Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein’s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ‘ineffable’ truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ‘illusions of thought’; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work’s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein’s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

The second in a series of books that seeks to illuminate Francis Bacon’s art and motivations, and to open up fresh and stimulating ways of understanding his paintings.Francis Bacon is one of the most important artists of the 20th century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: firstly, that Bacon is an existentialist painter, depicting an absurd and godless world; and secondly, that he is an anti-representational painter, whose primary aim is to bring his work directly onto the spectator’s ‘nervous system’. Francis Bacon: Painting, Philosophy, Psychoanalysis brings together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and to open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Hegel, Freud, Lacan, Adorno and Heidegger, as well as situating his work in the broader contexts of modernism and modernity. The result is a timely and thought-provoking collection that will be essential reading for anyone interested in Bacon, modern art and contemporary aesthetics.

A collection of essays that opens up new connections between Francis Bacon’s art and the ideas of key thinkers. Francis Bacon is undoubtedly one of the most important artists of the twentieth century. In his paintings, Bacon radically disfigures his subjects, making them all but unrecognizable. This is no mere stylistic quirk, but the expression of a deeply held aesthetic vision. For Bacon, the essence of a subject can only be captured in the distorted recording of its appearance. His disfigurations are therefore, as he himself says, attempts to bring back the intensity of reality, to paint images that are ‘truer than the literal truth’. In this groundbreaking collection of essays, some of today’s leading philosophers and psychoanalytic theorists go to work on Bacon. They do to the artist what the artist does to his own figures: they disfigure and distort him, twisting and turning him into something new and previously unseen. This strategy of disfiguration blasts Bacon out of his traditional contexts, opening up new connections between his art and the ideas of key thinkers, including Kant, Marx, Nietzsche, Baudelaire, Freud, Canguilhem, Genet, Lacan, Adorno and Althusser. The results are revelatory, allowing us to transform our understanding not only of Bacon but also of modernism itself.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein’s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ‘ineffable’ truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ‘illusions of thought’; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work’s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein’s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

Ludwig Wittgenstein''s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein''s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ''ineffable'' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ''illusions of thought''; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work''s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein''s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

Ludwig Wittgenstein''s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein''s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ''ineffable'' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ''illusions of thought''; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work''s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein''s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

On Extinction takes us on a breathtaking philosophical journey through desperate territory. As we face 'the end of all things', Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality.Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.

On Extinction takes us on a breathtaking philosophical journey through desperate territory. As we face ''the end of all things'', Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality.Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.

Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein’s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ‘ineffable’ truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ‘illusions of thought’; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work’s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein’s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

The second in a series of books that seeks to illuminate Francis Bacon’s art and motivations, and to open up fresh and stimulating ways of understanding his paintings.Francis Bacon is one of the most important artists of the 20th century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: firstly, that Bacon is an existentialist painter, depicting an absurd and godless world; and secondly, that he is an anti-representational painter, whose primary aim is to bring his work directly onto the spectator’s ‘nervous system’. Francis Bacon: Painting, Philosophy, Psychoanalysis brings together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and to open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Hegel, Freud, Lacan, Adorno and Heidegger, as well as situating his work in the broader contexts of modernism and modernity. The result is a timely and thought-provoking collection that will be essential reading for anyone interested in Bacon, modern art and contemporary aesthetics.

A collection of essays that opens up new connections between Francis Bacon’s art and the ideas of key thinkers. Francis Bacon is undoubtedly one of the most important artists of the twentieth century. In his paintings, Bacon radically disfigures his subjects, making them all but unrecognizable. This is no mere stylistic quirk, but the expression of a deeply held aesthetic vision. For Bacon, the essence of a subject can only be captured in the distorted recording of its appearance. His disfigurations are therefore, as he himself says, attempts to bring back the intensity of reality, to paint images that are ‘truer than the literal truth’. In this groundbreaking collection of essays, some of today’s leading philosophers and psychoanalytic theorists go to work on Bacon. They do to the artist what the artist does to his own figures: they disfigure and distort him, twisting and turning him into something new and previously unseen. This strategy of disfiguration blasts Bacon out of his traditional contexts, opening up new connections between his art and the ideas of key thinkers, including Kant, Marx, Nietzsche, Baudelaire, Freud, Canguilhem, Genet, Lacan, Adorno and Althusser. The results are revelatory, allowing us to transform our understanding not only of Bacon but also of modernism itself.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical ideas in Wittgenstein, Beckett, Kierkegaard, Kant, Cavell, Marx, Henry James and Lacan, Ware demonstrates how these thinkers can bring us to a new understanding of a constellation of issues which contemporary radical thought must re-visit: utopia, repetition, perfectionism, subtraction, negativity, critique, absence, duty, revolution and political love. The result is a timely and provocative intervention, which re-draws the boundaries for future debates on the ethics and politics of modernism.

Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein’s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ‘ineffable’ truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ‘illusions of thought’; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work’s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein’s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

Ludwig Wittgenstein''s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein''s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ''ineffable'' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ''illusions of thought''; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work''s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein''s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

Ludwig Wittgenstein''s Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein''s early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate ''ineffable'' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain ''illusions of thought''; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character.By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work''s ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein''s writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

On Extinction takes us on a breathtaking philosophical journey through desperate territory. As we face 'the end of all things', Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality.Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.

On Extinction takes us on a breathtaking philosophical journey through desperate territory. As we face ''the end of all things'', Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality.Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.