Benjamin Noys - Böcker

The publication Twin Figure of Mimesis is a scripted journey through the landscape of performative mimetics. Written as a double bill, where a collection of essays meets a scripted version of a performative work, the book aims to discuss and problematize a platonic paradigm in performing arts, organising the world in truth and false, original and copy. Opposed to this, the texts address various alternative concepts of mimesis. Not the double as a more or less authentic copy of an original - only validated in its relation to a master signifier - but the double/figure/image as alterity; an autonomous “thing” existing in the world on its own premises. Suggesting this as the foundation for a new set of objectives, devoted to the production of alterity rather than of identity and identification, the essays reflect what would be a relevant tropology, apparatus and set of tools. The essays are written in dialogue with, and responded by, Goran Sergej Pristas, Bojana Cvejic, Benamin Noys and Peggy Phelan. Preface by Austin Gross. // Anders Paulin's book "The Twin Figure of Mimesis" expands the performances from the Three White Soldiers triology (2014-2018) into a broad theoretical discussion. The book is written by Anders in dialogue with Benjamin Noys, Bojana Cvejic, Peggy Phelan, Sergej Pristas och Austin Gross. What does theater really do when you remove representation and images? Can we understand this as a political problem and economic transaction? How can we think about the production and reproduction of images and ideas in a time of an accelerationist overflow of impressions? And how can we, going beyond these problems, come up with a mission and new tools for contemporary performing arts and its institutions? // svenska: Anders Paulins bok ”The Twin Figure of Mimesis” bygger ut föreställningarna i trilogin Three White Soldiers (2014-2018) till en bred konst-teoretisk diskussion. Boken är skriven av Anders i en dialog med Benjamin Noys, Bojana Cvejic, Peggy Phelan, Sergej Pristas och Austin Gross. Vad är det teatern gör när det avbildar/föreställer – egentligen? Kan vi förstå avbildningen som ett politiskt problem och ekonomisk transaktion? Hur kan vi tänka kring produktion och reproduktion av bilder och idéer i vår tids accelererande överflöd av intryck? Och hur kan vi utifrån dessa problem formulera uppdrag och verktyg för en samtida scenkonst och dess institutioner. // Introduction: This could be said to be the story about the Twin Figure of Mimesis. The mimetic figure Alterity is something as odd as a twin considerably older than its sibling. Alterity is a liberating figure born in the instant we model a copy of the world; a fetish, an image or a story. It is the intervention of fiction needed to dislodge reality from itself, in order to render it open for reflection, interpretation and imagery. The figure Identity is the younger twin, operating in the very end of the mimetic road. If Alterity works in the gap between reality and copy, the mission of Identity is the reappropriation of the figure. Where the older twin opens the gate for our gaze to probe into the potential of the un-knowable, the younger one closes it again in the name of Identification and Knowledge.

This is a guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated erotic novel, The Story of the Eye. Benjamin Noys introduces Bataille as a writer out of step with the dominant intellectual trends of his day - surrealism and existentialism - and shows that it was his very marginality that accounted in large part for his subsequent importance for the post-structuralists and the counterculture, in Europe and in the United States.Treating Bataille's work as a whole rather than focusing, as other studies have done, on aspects of his work (i.e. as social theory or philosophy), Noys' study is intended to be sensitive to the needs of students new to Bataille's work while at the same time drawing on the latest research on Bataille to offer new interpretations of Bataille's oeuvre for more experienced readers. This is the first clear, introductory reading of Bataille in English - challenging current reductive readings, and stressing the range of disciplines affected by Bataille's work, at a time when interest in Bataille is growing.

Through a series of incisive readings of leading theoretical figures of affirmationism – Jacques Derrida, Gilles Deleuze, Bruno Latour, Antonio Negri and Alain Badiou – Benjamin Noys contests the tendency of recent theory to rely on affirmation, and especially an affirmative thinking of resistance. He reveals a profound current of negativity that allows theory to return to its political calling.

Envisioning the Good Life is a call to re-imagine our lives beyond the limits of recent understandings. While contemporary thinkers of life have promoted a vision of life as excess to escape the crises that beset the present, these vitalist visions leave life detached from reality and fragmented. Contemporary vitalism imagines life as excessive, savage life, as damaged life that flees power, and as redeemed life that forms a new dispersed community. While exploring these visions of life, this book argues for an integrated understanding of the good life. Reading against the limits of the current imaginary, Envisioning the Good Life suggests that our lives are not defined by the limits of illness, death, and finitude. This book urges us to rediscover the vision of the good life in the collective and to grasp our own powers to transform our lives and the world.

Envisioning the Good Life is a call to re-imagine our lives beyond the limits of recent understandings. While contemporary thinkers of life have promoted a vision of life as excess to escape the crises that beset the present, these vitalist visions leave life detached from reality and fragmented. Contemporary vitalism imagines life as excessive, savage life, as damaged life that flees power, and as redeemed life that forms a new dispersed community. While exploring these visions of life, this book argues for an integrated understanding of the good life. Reading against the limits of the current imaginary, Envisioning the Good Life suggests that our lives are not defined by the limits of illness, death, and finitude. This book urges us to rediscover the vision of the good life in the collective and to grasp our own powers to transform our lives and the world.

