Anthony Squiers – författare

This book provides a comprehensive investigation of the political dimensions of civil religion in the United States. By employing an original social-psychological theory rooted in semiotics, it offers a qualitative and quantitative empirical examination of more than fifty years of political rhetoric. Further, it presents two in-depth case studies that examine how the cultural, totemic sign of ‘the Founding Fathers’ and the signs of America’s sacred texts (the Constitution and the Declaration of Independence) are used in attempts to link partisan policy positions with notions that the country collectively holds sacred.The book’s overarching thesis is that America’s civil religion serves as a discursive framework for the country’s politics of the sacred, mediating the demands of particularistic interests and social solidarity through the interaction of social belief and institutional politics like elections and the Supreme Court. The book penetrates America’s unique political religiosity to reveal and unravel the intricate ways in which politics, political institutions, religion and culture intertwine in the United States.

This book provides a comprehensive investigation of the political dimensions of civil religion in the United States. By employing an original social-psychological theory rooted in semiotics, it offers a qualitative and quantitative empirical examination of more than fifty years of political rhetoric. Further, it presents two in-depth case studies that examine how the cultural, totemic sign of ‘the Founding Fathers’ and the signs of America’s sacred texts (the Constitution and the Declaration of Independence) are used in attempts to link partisan policy positions with notions that the country collectively holds sacred.The book’s overarching thesis is that America’s civil religion serves as a discursive framework for the country’s politics of the sacred, mediating the demands of particularistic interests and social solidarity through the interaction of social belief and institutional politics like elections and the Supreme Court. The book penetrates America’s unique political religiosity to reveal and unravel the intricate ways in which politics, political institutions, religion and culture intertwine in the United States. 

This book provides a comprehensive investigation of the political dimensions of civil religion in the United States. By employing an original social-psychological theory rooted in semiotics, it offers a qualitative and quantitative empirical examination of more than fifty years of political rhetoric. Further, it presents two in-depth case studies that examine how the cultural, totemic sign of ‘the Founding Fathers’ and the signs of America’s sacred texts (the Constitution and the Declaration of Independence) are used in attempts to link partisan policy positions with notions that the country collectively holds sacred.The book’s overarching thesis is that America’s civil religion serves as a discursive framework for the country’s politics of the sacred, mediating the demands of particularistic interests and social solidarity through the interaction of social belief and institutional politics like elections and the Supreme Court. The book penetrates America’s unique political religiosity to reveal and unravel the intricate ways in which politics, political institutions, religion and culture intertwine in the United States.

This book examines Brecht’s theory and method of adaptation. It first reconstructs it into a single framework using four key Brechtian concepts: Fabel, gestus, estrangement effects, and historicizing. It then uses that framework to analyse four Brechtian adaptations: The Tutor, Don Juan, “Socrates Wounded,” and Kriegsfibel. It argues that adaptation occupies a previously unrealised central place in Brecht’s thought, demonstrating that he provides us with a unique way to think about adaptation—as material transformation. It concludes by describing how Brecht is useful for anti-capitalist aesthetics today because through him one can foster a new consciousness which enables better social conditions to be created. This book is practical for both theatre practitioners and artists as well as theorists.