Benjamin Bateman – författare

Whether we speak of queer bodies targeted for harassment, queer sensibilities derided as dangerous, or queer intimacies denied legitimacy, we acknowledge a close companionship between queerness and precariousness. Queerness remains continuously under threat; these threats to survival can be immediate, as in the AIDS crises, or more subtle and entrenched. Many queer lives thus end prematurely and drastically-but not all end in the physical expiration of life. Some terminate gradually and even unconsciously in the countless concessions to normativity demanded by dominant cultures that perceive, through a perverse set of projective identifications, their own survival as imperiled by queerness. The Modernist Art of Queer Survival explores an archive of modernist archive of modernist literature that conceives survival as a collective enterprise linking lives across boundaries of race, time, class, species, gender, and sexuality. As social Darwinism promoted a selfish, competitive, and combatively individualistic understanding of survival, the five modernists examined in The Modernist Art of Queer Survival countered by imagining how postures of precarity, vulnerability, humility, and receptivity can breed pleasurably and ecologically sustainable modes of interdependent survival. These modes prove particularly vital and appealing to queer bodies, desires, and intimacies deemed unfit, abnormal, or unproductive by heterosexist ideologies. Authors and texts discussed include Henry James's "The Beast in the Jungle," Oscar Wilde's De Profundis, E.M. Forster's Howards End and A Passage to India, and Willa Cather's "Consequences" and Lucy Gayheart.

Queer Disappearance in Modern and Contemporary Fiction breaks with appearance-based models of queer performativity and argues for the experiential richness and political potentials of recessive tendencies in twentieth and twenty-first-century queer literary production. The study theorizes a "perish-performative" that allows for agency in practices of abeyance, and it discovers within queerness's ample archive of vanishing acts an environmental ethos antithetical to inflationary versions of the human. Tying modernist classics by E.M. Forster and Willa Cather to Andrew Holleran's gay classic Dancer from the Dance, and then moving to the contemporary ecogothic of Lydia Millet's How the Dead Dream and the trans decadence of Shola von Reinhold's Lote, the book refuses the common wisdom that queerness becomes louder and prouder over time, delineating instead a minimalist and daydreaming subjectivity wherein queerness finds escape, respite, and varied opportunities for imaginative reverie. This precarious subjectivity, necessitated but not defined by oppression and obstacle, rewards and restores the queer self, and it also contests the logics of development, acquisition, and productivity that wreak havoc on the planet and entrench social disparities of race, class, and ability. Queer Disappearance in Modern and Contemporary Fiction supplies multiple accounts of the collective and personal pleasures, possibilities, and perils to be found in pulling away, going missing, and taking a break.