Bill Shapiro - Böcker

Contributors include: Cheryl Strayed, Melinda Gates, Tony La Russa, Joss Whedon, Tim O'Brien, Ta-Nehisi Coates, James Patterson, Mark Cuban, Hasan Minhaj, Daniel Libeskind, and many more! Everyone has that one object that holds deep meaning--some relic that speaks to our past, that carries a remarkable story. What We Keep will reveal the secret lives of objects--and the small, emotional moments we keep from the world but that make us who we are. For example, why would Joss Whedon keep a straw boater hat on his bedroom wall? Or how did a "hideously beautiful" vintage Chanel blazer change the life of one Austin, Texas woman? The objects and stories come from a sweeping range of experiences and demographics--from famous entrepreneurs (Mark Cuban), award-winning writers (Ta-Nehisi Coates, Tim O'Brien), and cultural icons to hairdressers, dishwashers, and dog-walkers. Each story will appear in the form of an "as told to" along with a photo of the object, allowing the reader to see the nicks and scuffs on a locket, a playing card, a pocket knife. Of the countless objects we come across over the course of our lifetime, the objects we keep say a lot about us.What We Keep will provide an intriguing glimpse into the private worlds of various people, and will lead us to question our own treasured things. Amidst the dueling trends of decluttering and over-consumption, this collection is a breath of fresh air, leading us to question what we truly value.

Clark Winter’s perceptive photographs of cars across the decades—and around the world—revel in nostalgia while revealing the subtleties of our relationship with automobiles, drivers and the things we see along the way. Since their invention, cars have been one of the driving forces behind America’s constantly changing culture. Not only have they helped shape the country’s sprawling cities and suburban society, but they’ve inspired films (from American Graffiti to The Fast and the Furious) and songs ( from the Beach Boys’ zippy Fun, Fun, Fun to Bruce Springsteen’s anthemic Thunder Road ) and an endless parade of road-trip books. Over the course of half a century, Clark Winter captured images of the car as a symbol of Americana, yes, but more intriguingly, he also found a global spirit in this form of transportation in countries such as Spain, Italy and China. Winter’s photographs, made in both color and black-and white, are not simply focused on the vehicles but rather on the way people physically relate to cars, turning each image into a stage upon which a drama quietly (and sometimes comically) unfolds between owner, passenger, and passerby. And because these dramas are universal—eating ice cream in the backseat, waiting for a pump at the gas station, stuck in traffic, busted for speeding—Winter’s wide-eyed, often lighthearted pictures invite us to recall and relive our own days of adventure, romance and speed.