Literature
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
Inbunden, Engelska, 1993
1 499 kr
Skickas inom 7-10 vardagar
'Tragedy' has been understood in a variety of conflicting ways over the centuries, and the term has been applied to a wide range of literary works. In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.
Del 22 - Cambridge Studies in Medieval Literature
Dante and the Mystical Tradition
Bernard of Clairvaux in the Commedia
Inbunden, Engelska, 1994
1 499 kr
Skickas inom 7-10 vardagar
In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.