This first book in a three-volume collection of Georges Bataille’s essays introduces English readers to his philosophical and critical writings.In the aftermath of the Second World War, French thinker and writer Georges Bataille forged a singular path through the moral and political impasses of his age. In 1946, animated by “a need to live events in an increasingly conscious way,” and to reject any compartmentalization of intellectual life, Bataille founded the journal Critique. Adopting the format of the review essay, he surveyed the post-war cultural landscape while advancing his reflections on excess, non-knowledge, and the general economy. Focusing on literature as a mode of sovereign uselessness, he tackled prominent and divisive figures such as Henry Miller and Albert Camus.  In keeping with Critique’s mission to explore the totality of human knowledge, Bataille’s articles did not just focus on the literary but featured important reflections on the science of sexuality, the Chinese Revolution, and historical accounts of drunkenness, among other matters. Throughout, he was attuned to how humanity would deal with the excessive forces of production and destruction it had unleashed, his aim being a way of thinking and living that would inhabit that excess.  This is the first of three volumes collecting Bataille’s post-war essays. Beginning with an article on Nietzsche and fascism written shortly after the liberation of Paris and running to the end of 1948, these texts make available for the first time in English the systematic diversity of Bataille’s post-war thought.

A critical intervention on the relationship between language and matter.If the twentieth century was the century in which language was at the center of thought, the twenty-first century has, so far, been the century of matter. The Matter of Language is a critical intervention that aims to return to the relationship between language and matter to think of our present moment as one dominated by abstractions that rule our lives. In a series of dated chapters, that form punctual moments of intervention, this book both rehabilitates key thinkers, like Marx, Freud, and Saussure, and engages with poetic thinking on matter in David Jones, Diane di Prima, William Blake, Leslie Kaplan, and others. It is a matter of understanding language as a site of struggle, which is intimately bound to the material but also crucial in formulating and expressing the material and the abstractions that shape language and matter. Working between theory and poetry, The Matter of Language reconceives notions of alienation and class struggle as essential modes of reading and analysis for our fractured present.

An introduction for English-language readers to Georges Bataille’s postwar philosophical and critical writings.In the aftermath of World War II, French thinker and writer Georges Bataille forged a singular path through the moral and political impasses of his age. In 1946, animated by “a need to live events in an increasingly conscious way,” and to reject any compartmentalization of intellectual life, Bataille founded the journal Critique. Continuing the publication of his postwar writings, this second book in a three-volume collection of Bataille’s work collects his essays and reviews from the years 1949 to 1951.In this period of intellectual isolation and intense reflection, Bataille developed and refined his genealogy of morality through a sustained reflection on the fate of the sacred in the modern world. He offered a critique of the limits of existing morality, especially in its denial of excess, while sketching the lineaments of a new hyper-morality. Bataille’s wide-ranging reflections are true to the intellectual mission of Critique, which he founded as a space open to the broadest considerations of the present. As well as discussing significant figures like Samuel Beckett, André Gide, and René Char, Bataille also offers fascinating reflections on American politics, Nazism, existentialism, materialism, and play.The connecting thread in these diverse essays remains Bataille’s concern with the extremes of human experience and the possibilities of transcending the limits of societies founded on utility and restraint. His writings remain a provocative incitement to rethink the boundaries we impose on expression and existence.

Western culture has always been obsessed with death, but now death has taken on a new, anonymous form. The 20th Century saw the mass production of corpses through war and the triumph of technology over the human body. The new millennium has opened with global terrorism and the suspension of all human rights in far-flung prison camps. We live in an age of panic, when the fear of death at any time and in any place is present. And we live in an age of apathy towards both science and institutional politics, an age which has sanctioned the rise of techno-medical and political powers which can deny our control over our own bodies and lives and the lives of others. The Culture of Death explores this moment to analyse our exposure to death in modern culture.

Western culture has always been obsessed with death, but now death has taken on a new, anonymous form. The 20th Century saw the mass production of corpses through war and the triumph of technology over the human body. The new millennium has opened with global terrorism and the suspension of all human rights in far-flung prison camps. We live in an age of panic, when the fear of death at any time and in any place is present. And we live in an age of apathy towards both science and institutional politics, an age which has sanctioned the rise of techno-medical and political powers which can deny our control over our own bodies and lives and the lives of others. The Culture of Death explores this moment to analyse our exposure to death in modern culture.

We are told our lives are too fast, subject to the accelerating demand that we innovate more, work more, enjoy more, produce more, and consume more. That�s one familiar story. Another, stranger, story is told here: of those who think we haven�t gone fast enough. Instead of rejecting the increasing tempo of capitalist production they argue that we should embrace and accelerate it. Rejecting this conclusion, Malign Velocities�tracks this 'accelerationism' as the symptom of the misery and pain of labour under capitalism. Retracing a series of historical moments of accelerationism - the Italian Futurism; communist accelerationism after the Russian Revolution; the 'cyberpunk phuturism' of the �90s and �00s; the unconscious fantasies of our integration with machines; the apocalyptic accelerationism of the post-2008 moment of crisis; and the terminal moment of negative accelerationism - suggests the pleasures and pains of speed signal the need to disengage, negate, and develop a new politics that truly challenges the supposed pleasures of speed.

Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming.