Sebastian Sobecki – författare

No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. Last Words: The Public Self and the Social Author in Late Medieval England attempts to recover thisfamiliarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record forHoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organised by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on ''Places, Real and Imagined'', ''Maps the Organsiation of Space'', ''Encounters'', ''Languages and Codes'', ''Trade and Exchange'', and ''Politics and Diplomacy''. The organising principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains 26 texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucer''s Squire''s Tale, in addition to less familiar texts, such as Osbern Bokenham''s Mappula Angliae, John Kay''s Siege of Rhodes 1480, and Richard Torkington''s Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: ''commercial voyages'', ''diplomatic and military travel'', ''maps, rutters, and charts'', ''practical needs'', and ''religious voyages''.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organized by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps and the Organization of Space', 'Encounters', 'Codes and Languages', 'Trade and Exchange', and 'Politics and Diplomacy'.The organizing principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains twenty-six texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucers 'Squire's Tale', in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes, 1480, and Richard Torkington's Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs, languages, and currencies', and 'religious voyages'.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organised by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps the Organsiation of Space', 'Encounters', 'Languages and Codes', 'Trade and Exchange', and 'Politics and Diplomacy'. The organising principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains 26 texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucer's Squire's Tale, in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes 1480, and Richard Torkington's Diaries of Englysshe Travell.The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs', and 'religious voyages'.

No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. Last Words: The Public Self and the Social Author in Late Medieval England attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record for Hoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors.

No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. Last Words: The Public Self and the Social Author in Late Medieval England attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record for Hoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors.

In Unwritten Verities: The Making of England's Vernacular Legal Culture, 1463-1549, Sebastian Sobecki argues that the commitment by English common law to an unwritten tradition, along with its association with Lancastrian political ideas of consensual government, generated a vernacular legal culture on the eve of the Reformation that challenged the centralizing ambitions of Tudor monarchs, the scriptural literalism of ardent Protestants, and the Latinity of English humanists. Sobecki identifies the widespread dissemination of legal books and William Caxton's printing of the Statutes of Henry VII as crucial events in the creation of a vernacular legal culture. He reveals the impact of medieval concepts of language, governance, and unwritten authority on such sixteenth-century humanists, reformers, playwrights, and legal writers as John Rastell, Thomas Elyot, Christopher St. German, Edmund Dudley, John Heywood, and Thomas Starkey. Unwritten Verities argues that three significant developments contributed to the emergence of a vernacular legal culture in fifteenth-century England: medieval literary theories of translation, a Lancastrian legacy of conciliar government, and an adherence to unwritten tradition. This vernacular legal culture, in turn, challenged the textual practices of English humanism and the early Reformation in the following century. Ultimately, the spread of vernacular law books found a response in the popular rebellions of 1549, at the helm of which often stood petitioners trained in legal writing. Informed by new developments in medieval literature and early modern social history, Unwritten Verities sheds new light on law printing, John Fortescue's constitutional thought, ideas of the commonwealth, and the role of French in medieval and Tudor England.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

This Element argues that it was not just the application of medieval texts by Richard Hakluyt that made them relevant for England's budding colonial ideology; rather, it shows that these premodern texts already conveyed the essence of the expansionist mercantilism and colonialist imperialism that would characterise early English exceptionalism and the Elizabethan reach for the Americas. The upshot of the author's argument is threefold. First, Hakluyt and his contemporaries were much better and closer readers of medieval travel texts than we give them credit for; second, the ideology behind English colonialism was shaped in the late medieval period, not in Elizabethan England; and third, another facet of periodisation, with its epistemological emphasis on rupture rather than continuity, comes under pressure.

This Element argues that it was not just the application of medieval texts by Richard Hakluyt that made them relevant for England's budding colonial ideology; rather, it shows that these premodern texts already conveyed the essence of the expansionist mercantilism and colonialist imperialism that would characterise early English exceptionalism and the Elizabethan reach for the Americas. The upshot of the author's argument is threefold. First, Hakluyt and his contemporaries were much better and closer readers of medieval travel texts than we give them credit for; second, the ideology behind English colonialism was shaped in the late medieval period, not in Elizabethan England; and third, another facet of periodisation, with its epistemological emphasis on rupture rather than continuity, comes under pressure.

Despite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.

The Middle Ages laid the foundations for the long European and Middle Eastern history of voyaging, colonialism, and expansion: the Papal embassies that took over a year of overland travel to reach Mongolia, Ibn Battuta's thirty years of voyaging to Africa and East Asia, or the arrival of European colonialism in the Americas. With a focus on medieval Europe, this is the first book to cover global medieval travel writing from Iceland to Indonesia, providing unrivalled insight into the experiences of early travellers. Paying special attention to race, gender and manuscript culture, the volume's vast geographical and linguistic range provides expert coverage of Persian, Arabic, Hebrew, and Chinese literature. An essential resource for teaching and research, the collection challenges established views of the Middle Ages and Western ideas of history.

Despite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.

Despite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.

Despite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.

A fresh and invigorating survey of the sea as it appears in medieval English literature, from romance to chronicle, hagiography to autobiography.As the first cultural history of the sea in medieval English literature, this book traces premodern myths of insularity from their Old English beginnings to Shakespeare's Tempest. Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman Voyage of St Brendan, the Tristan romances, the chronicles of Matthew Paris, King Horn, Patience, The Book of Margery Kempe and The Libelle of Englyshe Polycye shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity; their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings.

Essays examining the way in which the sea has shaped medieval and later ideas of what it is to be English.Local and imperial, insular and expansive, both English yet British: geographically and culturally, the sea continues to shape changing models of Englishness. This volume traces the many literary origins of insular identity from local communities to the entire archipelago, laying open the continuities and disruptions in the sea's relationship with English identity in a British context. Ranging from the beginnings of insular literature to Victorian medievalisms, the subjects treated include King Arthur's struggle with muddy banks, the afterlife of Edgar's forged charters, Old English homilies and narratives of migration, Welsh and English ideas about Chester, Anglo-Norman views of the sea in the Vie de St Edmund and Waldef, post-Conquest cartography, The Book of Margery Kempe, the works of the Irish Stopford Brooke, and the making of an Anglo-British identity in Victorian Britain.SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the Rijksuniversiteit Groningen.Contributors: Sebastian Sobecki, Winfried Rudolf, Fabienne Michelet, Catherine A.M. Clarke, Judith Weiss, Kathy Lavezzo, Alfred Hiatt, Jonathan Hsy, Chris Jones, Joanne Parker, David Wallace

Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences.This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception.

New and exciting scholarship on medieval and early modern English culture in all its diversity. This book honours James Simpson, an enormously influential figure in English literary studies. Known for championing once-neglected writers such as Gower, Hoccleve, and Lydgate, Simpson has also pioneered the field of Trans-Reformation studies, dismantling the barrier between the medieval and early modern periods. He has written powerfully about the history of freedoms, the relationship between literary and intellectual history, and about the category of the literary itself in all its urgency. Inspired by Simpson's interventions, the essays collected here deal with texts and topics from the eighth to the seventeenth centuries. Langland's Piers Plowman and Chaucer's Physician's Tale and Troilus and Criseyde rub shoulders with Old English riddles, Saint Erkenwald, The Digby Lyrics, Lydgate's Dietary, and Lodge's Robert the Devil. Revisionist studies of two much-debated genres - allegory and romance - join forces with chapters on neglected physical features of early books, line-fillers and catchwords, as well as studies of iconoclasm and the histories of enemy love. The volume begins with a piece by the honorand himself, on recognition in literary texts.

Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences.This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception.