Bohdan Shumylovych – författare
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3 produkter
3 produkter
Psychosocial and Cultural Perspectives on the War in Ukraine
Imprints and Dreamscapes
Häftad, Engelska, 2024
601 kr
Skickas inom 10-15 vardagar
This innovative and important book explores how war imprints on culture and the psychosocial effects of war on individuals and societies, based on the first few months after the outbreak of war in Ukraine in 2022.The book approaches the conflict in Ukraine through the prism of creative and artistic material alongside scholarly analysis to highlight the multiplicity of subjective experiences. Essays are complemented by material from the ‘war diaries’, which comprise day diaries, dream diaries, artistic and poetic material composed by students and academics in February and March 2022. With chapters focusing on fear, ruptures and resistance, the book examines different aspects of subjective, cultural and embodied experiences of war. It examines elements that dominant perspectives of war often overlook; the quotidian, personal and emotive ways that war is registered individually and collectively in societies and cultures.Highlighting different narratives that illuminate the complex effects of war, this book is highly relevant for postgraduate students, researchers and advanced undergraduate students in the fields of cultural psychology, psychosocial studies, peace and conflict studies and cultural history.Chapter 4, Chapter 5, Chapter 7 and Chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.To read the online archive of Two Months of War, please visit the Urban Media Archive of the Center for Urban History (Lviv, Ukraine): https://uma.lvivcenter.org/en/collections/178/interviews
Psychosocial and Cultural Perspectives on the War in Ukraine
Imprints and Dreamscapes
Inbunden, Engelska, 2024
2 056 kr
Skickas inom 10-15 vardagar
This innovative and important book explores how war imprints on culture and the psychosocial effects of war on individuals and societies, based on the first few months after the outbreak of war in Ukraine in 2022.The book approaches the conflict in Ukraine through the prism of creative and artistic material alongside scholarly analysis to highlight the multiplicity of subjective experiences. Essays are complemented by material from the ‘war diaries’, which comprise day diaries, dream diaries, artistic and poetic material composed by students and academics in February and March 2022. With chapters focusing on fear, ruptures and resistance, the book examines different aspects of subjective, cultural and embodied experiences of war. It examines elements that dominant perspectives of war often overlook; the quotidian, personal and emotive ways that war is registered individually and collectively in societies and cultures.Highlighting different narratives that illuminate the complex effects of war, this book is highly relevant for postgraduate students, researchers and advanced undergraduate students in the fields of cultural psychology, psychosocial studies, peace and conflict studies and cultural history.Chapter 4, Chapter 5, Chapter 7 and Chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.To read the online archive of Two Months of War, please visit the Urban Media Archive of the Center for Urban History (Lviv, Ukraine): https://uma.lvivcenter.org/en/collections/178/interviews
Making of a Media Nation
Television and Popular Culture in Soviet Ukraine during the 1950s-1980s
Häftad, Engelska, 2026
471 kr
Kommande
This book contributes to a scholarly understanding of socialist media and the public sphere, particularly within the Ukrainian context. It focuses on the period from the late 1950s—when television was introduced across much of the Soviet Union—to the late 1980s, when media became a tool in reformist and oppositional movements. Bohdan Shumylovych investigates the evolving role of media in the post-war and late Soviet Ukrainian society. Based primarily on extensive archival research conducted in multiple Ukrainian regions between 2016 and 2020, the study also uses oral history interviews with former media practitioners and viewers. The book is neither solely a media history nor exclusively a study of popular culture and television. Rather, it integrates regional and republican television with state-sponsored popular culture, revealing how these intersecting domains co-produced a distinct Soviet Ukrainian mediascape. By examining the formation of socialist media culture at the convergence of radio, television, and popular music, Shumylovych highlights the ideological dimensions and politicization of the cultural output of this time. Ultimately, the book contributes to understanding how Soviet media not only reflected state priorities but also played a central role in shaping national imaginaries that anticipated Ukraine’s post-Soviet nationhood.