Barnaby Rogerson – författare

A Prospect 'History Book of the Year' 2024A Guardian 'Best Gift Book of 2024''A masterly engagement with the most delicate and important of subjects - filled with gentle empathy, learning and rare balance' Rory Stewart'Rogerson is an original - eloquent and always fascinating ... few British authors understand the Middle East so intimately and well' William DalrympleRecommended on The Rest is Politics and EmpireAt the heart of the Middle East, with its regional conflicts and proxy wars, is a 1400-year-old schism between Sunni and Shia. To understand this divide and its modern resonances, we need to revisit its origins, which go back to the death of the Prophet Muhammad in 632, the accidental coup that set aside the claims of his cousin and son-in-law Ali, and the slaughter of Ali's own son Husayn at Kerbala. These events, known to every Muslim, have created a slender faultline in the Middle East.The House Divided follows these narratives from the first Sunni and Shia caliphates, through the medieval caliphates and empires of the Arabs, Persians and Ottomans, to the contemporary Middle East. It shows how a complex range of identities and rivalries - religious, ethnic and national - have shaped the region, jolted by the seismic shift of the Iranian Revolution of 1979. Rogerson's original approach takes the modern chessboard of nation states and looks at each through its particular history of empires and occupiers, minorities and resources, sheikhs and imams. The result is a book of wide-ranging empathy, understanding and insights.

The Last Crusaders is about the titanic contest between Hadsburg-led Christendom and the Ottoman Empire in the fifteenth and sixteenth centuries, the last great conflict between East and West - the battles that were fought and the men who led the armies that fought them. It was, in its way, the first world war.

The Prophet Muhammad is a hero for all mankind. In his lifetime he established a new religion, Islam; a new state, the first united Arabia; and a new literary language, the classical Arabic of the Qur'an, for the Qur'an is believed to be the word of God revealed to Muhammad by the angel Gabriel. A generation after his death he would be acknowledged as the founder of a world empire and a new civilisation.Any one of these achievements would have been more than enough to permanently establish his genius. To our early twenty-first century minds, what is all the more astonishing is that he also managed to stay true to himself and retained to his last days the humility, courtesy and humanity that he had learned as an orphan shepherd boy in central Arabia. If one looks for a parallel example from Christendom, you would have to combine the Emperor Constantine with St Francis and St Paul, an awesome prospect.Barnaby Rogerson's elegant biography not only looks directly at the life of the Prophet Muhammad, but beautifully evokes for western readers the Arabian world into which he was born in 570 AD.

The Prophet Muhammad taught the word of God to the Arabs. Within a generation of his death, his followers - as vivid a cast of heroic individuals as history has known - had exploded out of Arabia to confront the two great superpowers of the seventh-century and establish Islam and a new civilization. That the protagonists originated from the small oasis communities of central Arabia gives their adventures, their rivalries, their loves and their achievements an additional vivacity and intimacy. So that on one hand, THE HEIRS OF THE PROPHET MUHAMMAD is a swaggering saga of ambition, immense achievement, self-sacrificing nobility and blood rivalry, while on the other it allows us to understand some of the complexities of our modern world. For within this fifty-year span of conquest and empire-building, Barnaby Rogerson also identifies the seeds of discord that destroyed the unity of Islam, and traces the roots of the schism between Sunni and Shia Muslims to the rivalry of the two individuals who best knew and loved the Prophet: his cousin and son-in-law Ali and his wife Aisha.

The Last Crusaders is about the titanic contest between Hadsburg-led Christendom and the Ottoman Empire in the fifteenth and sixteenth centuries, the last great conflict between East and West - the battles that were fought and the men who led the armies that fought them. It was, in its way, the first world war.

The Prophet Muhammad taught the word of God to the Arabs. Within a generation of his death, his followers - as vivid a cast of heroic individuals as history has known - had exploded out of Arabia to confront the two great superpowers of the seventh-century and establish Islam and a new civilization. That the protagonists originated from the small oasis communities of central Arabia gives their adventures, their rivalries, their loves and their achievements an additional vivacity and intimacy. So that on one hand, THE HEIRS OF THE PROPHET MUHAMMAD is a swaggering saga of ambition, immense achievement, self-sacrificing nobility and blood rivalry, while on the other it allows us to understand some of the complexities of our modern world. For within this fifty-year span of conquest and empire-building, Barnaby Rogerson also identifies the seeds of discord that destroyed the unity of Islam, and traces the roots of the schism between Sunni and Shia Muslims to the rivalry of the two individuals who best knew and loved the Prophet: his cousin and son-in-law Ali and his wife Aisha.

