Barry McCrea – författare

'Detection is, or ought to be, an exact science'For more than a century the Holmes stories have held a strange, almost inexplicable grip on the popular imagination. They are intimately associated with late Victorian and Edwardian society, yet curiously timeless in their appeal. The characters of Sherlock Holmes and Dr Watson, together with their housekeeper Mrs Hudson and their address at 221B Baker Street are as familiar today as when they made their first appearance in the late 1880s. The stories have been endlessly interpreted, adapted, and modernized, but still it is to Arthur Conan Doyle's originals that we return. This new selection of some of the best of them is designed to give readers a full sense of their world: the brooding fog of London, ruined heirs in creaking mansions, and hidden crimes in the farthest-flung corners of the British Empire. The stories take Holmes's career from its early days to its close, and include the book-length Sign of the Four. Barry McCrea's introduction investigates the currents that lie beneath their surface.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds-a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.

In the Company of Strangers shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, Barry McCrea suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. Tracing the challenges to the family plot mounted by figures such as Fagin, Sherlock Holmes, Leopold Bloom, and Charles Swann, McCrea tells the story of how bonds generated by chance encounters between strangers come to take over the role of organizing narrative time and give shape to fictional worlds-a task and power that was once the preserve of the genealogical family. By investigating how the question of family is a hidden key to modernist structure and style, In the Company of Strangers explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.