This collection of travel writing celebrates friendship and the chance encounters that unexpectedly enrich our lives, which shows the diversity of the Islamic world and the way in which it continues to inspire, bemuse and enrich the western imagination. It includes portraits of scholars and religiousleaders, pop stars, writers, sultans, smugglers, fishermen, tearaway drivers and medieval scholars, from a wide variety of voices – wellknown travel writers, sculptors, film-makers, art historians, aid workers, diplomats andtranslators. The book dedicated to the millions who marched against the war in Iraq, and who wish that Britain's other voice be heard.

This collection On Travel is clever, funny, provoking and confrontational by turn. In a pyrotechnic display of cracking one- liners, cynical word play and comic observation, it mines three thousand years of wit and wisdom: from Martha Gellhorn to Confucius and from Pliny to Paul Theroux.

North Africa is defined by the Mediterranean, the Atlantic and the Nile, as well as the sand sea of the Sahara. It has seen waves of invasion, be it Romans assaulting the Carthaginians, the Arab cavalry armies of the Caliphate, fleets of Spanish and Portuguese Crusaders, as well as the machinations of French imperialists and Italian Fascists. Its peoples have always resisted but also selectively assimilated, to create a complex range of societies, that now strongly identify with the other Muslim and Arab nations of the central Middle East, albeit with a distinct Berber-African base identity. We delight in re-telling the potent stories of such heroes, as Hannibal, Oqba ibn Nafi, Barbarossa, Omar al Mukhtar, Abel Kader and Abdel Krim, as well as the legends wrapped around Queens Dido, Kahina and Zaynab

Recommended on The Rest is Politics and EmpireA Guardian 'Best Gift Book of 2024'A Waterstones Best History Book of 2024'A masterly engagement with the most delicate and important of subjects - filled with gentle empathy, learning and rare balance' Rory Stewart'Rogerson is an original - eloquent and always fascinating ... few British authors understand the Middle East so intimately and well' William Dalrymple'Brilliant' Anita Anand'This is not a book to be ignored' The TimesAt the heart of the Middle East, with its regional conflicts and proxy wars, is a 1400-year-old schism between Sunni and Shia. To understand this divide and its modern resonances, we need to revisit its origins, which go back to the death of the Prophet Muhammad in 632, the accidental coup that set aside the claims of his cousin and son-in-law Ali, and the slaughter of Ali's own son Husayn at Kerbala. These events, known to every Muslim, have created a slender faultline in the Middle East.The House Divided follows these narratives from the first Sunni and Shia caliphates, through the medieval caliphates and empires of the Arabs, Persians and Ottomans, to the contemporary Middle East. It shows how a complex range of identities and rivalries - religious, ethnic and national - have shaped the region, jolted by the seismic shift of the Iranian Revolution of 1979. Rogerson's original approach takes the modern chessboard of nation states and looks at each through its particular history of empires and occupiers, minorities and resources, sheikhs and imams. The result is a book of wide-ranging empathy, understanding and insights.

A Prospect ''History Book of the Year'' 2024A Guardian ''Best Gift Book of 2024''''A masterly engagement with the most delicate and important of subjects - filled with gentle empathy, learning and rare balance'' Rory Stewart''Rogerson is an original - eloquent and always fascinating ... few British authors understand the Middle East so intimately and well'' William DalrympleRecommended on The Rest is Politics and EmpireAt the heart of the Middle East, with its regional conflicts and proxy wars, is a 1400-year-old schism between Sunni and Shia. To understand this divide and its modern resonances, we need to revisit its origins, which go back to the death of the Prophet Muhammad in 632, the accidental coup that set aside the claims of his cousin and son-in-law Ali, and the slaughter of Ali''s own son Husayn at Kerbala. These events, known to every Muslim, have created a slender faultline in the Middle East. The House Divided follows these narratives from the first Sunni and Shia caliphates, through the medieval caliphates and empires of the Arabs, Persians and Ottomans, to the contemporary Middle East. It shows how a complex range of identities and rivalries - religious, ethnic and national - have shaped the region, jolted by the seismic shift of the Iranian Revolution of 1979. Rogerson''s original approach takes the modern chessboard of nation states and looks at each through its particular history of empires and occupiers, minorities and resources, sheikhs and imams. The result is a book of wide-ranging empathy, understanding and insights.

Rogerson''s Book of Numbers tells the stories behind our iconic numbers. It is based on a numerical array of virtues, spiritual attributes, gods, devils, sacred cities, powers, calendars, heroes, saints, icons and cultural symbols. It provides a dazzling mass of information for those intrigued by the many roles numbers play in folklore and popular culture, in music and poetry, and in the many religions, cultures and belief systems of our world.The stories unfold from millions to zero: from the number of the beast (666) to the seven deadly sins, the twelve signs of the zodiac to the four suits of a pack of cards. Along the way you will discover why Genghis Khan built a city of 108 towers, how Dante forged his Divine Comedy on the number eleven, and why thirteen is so unlucky in the west while fourteen is the number to avoid in China.Now available as a paperback, this is your pocket-book guide to the numerical mysteries of the universe.

The English tend either to look towards the Lord in his moated castle or the poor peasant at his gate, to polarise between nob and mob, capitalist and communist. This book takes us into another English landscape. It is the tale of an ordinary family, quietly proud of their parish, pub and position, who treat their children as equals. The only extraordinary thing about them is that they have kept hold of their stories, which now reach back over fifteen generations. This chronicle told backwards from yesterday s gossip to the times of the Tudors reveals a contented England, lived in and loved by a family of vicars and farmers, colonels and brewers, naval commanders and horse-lovers. It is also an honest narrative, recording scandals and suicides beside occasional successes, be they on the battlefield, in the boardroom or the bedroom.

Bruce Wannell was the greatest Orientalist traveller of his generation: a Paddy Leigh Fermor of the East, a Kim for our own time. He lived in Iran through the 1979 revolution, worked for a decade in the North West Frontier during the wars in Afghanistan and could transcribe the most complex Arabic calligraphy by sight. Although he lived in the lands of Islam he also knew all the artistic treasures of Christendom. His curious combination of talents scholar, linguist, musician, translator and teacher - were duplicated by an international network of friendships with poets, spies, aid-workers, diplomats, artists and writers. Speaking Iranian and Afghan Persian with a dazzling, poetic fluency, he could also talk in Arabic, Pushtu, Urdu, Swahili and could lecture fluently in French, Italian, English or German. In the last fifteen years of his life he lived for a third of the year in Delhi with William Dalrymple, hunting down unpublished Mughal histories and providing the author with translations of historical documents. It was an extraordinarily successful double act, which produced four revisionist south-Asian histories that were also international best sellers. The rest of the year was balanced by other travels, working as a dragoman-guide or pursuing his own esoteric researches, based in the modest footprint of a tiny attic in York, triple-lined with books. It was worthy of a medieval wandering scholar or a bare footed Dervish. Bruce had a number of identities, which gives this collection of original essays from trusted friends and old colleagues a dazzling diversity. They give a fascinating insight into a remarkable and diverse life. He was a man who could quote Hafiz from memory, rustle up a lethal cocktail, lose himself in Brahms, open any door, organise a concert within days of arriving in a foreign city or walk across a mountain with just walnuts and dried mulberries in his pocket.

London's poetry ranges from the up-beat rap of Benjamin Zephaniah to Wordsworth's dawn sigh over the beauty of Westminster Bridge, from half-charred lines of Anglo-Saxon to yesterday's lyrics retrieved from a pub floor. Like the city itself this collection is full of grief, irony and delight. It shares no unifying historical vision and offers no single perspective over this tidal valley of mud, gravel, power and gold. Instead the unblinking eyes of the poets, touched by God, madness and desire, create a potent and highly personal corrective to political history.

For 40 years, Barnaby Rogerson has travelled across North Africa, making sense of the region's complex and fascinating history as both a writer and a guide. Throughout that time, there have always been a handful of stories he could not pin into neat, tidy narratives; stories that were not distinctly good or bad, tragic or pathetic, selfish or heroic, malicious or noble. This book, neither a work of history nor travel writing, is a journey into the ruins of a landscape to make sense of these stories through the lives of five men and one woman. A sacrificial refugee (Queen Dido), a prisoner-of-war who became a compliant tool of the Roman Empire (King Juba), an unpromising provincial who, as Emperor, brought the Empire to its dazzling apogee (Septimius Severus), an intellectual careerist who became a bishop and a saint (St Augustine), the greatest General the world has ever known (Hannibal), and the Berber Cavalry General who eventually defeated him (Masinissa). Though all six lives have been clouded with as much myth as fact, the destinies of these North African figures remain highly relevant today. Their descendants are faced with the same choices: Do you stay pure to your own culture and fight against the power of the West, or do you study and assimilate this other culture, and utilise its skills? Will it greet you as an ally only to own you as a slave? The chosen heroes of this book represent classical North Africa, and not the familiar drum roll of Julius Caesar, Augustus, Trajan, Hadrian, Constantine and Justinian. In between these life stories, we explore ruins which tell their own tales and see the multiple interconnections that bind the culture of this region with the wider world, particularly the spiritual traditions of the ancient Near East. With photographs by Don McCullin.